LOGINShe gave him everything. He threw her away for a lie. Luna Selene Ashford was the perfect mate — devoted, strong, and deeply in love with the most powerful Alpha in the northern territory. For three years, she stood by Caden Blackwell's side, building his empire, loving his pack, carrying the weight of his world on her shoulders. Then she came back. Vivienne Cole, his beautiful, manipulative ex, returned with poisoned words and a devastating secret she claimed to have kept. One night, Caden thrust divorce papers across the dinner table without a single tremor in his jaw. Just like that, Selene was gone. What Caden doesn't know — what no one knows — is that Selene walked out of that mansion carrying something far more precious than any title or territory. His children. His heir. His blood. Forced to start over with nothing but her pride, her unborn secret, and a mother who warned her from the very beginning, Selene must rebuild herself from the ashes of a love that nearly destroyed her. But the Moon Goddess does not forget debts. And when the truth of Vivienne's lies begins to unravel — when Caden finally sees what he threw away — it may already be too late. Some rejections cannot be undone. Some secrets change everything. And some broken women rise into something their mates never deserved.
View More~Selene’s POV~
"Congratulations, Luna Ashford. You're going to be a mother."
Dr. Priya Noel's voice is still ringing in my ears as I step out of the private clinic and into the pale afternoon light.
I stop on the pavement, pressing one hand flat against the cold stone wall to steady myself, the other instinctively falling to my stomach.
A mother.
I've waited two and a half years for this. Two and a half years of quiet hoping, of mornings where I'd stare at negative tests and force a smile before heading downstairs to make Caden his coffee. Two and a half years of swallowing the ache every time a pack member's mate cradled a newborn at a gathering.
And now, here it is.
A tiny, impossible miracle growing inside of me.
I want to laugh. I want to cry. I want to call Caden right now, hear his voice go rough with that specific tenderness he reserves only for me, hear him say something ridiculous and wonderful like he always does when something matters to him.
My driver, Marco, is waiting at the curb. He opens the rear door with a respectful dip of his head the moment he spots me.
"Home, ma'am?" he asks.
"Home," I confirm, sliding inside.
The word settles over me like a warm blanket.
Home. Blackwell Manor, sitting at the top of Cresthaven Ridge, surrounded by dark pines and the rich, earthy scent of pack territory. It never truly felt like mine in the beginning — that sprawling stone estate with its high ceilings and cold portraits of Caden's ancestors staring down at every hallway.
But time and love have a way of carving out spaces where you belong. Now, every room is imprinted with some memory of us. The kitchen where I'd stay up too late reading while he worked. The balcony where he'd pull me against his chest on cold nights and rest his chin on my head without saying anything at all.
I lean back against the leather seat and breathe.
Tonight will be special. I will cook for him — something slow and warm, something that fills the manor with a scent that wraps around him the moment he steps through the door. I'll place the results report in a little box, tied with ribbon. I know exactly how his face will look when he opens it.
He wants this just as badly as I do. He's never said it in grand words, but I know Caden. I know the way his jaw tightens whenever another Alpha boasts about his sons training on the field. I know the way his eyes linger on children at pack events, always just a second too long.
This baby will change everything.
This baby will be the beginning of the rest of our lives.
I smile the whole way home.
---
By seven o'clock, the table is set. Candles lit. The slow-roasted lamb he loves, the one with rosemary and that particular sea salt he orders from overseas, is resting on the rack. The little velvet box sits at the centre of his place setting like a secret waiting to be discovered.
The housekeeper, Mrs. Gale, peeks into the dining room and blinks at the scene.
"Oh, Luna. You've outdone yourself."
"Go home, Mrs. Gale," I tell her, smiling. "Take the evening."
She leaves with a knowing look and a quiet laugh, and I'm alone in the warmth and candlelight.
I check the clock.
Eight o'clock.
I sit down and wait.
Eight forty-five. I reheat his plate.
Ten past nine. I blow out one candle that's burned down too far.
Ten fifteen. I pour myself a glass of water and sit at the table again, staring at the velvet box.
I tell myself he's busy. There have been problems at the northern border recently — rogue activity, disputes with the Hollowcrest Pack over territory lines. Some nights don't belong to us. I know this. I've always known this.
When the front door finally opens at nearly eleven, I rise from the chair and smooth my dress.
The moment he enters the hallway, something shifts in the air.
Caden looks exhausted, yes — his tie loose, his dark hair slightly dishevelled — but it's his eyes that make me pause.
They're flat.
Not tired-flat. Not stressed-flat.
Decided.
He looks at the candles, at the set table, at me standing in the doorway of the dining room, and something flickers across his face that I can't quite name.
"You cooked," he says.
"I wanted tonight to be special. I have something—"
"Sit down, Selene."
His voice is quiet. Controlled. The voice he uses in board meetings and territory hearings. Not the voice he uses with me.
My pulse stutters. "Caden—"
"Sit down. Please."
I sit.
He doesn't join me at the table. He stands near the fireplace, his back half-turned, one hand pressing flat against the mantel. The fire throws amber shadows across the hard line of his jaw.
"Vivienne is back," he says finally.
The name lands in the room like something dropped from a great height.
I go very still.
He reaches into the inside pocket of his jacket and pulls out a folded document. He sets it on the table in front of me without looking at my face.
My hands tremble as I open it.
PETITION FOR DISSOLUTION OF MATING BOND AND MARRIAGE CONTRACT.
The words blur. I blink. Read them again.
"No," I whisper. It's the only word I have. "No, Caden, you can't—"
"It's already drawn up. The alimony is fair. You'll want for nothing."
The velvet box with the ultrasound report is sitting right there, three feet from his hand. He hasn't noticed it. Or maybe he has, and he simply doesn't care.
I press my lips together so hard they ache.
"Look at me," I say. My voice barely holds. "Please. Just look at me."
He does.
And for one terrible, stretched second, I see it — a crack, something raw and deep — before the Alpha walls slam back into place and his expression becomes stone.
"Sign the papers, Selene."
My hand folds over the velvet box. I pull it off the table and into my lap, beneath the cover of the tablecloth, where he cannot see it.
He cannot know. Not now. Not like this.
Not when the man standing in front of me is a stranger wearing my husband's face.
~Selene's POV~The day after is ordinary.This is what she expected and this is what she gets, which is itself the confirmation of something. She comes downstairs in the morning and he is in the kitchen with his coffee and he says good morning and she says good morning and he asks if she knows whether Mrs. Gale ordered the specific cereal Lior has developed a strong preference for, the one with the small pieces he can manage without assistance, because he noticed the box was running low yesterday. She tells him it is in the pantry, second shelf, behind the larger box of oats. He goes and finds it and comes back and that is the whole of the morning's first exchange.He does not look at her differently.She checks for this without making a project of checking. The particular quality of his attention in the kitchen and at breakfast and in the brief exchange they have in the corridor outside his study at midmorning when she is coming from the east wing and he is heading to a call with Rhy
~Selene's POV~She knows what she is going to do before she leaves her suite.This is important to her. She has thought about it enough times in the three days since the sitting room, since she reached for his hand and he let her hold it and neither of them spoke, to be certain that what she is moving toward tonight is a decision and not a momentum. There is a difference and she knows the difference and she has taken the three days to be sure. She is sure. She changes into clean clothes, not for any particular reason, simply because she has been in the east wing since afternoon and the east wing at this stage of Lior's development involves a level of contact with various surfaces that makes changing clothes a reasonable end-of-day practice. She brushes her hair. She looks at herself in the mirror for a moment, not performing anything, simply checking that the person in the mirror and the person making this decision are the same person and both are clear on what the decision is.They a
~Selene's POV~She wakes with the clarity already there.This is unusual. Most mornings she surfaces gradually, the first few seconds a neutral space before the day's contents arrive in whatever order they choose to arrive. The twins, the schedule, whatever is sitting unresolved from the night before. The clarity does not usually come first. This morning it does, before she has fully opened her eyes, before she has registered the quality of the light coming under the curtain or the sounds of the manor below her or anything else that confirms she is awake and the night is over.She lies still.The room is cold at the edges the way it always is at this hour, the heating not yet running at full capacity, the stone of the manor holding the night's temperature in the walls and releasing it slowly into the morning. She is warm under the quilt. Outside she can hear the pines, the low sound of them in what must be an early wind, and below that, nothing yet from the east wing, which means Lior
~Caden's POV~He noticed the fire needed wood at around nine forty-five.He did not get up.This is not a passive decision. He has been making active decisions all evening, each one small enough that it would not register from the outside as a decision at all, but each one requiring a specific and deliberate choice about what belongs to him in this room tonight and what does not. The fire needing wood belongs to him. The question of whether to cross the room and attend to it is where the decision begins, because crossing the room is a movement, and a movement in a room where she is thinking something through is a variable he has no business introducing unless it is necessary.It is not necessary. The room is warm enough.He stays where he is.The evening has gone in a direction he did not anticipate and did not engineer, which is the only direction it was ever going to go in that he would trust. He has learned, in the months since Silvermere, that engineering outcomes with Selene prod
~Caden’s POV~Four months.Four months since she walked out of this building and I have done nothing but work, manage, control, and refuse to think about the precise way she looked when the bond broke — the colour that left her face, the sound she didn't quite manage to suppress.I spin my phone sl
~Selene’s POV~I hang up.I don't think about it — my thumb simply moves and the call ends and I stand on the pavement outside the flower stall with my heart hammering so loud I can hear it in my temples.Three seconds later, she calls again.I watch the screen. Let it ring. Let it ring. Let it rin
~Selene’s POV~I don't sleep.I lie on my side of the bed — our bed — and stare at the ceiling while Caden's side remains cold and untouched. I heard him leave again at midnight, the front door closing with a finality that vibrated through the walls.I don't ask myself where he went.I already know
~Selene’s POV~The rejection is scheduled for nine o'clock.I know because Caden's message at six in the morning is clinical and precise, as if he is confirming a conference call.Pack Hall, third floor, nine a.m. Come alone.My mother reads the message over my shoulder and says nothing. She presse






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