MasukShe gave him everything. He threw her away for a lie. Luna Selene Ashford was the perfect mate — devoted, strong, and deeply in love with the most powerful Alpha in the northern territory. For three years, she stood by Caden Blackwell's side, building his empire, loving his pack, carrying the weight of his world on her shoulders. Then she came back. Vivienne Cole, his beautiful, manipulative ex, returned with poisoned words and a devastating secret she claimed to have kept. One night, Caden thrust divorce papers across the dinner table without a single tremor in his jaw. Just like that, Selene was gone. What Caden doesn't know — what no one knows — is that Selene walked out of that mansion carrying something far more precious than any title or territory. His children. His heir. His blood. Forced to start over with nothing but her pride, her unborn secret, and a mother who warned her from the very beginning, Selene must rebuild herself from the ashes of a love that nearly destroyed her. But the Moon Goddess does not forget debts. And when the truth of Vivienne's lies begins to unravel — when Caden finally sees what he threw away — it may already be too late. Some rejections cannot be undone. Some secrets change everything. And some broken women rise into something their mates never deserved.
Lihat lebih banyak~Selene’s POV~
"Congratulations, Luna Ashford. You're going to be a mother."
Dr. Priya Noel's voice is still ringing in my ears as I step out of the private clinic and into the pale afternoon light.
I stop on the pavement, pressing one hand flat against the cold stone wall to steady myself, the other instinctively falling to my stomach.
A mother.
I've waited two and a half years for this. Two and a half years of quiet hoping, of mornings where I'd stare at negative tests and force a smile before heading downstairs to make Caden his coffee. Two and a half years of swallowing the ache every time a pack member's mate cradled a newborn at a gathering.
And now, here it is.
A tiny, impossible miracle growing inside of me.
I want to laugh. I want to cry. I want to call Caden right now, hear his voice go rough with that specific tenderness he reserves only for me, hear him say something ridiculous and wonderful like he always does when something matters to him.
My driver, Marco, is waiting at the curb. He opens the rear door with a respectful dip of his head the moment he spots me.
"Home, ma'am?" he asks.
"Home," I confirm, sliding inside.
The word settles over me like a warm blanket.
Home. Blackwell Manor, sitting at the top of Cresthaven Ridge, surrounded by dark pines and the rich, earthy scent of pack territory. It never truly felt like mine in the beginning — that sprawling stone estate with its high ceilings and cold portraits of Caden's ancestors staring down at every hallway.
But time and love have a way of carving out spaces where you belong. Now, every room is imprinted with some memory of us. The kitchen where I'd stay up too late reading while he worked. The balcony where he'd pull me against his chest on cold nights and rest his chin on my head without saying anything at all.
I lean back against the leather seat and breathe.
Tonight will be special. I will cook for him — something slow and warm, something that fills the manor with a scent that wraps around him the moment he steps through the door. I'll place the results report in a little box, tied with ribbon. I know exactly how his face will look when he opens it.
He wants this just as badly as I do. He's never said it in grand words, but I know Caden. I know the way his jaw tightens whenever another Alpha boasts about his sons training on the field. I know the way his eyes linger on children at pack events, always just a second too long.
This baby will change everything.
This baby will be the beginning of the rest of our lives.
I smile the whole way home.
---
By seven o'clock, the table is set. Candles lit. The slow-roasted lamb he loves, the one with rosemary and that particular sea salt he orders from overseas, is resting on the rack. The little velvet box sits at the centre of his place setting like a secret waiting to be discovered.
The housekeeper, Mrs. Gale, peeks into the dining room and blinks at the scene.
"Oh, Luna. You've outdone yourself."
"Go home, Mrs. Gale," I tell her, smiling. "Take the evening."
She leaves with a knowing look and a quiet laugh, and I'm alone in the warmth and candlelight.
I check the clock.
Eight o'clock.
I sit down and wait.
Eight forty-five. I reheat his plate.
Ten past nine. I blow out one candle that's burned down too far.
Ten fifteen. I pour myself a glass of water and sit at the table again, staring at the velvet box.
I tell myself he's busy. There have been problems at the northern border recently — rogue activity, disputes with the Hollowcrest Pack over territory lines. Some nights don't belong to us. I know this. I've always known this.
When the front door finally opens at nearly eleven, I rise from the chair and smooth my dress.
The moment he enters the hallway, something shifts in the air.
Caden looks exhausted, yes — his tie loose, his dark hair slightly dishevelled — but it's his eyes that make me pause.
They're flat.
Not tired-flat. Not stressed-flat.
Decided.
He looks at the candles, at the set table, at me standing in the doorway of the dining room, and something flickers across his face that I can't quite name.
"You cooked," he says.
"I wanted tonight to be special. I have something—"
"Sit down, Selene."
His voice is quiet. Controlled. The voice he uses in board meetings and territory hearings. Not the voice he uses with me.
My pulse stutters. "Caden—"
"Sit down. Please."
I sit.
He doesn't join me at the table. He stands near the fireplace, his back half-turned, one hand pressing flat against the mantel. The fire throws amber shadows across the hard line of his jaw.
"Vivienne is back," he says finally.
The name lands in the room like something dropped from a great height.
I go very still.
He reaches into the inside pocket of his jacket and pulls out a folded document. He sets it on the table in front of me without looking at my face.
My hands tremble as I open it.
PETITION FOR DISSOLUTION OF MATING BOND AND MARRIAGE CONTRACT.
The words blur. I blink. Read them again.
"No," I whisper. It's the only word I have. "No, Caden, you can't—"
"It's already drawn up. The alimony is fair. You'll want for nothing."
The velvet box with the ultrasound report is sitting right there, three feet from his hand. He hasn't noticed it. Or maybe he has, and he simply doesn't care.
I press my lips together so hard they ache.
"Look at me," I say. My voice barely holds. "Please. Just look at me."
He does.
And for one terrible, stretched second, I see it — a crack, something raw and deep — before the Alpha walls slam back into place and his expression becomes stone.
"Sign the papers, Selene."
My hand folds over the velvet box. I pull it off the table and into my lap, beneath the cover of the tablecloth, where he cannot see it.
He cannot know. Not now. Not like this.
Not when the man standing in front of me is a stranger wearing my husband's face.
~Caden’s POV~The communication arrives through the elder council's formal inter-pack messaging protocol on a Thursday morning, which means it has been logged, timestamped, and assigned a reference number before it reaches his desk. This is how official complaints travel between packs. It is also, Caden notes as he reads the reference number, how certain kinds of messages make themselves appear more neutral than they are.The complaint concerns a boundary marker.Specifically, a granite post on the eastern edge of Cresthaven's territorial line where it meets the disputed corridor that runs between Cresthaven and the Ironmere Pack's westernmost holding. The post, Dorian Voss contends in language that is careful and correct and entirely without apparent malice, has been repositioned since the last inter-pack territorial survey. He requests a joint review. He cites three precedents. He closes with the formal salutation required by the elder council's protocol — *in the interest of good
~Selene’s POV~She goes to bed with intention.This is new. The first dreams had arrived without her participation — she had been asleep and then inside them, with no transition she could account for, the way you sometimes find yourself in a room without remembering crossing the threshold. Tonight she lies down with the knowledge her mother gave her still present in the room like a third occupant, and she closes her eyes and holds still in the deliberate way she has learned to hold still when a situation requires patience rather than movement.She does not try to enter the dream. She simply makes herself available to it.The transition, when it comes, is not abrupt. It is the careful opening of something that has been waiting for readiness rather than sleep, and when the familiar quality of the light arrives, that sourceless, immeasurable warmth that she has no ordinary language for, she is already steady inside it, already oriented, already herself.The presence is clearer.Not clear
~Selene’s POV~She tells her mother about the dreams on a Tuesday evening in the small kitchen that has become, over the course of five months, its own version of ordinary.She has not planned to tell her. She has been sitting with the dreams the way she sits with all information that arrives without a full context — carefully, privately, filed in the part of her mind that holds things not yet ready to be named. But they are now five nights deep into the second dream's recurrence, and she has watched her mother three times this week and chosen silence, and the choosing has begun to cost something.She tells her the way she tells most things: briefly, in plain language, looking at the table.The presence. The quality of the light that has no quality she can name in ordinary terms. The sense of being addressed rather than visited. The sequential nature of it — each dream continuing from exactly where the last one ended, with the precision of something that has a shape and intends to fin
~Caden’s POV~The order is given at half past ten in the morning.He does not summon a senior escort to signal gravity; he summons two mid-rank pack guards and gives the instruction in the same register he would use to redirect a border patrol rotation — matter-of-fact, specific, with a stated timeline that is not a suggestion. Vivienne Cole's belongings are to be removed from the guest wing of Blackwell Manor and placed in her vehicle. She is to be accompanied during the removal. The process is to be completed by noon.He is not present when they arrive at the manor.He makes this choice deliberately, because her departure is an administrative act and he will not dress it as anything larger by standing in the entrance hall watching it happen. He is at Pack Hall when the confirmation message arrives from the lead escort. Two words. Completed. Departed.What he does with those two words is nothing visible.Rhys had told him how she left, later, because Rhys had been there.Composed. T
Welcome to GoodNovel world of fiction. If you like this novel, or you are an idealist hoping to explore a perfect world, and also want to become an original novel author online to increase income, you can join our family to read or create various types of books, such as romance novel, epic reading, werewolf novel, fantasy novel, history novel and so on. If you are a reader, high quality novels can be selected here. If you are an author, you can obtain more inspiration from others to create more brilliant works, what's more, your works on our platform will catch more attention and win more admiration from readers.
Ulasan-ulasan