MasukFor five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.
Lihat lebih banyakEPISODE 1
The Coffee Shop.
The espresso machine hissed like a radiator with a fever, steam curling up in thin white ribbons that vanished the second they hit the cold air. Three in the morning, or two, or four — the clock above the counter had stuck at 2:17 three days ago and nobody cared enough to fix it. The plastic numbers were faded from years of fluorescent light, the red glow more tired than bright. Mira’s jeans were cold where rainwater had seeped through the knee, a damp patch that had been there since she’d run through the downpour two hours earlier, clinging to her skin like a second layer. She’d been sitting in the same corner booth for eight hours straight, the vinyl cushion worn smooth as polished bone under her thigh, a faint groove where she’d shifted her weight thousands of times over months of coming here.
Her laptop hummed against her forearms, warm enough to leave red indentations when she pulled away — little squares matching the keyboard keys, like a brand. The Reckoning of Caelen Mors glowed on the screen, 187,342 words she’d built one exhausted sentence at a time, saving every version to a cloud drive she’d named “MONSTER BOX” as a joke five years ago. The font was Courier New, 12-point — she’d tried Times New Roman once, back when she still believed in elegance, but the words had looked slippery, like they were trying to crawl off the page and hide. Now each letter sat solid and square, as honest as she could make them, even when she didn’t know what honesty meant anymore.
She’d been trying to write the same paragraph for two hours. The cursor blinked at her, a steady black heartbeat in the white space.
Duke Caelen stood at the window of his solar, his hands clasped behind his back, and when he finally turned to face her, she saw it — the face he’d hidden behind titles and cruelty, the face that had made her family pack her bags and send her to his door like meat to a starving dog.
She highlighted starving dog and hit delete. Too obvious. Too easy. Highlighted pack her bags and send her to his door — delete. Too melodramatic. Highlighted the whole sentence and started over, her fingertips numb from cold and pressure, the skin on her knuckles white as fresh printer paper. The keys clicked under her touch, loud in the quiet shop, a sound that used to feel like creation and now just felt like work.
The barista — a kid with a tattoo of a moth eating its own wing on his neck, inked in shades of grey that looked like ash — refilled her mug without asking. He’d been doing that for months now, knowing she’d stay until dawn, knowing she’d leave enough cash to cover the coffee and then some. The coffee was dark as motor oil, burnt at the edges where the grounds had been left too long in the filter, and it left a thin film on her teeth that tasted like regret and over-roasted beans. She’d been writing this book since she was twenty-three, fresh out of college with a creative writing degree that had gotten her exactly one interview at a publishing house — the same one she worked at now, editing romance novels about women finding love in small towns where nothing bad ever really happened. She’d take the manuscripts home, read about barn weddings and apple orchards and men who brought flowers without being asked, then come here to build a world where love was just another kind of weapon, sharp and shiny and impossible to trust.
“He’s not evil enough,” she muttered to the empty booth across from her, where a water ring from a previous customer had left a pale circle in the wood. Rain streaked the window, thick and fast, turning the streetlights outside into orange bruises that bled into the darkness. “Or he’s too evil. I can’t tell anymore.”
She scrolled back through the manuscript, past chapters she barely remembered writing, her finger sliding over the trackpad in slow, deliberate movements. Chapter 7: Caelen poisoning his father’s wine with nightshade he’d grown himself in the greenhouse, watching the old man’s hands shake as he lifted the glass. Chapter 14: Caelen burning the rebel village to the ground, standing on a hill overlooking the flames with his coat unbuttoned, as if the heat didn’t bother him. Chapter 22: Caelen staring at Isadora’s portrait for three days straight without moving, without eating, without speaking, the only sound in the room the tick of the clock on the wall. She’d built him piece by piece, every act of cruelty calculated to make the reader hate him before they understood him, every moment of vulnerability buried so deep she sometimes forgot it was there. But somewhere in the last year, the pieces had stopped fitting together. He’d become more than she’d intended — or less. She couldn’t tell which was worse, couldn’t tell if she was writing him or if he was writing himself through her. Or both.
The laptop fan kicked up a gear, loud enough to drown out the rain for a second, a high-pitched whine that made her teeth ache. A notification popped up in the corner of the screen: Auto-save complete. Version 4.8.2. Last saved at 2:31 AM. She’d lost count of how many versions there were — each one a little different, a little more broken, a little more removed from the story she’d set out to tell. Version 3.1 had him loving her out of obsession, seeing her as a possession he couldn’t afford to lose. Version 4.2 had him loving her out of guilt, blaming himself for the destruction he’d brought to her family. Version 4.7 had him loving her because she was the only thing he’d ever made that he couldn’t break.
She didn’t know which one was real anymore. Didn’t know if any of them were.
Her head throbbed behind her eyes, a steady pulse that matched the espresso machine’s hiss. She pressed her palm to her temple and felt the heat of her own skin, too hot — a fever she couldn’t shake, even though she’d taken two ibuprofen an hour ago. The coffee shop was empty but for her and the barista, who was wiping down the same section of counter over and over again with a damp rag, his movements mechanical, his eyes blank as he stared at nothing. She’d seen him do that for hours before, seen him get stuck in loops he couldn’t break out of, and she’d wondered if he was trapped in his own story, just like she was.
Everyone’s stuck in something, she thought, leaning forward to rest her forehead against the cool wood of the table for a second. The grain pressed into her skin, rough and familiar. Everyone’s writing a story they can’t finish.
She sat up straight and typed another sentence, her fingers stumbling over the keys. His face was nothing like she’d imagined — not cruel, not kind, not even human, just… finished.
She deleted finished. It meant nothing. Meant everything. She couldn’t tell the difference anymore.
The pain behind her eyes sharpened, a needle pushing through bone, and she gasped, her hand flying to her chest. Air wouldn’t come in — her lungs felt tight, compressed, like someone was standing on her ribs. The laptop screen blurred, the words running together like ink in water, black shapes melting into white, then white into black, then nothing at all. The heat from the keyboard seared into her forearms now, hot enough to make her skin prickle and burn.
Duke Caelen finally showed her his true face. It was nothing like she imagined.
That was it. The last line she’d ever write. She’d meant to keep going — to describe the face, to explain the obsession, to give the story an ending it clearly didn’t want — but her vision was going dark at the edges, and her hand was too heavy to lift from the keyboard.
The barista didn’t look up. The espresso machine kept hissing. The rain kept falling, thick and steady against the window, a sound that used to calm her and now just sounded like time running out.
EPISODE 3: THE WARNINGThunder crashes overhead, so loud that the glass panes in the window rattle in their frames and small flakes of paint fall from the walls. Isadora flinches, her shoulders lifting toward her ears before settling again, and her fingers curl into the sheet beneath her. She turns her head to look at the window, watching water run in thick channels down the glass—each channel a perfect line, twisting and turning as it makes its way to the sill. Lightning flashes outside, bright enough to turn the room white for a split second, and in that moment she can see every detail with perfect clarity: the stain on the ceiling where water has seeped through and left a dark circle like a bruise, the threadbare patch on the rug at the foot of the bed where the pile has worn away to reveal the webbing beneath, the small crack in the ceramic jug on the dresser that runs from the rim to the base like a thin black line.Caelen stands, his body moving with a fluidity that makes no sou
EPISODE 2: WAKINGThe sheet beneath her cheek is cool and smooth, woven with threads so fine they catch the light like spider silk. Isadora’s eyelids flutter once, then stay closed. Her fingers curl into the fabric, gathering a handful that she presses to her face. The material smells of lavender and clean linen, of heat from an iron and something else—smoke, maybe, or wood smoke from a fire kept burning too long.A hand rests on her wrist, fingers wrapped around the bone just above the palm. The grip is firm but not tight; when she tries to pull away, the fingers do not loosen but do not squeeze harder either. She opens her eyes. The room is dark except for a single candle burning on the bedside table, its flame so small it seems to float in the air between the wick and the ceiling. The light casts shadows that stretch across the walls, making the wallpaper—peeled at the edges in thin yellow strips—look like rows of teeth.Caelen sits on the edge of the bed, his body angled toward he
EPISODE 1: THE APOTHECARY Wood grinds against wood as the door to the apothecary wing catches in its frame. Isadora puts her shoulder to the panel, muscles tensing along her back, and shoves. The wood gives with a dull thud that sends a jolt up her arm to the elbow; she rolls her shoulder once, then again, watching the joint move beneath her skin. Rain streaks the small window set into the door, water running in thick rivulets that warp the gray light from the storm outside. Inside, shelves climb from floor to ceiling, packed tight with glass jars and ceramic pots. Some jars stand straight as soldiers, their lids sealed with wax that has cracked and yellowed into patterns like dried riverbeds. Others lean against each other, mouths open to spill the scent of dried leaves and crushed roots into the air. Lavender hangs in bunches from hooks driven into the ceiling beams, stems brittle as old wire; when thunder rolls through the walls, the bunches sway and brush against each other with
EPISODE 3 — THE SACRIFICEThe words landed with the weight of a stone dropped in deep water, sending ripples of shock through every part of Isadora’s body. She doubled over, her hands on her knees, as the room tilted violently—floor sloping so steeply she felt she might slide into the shadows that gathered at the walls. The air tasted of metal, like she had bitten her tongue hard enough to draw blood, and her stomach twisted into knots so tight she could barely breathe.For weeks, she had told herself a story—her story, the one she was trying to rewrite even as she lived it. She had convinced herself that she could fix the mistakes she had made in her manuscript, that she could turn Caelen from the villain she had created into the hero she had always meant him to be. She had believed that her presence here was a gift, a chance to set right the damage her words had done. But the woman standing beside the table was looking at her with eyes that held no pity, only a deep and terrible und
EPISODE 3 — MEMORY CORRUPTION The woman sets the cup down and stands, her legs steady now, her breathing under control. Recall, she tells herself, walking to the window, pressing her palm to the cold glass until it leaves a white mark on her skin. You are the author. You know this story. You know
EPISODE 2 — THALIA ARRIVESThree knocks at the door. Slow, measured, spaced exactly three seconds apart — the rhythm of a clock ticking down to something irreversible. The sound echoes in the silence like a countdown, like footsteps approaching in a long dark corridor.“Lady Isadora?” The voice is
EPISODE 1 — THE BEDROOMThe marble floor of the guest chamber holds cold like a stone tomb left open to winter air, each slab cut so precisely the seams between them are nearly invisible. In the coffee shop where Mira’s life ended, the floor had been sticky linoleum stained with decades of spilled
EPISODE 3: The Wrong Body The silk was the first thing she noticed, and it was wrong. Not soft like silk should be — slick and cool, like water over glass, sliding against her shoulders with a sound like snakeskin on stone when she moved. The movement itself was wrong too. Her arms were longer than












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