MasukSelene’s POVI pick up.“Ms. Avery,” Reth says. “I apologise for calling on a Tuesday afternoon without warning.”“You called on a Friday evening without warning last week,” I say. “Tuesday afternoon is an improvement.”A brief pause that contains something close to amusement. “Yes,” he says. “I suppose it is.” He pauses. “I have just come from a meeting with Director Crane.”“He told you about the preliminary finding,” I say.“Yes,” he says. “And about the referral to the misconduct review panel.” He pauses. “He also told me about the formal conversation I am going to be having about my extended regional presence.”“How was that conversation,” I say.“Thorough,” he says. “He was precise about the protocol I should have followed and accurate about the fact that I did not follow it and then he said, off the record, that the flag I filed Friday afternoon was the thing that moved the case.” He pauses. “He said it as a fact, not a commendation. But I understood what he meant.”“Good,” I s
Selene’s POVHalsey leaves on Sunday afternoon.She packs her documents with the specific efficiency of someone who came with a problem and is leaving with the shape of a solution, not the solution itself, but the framework of one, which is its own kind of progress. She stands in the entrance hall with her bag and her coat and the expression she has been developing over two days of being in this house as herself rather than officially, which is something slightly warmer than her usual precision without being less precise.“The committee will be in touch this week,” she says. “Probably Tuesday. Crane moves quickly when the scope of something becomes clear to him.”“I will be available,” I say.“You always are,” she says. Not critically. As an observation about the kind of person she has concluded I am.She looks at the house once more before she goes, the way she looked at it from the hall during the installation, the specific assessing look of someone filing something away for themsel
Selene’s POVI read my mother’s letter last.Not because I am avoiding it. Because I read eleven documents first and I want to understand the full context before I read what she wrote, the way you do not read the last page of something important until you are ready to carry what it says.The eleven documents take forty minutes.I sit at the study desk and read them in order, Aldric’s order, which is chronological and begins with the first letter between Harren Calloway and Caden’s father, a man named Drest Voss, dated approximately four months before my birth.The letters are not dramatic.This is the thing about documents that record harmful things — they are almost always ordinary. Business-like. Two men discussing a financial arrangement and an administrative problem in the language of people who have done this kind of thing before and consider it routine. Harren describes the filing. Drest describes his contact in the eastern archive. The money changes hands in two transfers, both
Selene’s POVHe picks up before I finish raising the phone to my ear.“Ms. Avery.” His voice is different from what I expected, though I could not have said what I expected. Quieter. More careful. The voice of someone who has been holding something for a long time and is aware that saying it wrong could ruin the saying entirely. “Thank you for calling quickly.”“Tell me what you have,” I say.A brief pause. Not hesitation. The pause of someone who has organised what they are going to say and is finding the right place to begin.“When my brother died six years ago,” he says, “I was named as secondary executor of his private estate. Not his territory holdings — those passed to Caden. His private affairs. Documents, correspondence, personal records he kept separate from the official governance files.” He pauses. “I did not expect to find anything significant. My brother and I had not spoken in nine years at that point.”“Why had you not spoken,” I say.“Because of what I found fifteen ye
Selene’s POVI read the name twice.Aldric Voss.Not Caden. Caden’s name is not Aldric. I have known Caden’s name since the first evening he introduced himself in a corridor outside the dining room and said please, just Caden, the way people say it when they want you to use their name rather than their title.Aldric Voss.I type back to Edrin immediately.Who is he.The reply takes four minutes, which means Edrin was not sitting with his phone waiting for my response but went and found the information before he answered.Caden’s father’s younger brother. He has been estranged from the Voss family for approximately fifteen years. He reached out to my office three weeks ago asking if I had contact information for you. He said it was important. He did not say why.I show the phone to Lucian.He reads it.His face does the careful arithmetic.“Caden’s uncle,” he says.“Yes,” I say. “Estranged. For fifteen years.” I pause. “Caden’s father has been dead for six years. Which means the estran
Lucian’s POVSaturday morning arrives quietly.This is what mornings do after days that have given everything they have — they arrive without announcement, almost apologetically, as if aware that what came before them was significant and they are just the ordinary thing that follows.I am at the window at five-thirty.Not the desk. The window. The mountains are grey and close in the pre-dawn the way they always are, and the grounds are still dark, and somewhere below me the pack house is in its deepest quiet, the hour before anyone else is awake.I think about January.I think about Selene’s face last night when I told her the real reason. The way she listened without interrupting and without performing patience, just actually patient, taking in what I said and deciding what to do with it rather than reacting to it immediately.She said before the day. From now on.I said yes.I meant it the way I have been trying to mean things this year, which is without qualification, without the m
I have a rule about crying in front of people.I do not do it.Not in front of Mara, who would hold me and mean well and somehow make it worse. Not in front of the pack members who whisper when I pass. Certainly not in front of Lucian Blackthorn, who forfeited the right to my tears the moment he s
Elder Bowen does not rush.This is the first thing you learn about him. He moves through the world at his own pace, deliberate and unhurried, and he has a way of occupying a room that makes you feel like the room was always waiting for him to arrive. He steps into the kitchen now and looks at Mara
I do not sleep well.This is not new. Sleep has been a negotiation since the rejection, something I have to coax and bargain with every night. Some nights I win. Other nights I lie in the dark staring at the ceiling of my small room on the third floor and wait for morning to come and end the argume
The coffee is always two sugars, no cream.I know this the way I know which floorboard outside his bedroom creaks, which window in the east corridor sticks in the rain, which light switch needs two tries before it catches. Small, useless knowledge that my body collected without my permission. Three







