I didn't keep the photograph in the house overnight. I put it in an old shoebox at the back of my closet, underneath the one good pair of heels I owned, like distance would make it less true.It didn't work. By morning I'd taken it out four times, and read the new text — she isn't who you think she is either, neither of them are — until the words stopped looking like words at all.I told myself it didn't matter. Whoever Sofia was, whatever had happened, it happened before I existed in Damiano Rosetti's world, before any of this — the debt, the contract, the cold study with its colder offer. I had no claim to ask him anything. I was buying my mother's safety, not his honesty. But I put the photograph in my bag anyway, on the morning of the final dress fitting, like evidence I wasn't ready to stop carrying.The boutique smelled like steam and lily of the valley, the kind of place I'd never have been able to afford to walk into, let alone leave with anything. A woman with a tape measur
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