Is 20th Victim Worth Reading?

As the news broadcast reported a random serial killing near my residential complex, I knew—I had been reborn once again. In my first life, my husband insisted on going out in the middle of a snowstorm to buy weapons for self-defense. I locked every door and window, waiting at home, anxiety clawing at my chest. I never imagined the killer could pick locks. Before I could even react, a blade plunged into me, and I died on the couch. In my second life, I didn't hesitate. I hid in a concealed storage room, holding my breath. But the door was still pulled open. A man wearing a rabbit mask stared straight at me. "Found you," he said. In my third life, I ran to the police station. I rushed inside and told the officer on duty that the killings weren't random—that the murderer was coming for me. They looked at me like I'd lost my mind. Then my husband arrived in a hurry and took me away. But the moment we reached our front door, a heavy hammer smashed into the back of my head. Through the blinding pain, I forced my eyes open, but I never saw who killed me. Now, staring at the grave expression on the news anchor's face, agony surged through every inch of my body. Rebirth isn't a reset. The damage accumulates—and sooner or later, it will torture me to death. Without hesitation, I walked into the kitchen and set a pot of oil to heat. And I waited… for the moment the lock began to turn.

I'm the fake heiress of a wealthy family. The system has given me three conquest targets to choose. As long as the affection score belonging to any of them becomes full, I can change my predestined death at the age of 23. But I've completely failed in my mission. The conquest targets have fallen for the true heiress, Evelyn Swanson, who has reunited with the family at the age of 18. As long as Evelyn says something, they can easily aim their malice and hatred at me. That's why I choose to take my own life in advance. Strangely enough, everyone is filled with remorse after I die.

He promised to protect him from a killer. He never said he was one. When journalist Ian Parker witnesses a brutal murder, he should have been the killer's next victim. Instead, he wakes up in the hospital, saved by Zhedya Hunter…a brilliant forensic pathologist, a reclusive CEO, and a man with chilling grey eyes that feel hauntingly familiar. Charismatic and dangerously possessive, Zhedya offers Ian shelter in his opulent penthouse, a gilded cage where every comfort is a chain. As Zhedya's obsession deepens, Ian's career skyrockets, with damning evidence against the city's most wanted criminals mysteriously falling into his hands. But each exclusive story comes with a price: a fractured memory, a drugged haze, and a growing pile of bodies connected to anyone who threatens their twisted paradise. Now, Ian is trapped in a nightmare of luxury and lies, unraveling a truth more terrifying than any headline: his savior is a predator, his sanctuary is a crime scene, and the man who claims to love him is the most prolific murderer he will ever interview. Learning how to love a murderer is easy. Surviving him is the real story.

He broke down my door at 9:47 on a Tuesday to kill my husband. He wasn’t supposed to find me. I should have been afraid of the most wanted man in the state. Instead I asked him for something no woman had ever asked him for. Then I drove north. I thought I was free. Content Warning Domestic Violence, intimate partner abuse, violence, morally-grey anti hero, love interest, stalking, explicit sexual content

My biased mother brought my sister, Irene Baxter, to help me with my child. But one day, I forgot to bring a contract to work. When I returned home, I saw two bodies entwined. To cover up their secret, my husband, Sam Hodgson, and Irene pushed me off the tenth floor. It was only after my death that I realized I had been nothing more than a tool for carrying on the family name. "It's better that she's dead. Now my sweet girl can be a mom without having to go through childbirth." "Sleeping with her was revolting; she was like a block of wood. Irene is so much better." Even Irene had regrets. "Still, we shouldn't have pushed her down. She was smashed beyond recognition—otherwise, we might’ve been able to sell her corpse for a pretty penny." When I opened my eyes again, I had returned to the day they pushed me off the building. This time, I wouldn't let any of them off the hook.

|SUTON| n. The approach of death or end of something. "What did I do to deserve this?" He chuckled before saying, "You were born princess," She bathed in her own tub of blood. And her watched her, finding pleasure. He was killing her While she was saving him