Sometimes I like to picture a younger, quieter actor tackling that fractured-Harry idea, and my pick there would be Asa Butterfield. He’s shown this soft, fragile intensity before in roles like 'Hugo' and 'Ender's Game', where a lot of emotion lives behind the eyes rather than in big speeches. For a Smeagol-style Harry — someone who’s torn between a lovable kid and something obsessive and desperate — Asa’s subtle face would sell that internal struggle perfectly.
I’d imagine him shifting from shy, earnest stares to jittery, frantic energy without needing heavy prosthetics, relying on small gestures and voice cracks. That could make the character feel terrifying because it’s believable: the same boy you sympathize with can become menacing in a blink. Also, with the right makeup and direction, his performance would feel intimate and unsettling, like watching someone you know lose themselves, which is exactly the creepy-sad vibe a Smeagol-Harry hybrid needs.
If I had to pick one actor to pull off a Smeagol-like version of Harry Potter on screen, I’d lean straight toward Andy Serkis. I’m not just leaning because he invented the modern motion-capture performance — though that’s a huge part of it — I’m thinking about the way he blends voice, tiny physical tic, and heartbreaking vulnerability into one moving creature. A corrupted or split-personality Harry who whispers to himself and lashes out in panic would be right in Serkis’s wheelhouse.
I can almost see the scenes: close-ups where Serkis’s hands tremble, low-light sequences that rely on body language more than dialogue, and a director leaning on motion-capture to let the inner monster and the boy coexist. That approach preserves the tragedy of Smeagol while giving 'Harry Potter' a uniquely haunting, emotional center. Casting Serkis would also allow for creative collaboration on vocal textures and physical micro-expressions, making the duality feel lived-in rather than gimmicky. If you want someone who can sell both the savage and the sorrow, he’s the one I’d pick.
On a rainy afternoon I was sketching out a scene in my head: Potter’s scar burning, the mirror cracked, and a version of Harry whispering to himself like a creature born from obsession. For that, I’d cast Cillian Murphy. His work has this hypnotic, clinical intensity — you see it in how he holds a gaze and implies danger without shouting. Cillian’s best moments are quiet eruptions; he can play fractured sanity with a chilling calm that creeps under the skin.
Stylistically, he’d bring a different energy than motion-capture-heavy performers. Think of practical makeup focused around micro-expressions, shadows, and those eerie, deadpan smiles. He could make the audience root for Harry even while recoiling from his actions, which is crucial if the character has Smeagol’s tragic pull. Directors love actors who can pivot from sympathetic to sinister without big set pieces, and Cillian fits that bill: an unsettling stillness punctuated by explosive, intimate moments. I’d want him in a minimalist scene, candlelight and whispering, because he’d own every frame.
Now here’s a curveball: I’d bring Daniel Radcliffe back for a darker, Smeagol-tinged take on Harry. He knows the character’s bones from growing up in the role, and that lived-in knowledge could let him twist Harry into something damaged but still recognizably him. Radcliffe has already done riskier, stranger projects like 'Swiss Army Man', so he isn’t afraid to go to odd, uncomfortable places to sell a performance.
Having an actor who already understands Harry’s moral code would make the corruption feel tragic rather than arbitrary. He could play the tug-of-war between compassion and obsession with believable beats—small hesitations, guilty looks, and sudden, desperate intensity. If the story wants heartbreak more than horror, Radcliffe’s return would land in a beautifully sad way.
2025-08-29 09:28:32
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Bastard son of Oskar Ungart, Ulfgar grew up an outcast amongst a brotherly society. Never fitting in with his half-brothers, the legitimate children of the Ungart clan, he spent many days by himself. Un-sculpted by his culture he was left to his own interests. This in return pushed him farther away from his father and his clan. Ulfgar Ungart chose to pursue wizardry and necromancy in his hate filled lust for power and revenge. scorned for his chosen path his father ridiculed and banished him from his home lands. With his pride in tatters and his mothers death spurring him on his way he left to his uncles. It was there he heard of Witch Mountain and the hermit who dwelled in the forest. Ulfgar knew this was his chance to grab ahold of his dreams and finally become the wizard he knew he was.
"What happens when you meet a tall and handsome elf king who has saved your life but kill your temper?"
~*~*~*~
"I'm more of a man in this house. Why can't you let me be on top?" Sean asked with a pout.
Oswin groaned, rolling his eyes and wondering just how much more innocent Sean could be. "It takes a heavy responsibility to be the top," he replied.
"Responsibility? Then it's perfect. I'm making more money, cooking,..."
"Sean. I'm talking about things like stretching and penetrating," Oswin explained as he ignored the bulge in his pants. "Do you even have experience?”
“Then teach me, your majesty.”
“With pleasure.”
~*~*~*~
It all starts when the elf king, Oswin Alvingham, mysteriously gets stuck in the human realm and loses his powers. As he roams the unfamiliar一dirty and low class if he is to describe Earth, he stumbles into Sean Cooper, a fresh graduate, and a full-time table-waiter, who gets bullied in the alley. Though Oswin's magical power is lost, his physical strength remains invincible. When he rescues Sean, the latter decides to take him in as gratitude. And that is where the mess begins. How can the king of the elf cope with his new life? How can Sean convince himself not to be evil enough to kick his savor out of his house? Most importantly, how do an average mortal and the noble upper-class immortal live together under the same roof and on the same bed?
~*~*~*~*
P.S:
1) This book contains mature and explicit 18+ scenes.
2) It also contains little graphic violence in some chapters, but I'll put a warning on the top of those chapters.
3) The ELF here is inspired by Lord of The Ring Series. Therefore, they are tall, slender and beautiful. Not tiny little beings like in children fairy tales.]
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Most disturbing is that he is on a mission to get a tail of one of the creatures called Ogrism, luckily, he meets an old woman called Matendechere, who finally gives him a magic calabash that enables him to fend for himself against the creatures.
Now, Abednego has to fight for his freedom, and set himself free from the forest trauma.