Why Does The Address Book Have Multiple Narrators?

After I was reborn, I was the one who changed the name on my blood bond with Prince Mortlock. I wrote in “Isabella”—the other vampire he’d always cherished, always protected. When Isabella wanted the ruby necklace, the one that marked the Prince's Mate, I let her have it. The wedding dress Mortlock had prepared for me? I gave that to Isabella, too. I did it all because in my past life, I got my wish. I became Mortlock’s mate, but I lived every moment in Isabella’s shadow. In the end, during a battle with vampire hunters, Mortlock ran to a wounded Isabella first. I was the one left to take a silver stake through the heart. So this time, I decided to let them be. To stay far away from Mortlock. But this time, the cold, distant Prince wept and begged me to be his mate again.

On the day of the crash, I called Enzo Vitale ninety-nine times on the emergency channel. On the hundredth call, his Consigliere finally picked up. "Don Enzo has already used family resources to escort Miss Moretti to a private hospital," he said. "Her condition…isn’t good. Don asked me to tell you not to disturb him again." But that was not the worst part. When I woke up, my baby was gone. The doctor said the accident was too severe and they could not save the child. Then I heard the truth. “Chiara is carrying my child,” Enzo said. “Her last wish is to have a child before she goes. I gave her that. But this must stay between us. Alessia cannot know.” “We had no choice,” my mother Rosalina said, her voice flat. “Chiara doesn't have long. We want her last days to be peaceful.” “Alessia will understand,” my father Alberto said. “She's always been reasonable. She'll see this is about giving a dying woman her final wish.” They were comforting a dying woman. My child was dead. But all they cared about was Chiara's baby. I stumbled away. Chiara stood at the end of the hallway and smiled at me. “I am not dying,” she whispered. “I just want everything you have.” I picked up my phone and dialed a number. “Professor Luciano,” I said quietly. “I've changed my mind. I am ready to join your closed medical research program.” The woman who once begged for love had died with her child.

The cocktail hour had just ended when I picked up a video call in the bridal suite. It was Ethan, three years from now. By then, time‑travel tech had matured enough to let him contact me three years into the past. After enough specific details, I finally believed it. The man on the screen really was Ethan, three years older. I rubbed my aching ankle and pouted at him through the screen. "Ethan, smiling at all these guests is exhausting. But the second I remember I actually married you today, I'm happy all over again." "We're still happy three years from now, right?" He was leaning back against a headboard, and he didn't answer. His face was flat and unreadable. Then I heard it: a woman's voice from his end, low and breathy, asking to be kissed. I froze for a second, then covered my mouth and laughed. "Is that future me? In broad daylight? Get a room." Ethan turned the camera into the bed. My maid of honor was lying there, naked, sprawled across his chest. Her body was covered in hickeys. He looked straight at me as I started to break, and his voice didn't shift at all. "As soon as the reception ended, I told you I had a client meeting. I went to her room instead." "Jo, now you know what's coming. The guests haven't gone home yet. If you want a divorce tonight, you can have one. Up to you."

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

The 100th time Dexter Carrington ditches me to help my best friend with her lab work, I write the final line in my diary and break up with him. Dexter is exasperated, to say the least. "I genuinely don't know how your amygdala is wired. Your emotions have completely bulldozed your rational thinking." My best friend, Brianna Holt, laughs. "That's cruel. You're insulting her intelligence in words she can't even understand." She's right. I don't understand. The two of them dominate the biology department rankings every year, taking first and second place, and are the kind of prodigies even their professors defer to. I'm just an ordinary student at the music school next door. When they talk about how cells have their own rhythms, the only thing I can think to ask is what time signature those rhythms are in. Dexter always hates that. "If you don't understand, don't chime in." So now I listen. I don't chime in anymore. Because the first page of this diary reads, "Today is my birthday, but Dexter chose to go over data with Brianna. "By the time this diary is full, I'm leaving him for good."

Sixteen-year-old Ava never expected her future to show up in the form of a letter. When she discovers a mysterious envelope slipped under her bedroom door—written in handwriting that looks eerily like her own—she brushes it off as a cruel prank. But the message inside is impossible to ignore: Tomorrow, do not take the shortcut home. If you do, he will never wake up. The next day, Ava changes her routine. And in doing so, she prevents a tragedy that could have cost her best friend his life. More letters arrive, each warning her of choices she hasn’t made yet—choices that will unravel family secrets, test her friendships, and place her in the middle of a dangerous puzzle only she can solve. With every decision, Ava begins to wonder if the future she’s trying to protect is already written… or if she has the power to change it.