What Age Group Is 'The House With A Clock In Its Walls' Novel For?

Esmeralda Cantari has spent her life being told she is a mistake. The unwanted daughter of a powerful angel prince and a disgraced witch, she was cast aside by her father and barely tolerated by her mother’s coven. When her magic fails to appear like every other young mage’s, the coven finally exiles her for good. But the night they drive her out, something awakens. Blood answers her call. Wings of midnight blue and black tear free from her back. And suddenly the powerless girl everyone despised becomes something far more dangerous. Returning to Rosewood Sanctum for her third year, Esmeralda must hide abilities that could make her a target in a school ruled by powerful bloodlines—including the half-siblings who have bullied her for years. Yet strange things are already happening around the academy. Students are disappearing. Bodies are found drained of blood. And rumors of ancient monsters once thought extinct begin to circulate. The only people who seem to notice Esmeralda’s true potential are the most feared group of heirs at Rosewood: a shadow demon with dangerous curiosity, a brooding shifter whose beast reacts to her presence, a brilliant mage who feels he’s seen her before, a relentless fae warrior who sees her strength, and an angel prince who is watching her far too closely. As the mystery deepens, Esmeralda begins to realize her awakening may not be a coincidence. Something ancient is rising in the shadows of the supernatural world. And it has already started hunting for her.

Isadora didn’t want to come to Ashwyck Academy. It wasn’t the haunting towers or the iron gates that unnerved her. It wasn’t the students—dark, beautiful, terrifying things cloaked in magic and menace. It was what it meant. Coming here was a last resort. A whispered admission from her parents that something was wrong with her. That despite being born of a temptress and a mind-bending killer, despite all the bloodlines and rituals and whispered prophecies—Isadora was still painfully, tragically human. She was quiet, clever, and careful. Not powerful. Not wicked. Not like the others. Her parents called it “late blooming.” The High Table called it “defective.” But no one said it out loud. Instead, they tucked her into Ashwyck like a final gamble and hoped the academy could awaken whatever dark inheritance slumbered beneath her skin. She hadn’t wanted to come. She still doesn’t belong. But Ashwyck has its own secrets. And Isadora is about to discover that the parts of her she’s most afraid of are the ones they’ve been waiting for.

What is scarier than someone living in your walls? How about finding out the boy in the walls has seen a monster in there? What will the Count's daughter and her two unusual friends do to protect her home? Rated 12+ for light violence, kissing, sexual reference

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Elspeth Amorelle Keene, a college business major live in a world where everything is predicted. All people in their world are born with two clock birthmarks on their palms which indicate the date of love and the date of death. During her last day, she unexpectedly had an encounter with the physics genius who's popularly known in Aestwood University. Without her knowing, meeting him means the start of her complicated life. Will she try to change something or just accept the fact that she's ill-fated?

Samantha Hale thought she had it all — a perfect marriage, a thriving career as a software engineer, and the kind of life that looked flawless from the outside. Until she discovers her husband is cheating on her… with her sister. And that her sister is pregnant. Betrayed. Homeless. Broke. One night, Samantha enters a radio contest on a whim — and wins an old Victorian mansion in a forgotten countryside town called Willow Creek. It’s supposed to be her new beginning. But the house has a secret buried deep beneath its foundations. When she unlocks the door to the basement, Samantha finds two stone coffins — and accidentally awakens Lucien Varyn, the long-lost King of Vampires, and his enigmatic right hand, Sebastian. Lucien is dark, magnetic, and far too dangerous. Sebastian is cold, calculating, and hiding something behind his icy loyalty. Both are bound to her by an ancient prophecy neither of them expected to come true. As strange events unfold and old powers stir, Samantha must decide who to trust — and who to love — before the house claims her soul… Because in Willow Creek, under the glow of the Blood Moon, the past isn’t dead. It’s just waiting to be awakened.