Does The Alien Timeline Include The AvP Movies?

The 'Alien' franchise is this sprawling, messy, beautiful sci-fi horror saga that's evolved in the most unexpected ways. It all kicked off with Ridley Scott's 1979 masterpiece 'Alien' – that claustrophobic nightmare aboard the Nostromo still gives me chills. Then James Cameron turned it into an action-packed war movie with 'Aliens' in 1986, which somehow worked perfectly. The 90s brought the divisive 'Alien³' (I actually love its bleakness) and the downright weird 'Alien: Resurrection'. After a long hiatus, the prequel era began with 'Prometheus' in 2012 and 'Alien: Covenant' in 2017, which tried to blend cosmic horror with creation myths. The timeline jumps around more than a facehugger on meth – we go from 2093 in 'Prometheus' back to 2122 for the original 'Alien', then forward through colonial marines and prison planets. What fascinates me is how each director's vision reshapes the mythology while keeping that primal fear of the perfect organism intact. Lately I've been obsessing over how the Engineers' backstory in the prequels reframes everything. It's like we went from 'monster in a spaceship' to this grand cosmic horror about our creators wanting to destroy us. The franchise keeps reinventing itself while maintaining that core DNA of body horror and corporate dystopia. I've lost count of how many times I've debated with friends whether the xenomorphs are scarier when they're mysterious or when we understand their origins. That tension between showing and not showing is what makes this series eternally compelling to me.

The 'Alien' franchise is a wild ride through space horror, and figuring out the timeline can feel like untangling a xenomorph's nest! First up is 'Prometheus'—this prequel digs into the origins of the Engineers and the black goo, though it's more philosophical than the later films. Then comes 'Alien: Covenant,' which bridges 'Prometheus' to the original 'Alien' by introducing the classic xenomorphs properly. The OG 'Alien' from 1979 is next, where Ripley’s nightmare begins on the Nostromo. After that, 'Aliens' amps up the action with colonial marines and Newt, followed by the divisive 'Alien 3,' where things get bleak on Fury 161. Finally, 'Alien: Resurrection' jumps centuries ahead with a cloned Ripley and weird hybrid creatures. Honestly, the timeline gets messy if you include the 'AvP' movies, but most fans treat them as non-canon fun. The real joy is seeing how each director—from Ridley Scott to James Cameron—puts their spin on the terror. Personally, I love the claustrophobic dread of the first two, but 'Covenant' had some jaw-dropping visuals despite its flaws.

The 'Predator' and 'Alien' franchises have this weird, almost symbiotic relationship in pop culture, especially after 'Alien vs. Predator' (AVP) became a thing. I've spent way too much time debating this with friends over pizza. The short answer? Technically, yes, because of the AVP films and comics, but canonically, it's messy. The original 'Alien' and 'Predator' movies weren't meant to coexist, but 20th Century Fox saw dollar signs in mashing them up. The AVP movies tried to retroactively justify the crossover by suggesting ancient Predators hunted Xenomorphs on Earth, but Ridley Scott's 'Prometheus' and 'Alien: Covenant' kinda ignored that entirely. It feels like two competing timelines—one where AVP happened, and one where it didn't. Personally, I prefer keeping them separate; the tonal clash between 'Predator's action schlock and 'Alien's slow-burn horror is jarring. That said, the Dark Horse comics did a better job blending the lore, with Predators respecting Xenomorphs as 'ultimate prey.' It’s fun as a side universe, but trying to force it into the main 'Alien' timeline just raises too many questions—like why no one mentions Predators in 'Aliens' if they’ve been visiting Earth for centuries. Maybe it’s best to treat AVP as glorified fanfiction and enjoy the chaos.

The 'Alien' franchise is a fascinating labyrinth of timelines, and honestly, it's a bit of a mess if you try to map it all out linearly. The original four films—'Alien,' 'Aliens,' 'Alien 3,' and 'Alien Resurrection'—follow Ellen Ripley's arc in a relatively straightforward sequence, albeit with some wild twists (like cloning in 'Resurrection'). Then the prequels, 'Prometheus' and 'Alien: Covenant,' jump back to explore the origins of the Xenomorphs and the Engineers, creating a whole new branch that technically precedes the original films but feels tonally disconnected. And let's not forget the crossovers like 'Alien vs. Predator,' which are... their own thing. I love how Ridley Scott tried to weave mythology into the later films, but it’s hard to ignore the inconsistencies. Sometimes I wish they’d just reboot the whole thing with a clearer vision. That said, the ambiguity kinda works for the franchise. The 'Alien' universe feels vast and unknowable, much like the creatures themselves. Whether it’s Ripley’s nightmare or David’s god complex, each thread adds something unique, even if they don’t neatly stitch together. I’d kill for a proper timeline infographic, though—someone get on that!

The 'Alien' franchise timeline spans over two centuries if you count from the prequels to the latest films! It starts with 'Prometheus' in 2093, jumping to 'Alien: Covenant' in 2104, then the original 'Alien' in 2122. 'Aliens' follows in 2179, and 'Alien 3' picks up right after. Resurrection' is set in 2381. What's wild is how the timeline feels both expansive and claustrophobic—centuries pass, but the terror of the Xenomorphs never ages. The way Ridley Scott's prequels weave in ancient history (Engineers!) adds even more depth, making it feel like a saga stretching back millennia.

The 'Alien' timeline is this sprawling, messy web of corporate greed, cosmic horror, and survival—and I love untangling it. It all starts with 'Prometheus' (2012), which is technically a prequel but feels like its own philosophical nightmare. Weyland Corp funds an expedition to find humanity's creators, only to stumble upon bioengineered horrors. Then 'Alien: Covenant' (2018) bridges the gap, showing how David the android becomes the franchise's secret villain, experimenting with xenomorph prototypes. The original 'Alien' (1979) and 'Aliens' (1986) are the gritty core, where the creatures evolve into perfect killers, and Ripley becomes a legend. 'Alien 3' and 'Resurrection' are divisive—some fans hate the bleakness or weird clones, but they add to the lore's unpredictability. Even the 'AVP' spin-offs (yeah, the crossover ones) kinda fit if you squint, though they feel more like fan service. What fascinates me is how each film reflects its era: the 70s paranoia, 80s action, 90s nihilism. It's less a clean timeline and more a mood board of dread. Honestly, the connections between films are often loose—Weyland's shadow, androids gone rogue, the xenomorphs adapting. But that's the charm. It's less about strict continuity and more about the themes: humanity's arrogance, motherhood, survival. Even the newer stuff, like the 'Alien: Isolation' game, weaves in beautifully, expanding the universe without needing to explain everything. The timeline's gaps are where fan theories thrive, and that's half the fun.

Ohhh, the 'Alien' timeline is a wild ride! If you wanna experience it chronologically (in-universe), start with 'Prometheus'—it’s technically a prequel but sets up the whole Weyland-Yutani mess and those creepy Engineers. Then jump into 'Alien: Covenant,' which bridges the gap to the original 'Alien.' After that, it’s classic mode: 'Alien,' 'Aliens,' 'Alien 3,' and 'Alien Resurrection.' But here’s the thing—release order hits different. Watching 'Alien' first lets you appreciate how Ridley Scott’s later prequels recontextualize the xenomorphs. Also, 'Alien vs. Predator' exists, but it’s more of a fun detour than canon. Personally, I love the debate about whether 'Covenant' ruins the mystery or deepens it—such a divisive flick!

Man, the 'Alien' series is one of those franchises that just keeps expanding like a xenomorph bursting from a chest! If we're talking strictly mainline movies, there are six: 'Alien' (1979), 'Aliens' (1986), 'Alien 3' (1992), 'Alien: Resurrection' (1997), 'Prometheus' (2012), and 'Alien: Covenant' (2017). But wait—there’s also the 'Alien vs. Predator' spin-offs, which some fans count, others don’t. Personally, I treat those as fun side stories, not core canon. Ridley Scott’s prequels ('Prometheus' and 'Covenant') add a whole philosophical layer to the lore, which I adore. The series has this weird mix of horror, action, and existential dread that just hooks me every time. Funny thing is, I rewatched 'Aliens' last weekend, and it still holds up—those practical effects! The way the franchise evolves from claustrophobic terror to grand cosmic horror is wild. And now with Noah Hawley working on a TV series, who knows how many more entries we’ll get? The 'Alien' universe feels endless, and I’m here for it.

Ever since I stumbled upon the 'Alien vs. Predator' comics as a kid, I've been hooked on the idea of these two iconic franchises colliding. The first official crossover, 'Alien vs. Predator' (2004), was a messy but fun popcorn flick that leaned into the spectacle of xenomorphs and Yautja duking it out. It's not high art, but the sheer novelty of seeing these creatures share the screen still gives me a nostalgic rush. The expanded universe, though, is where things get really interesting. Dark Horse Comics did some stellar work weaving the mythologies together long before the movies attempted it. Games like 'Aliens versus Predator 2' (2001) also nailed the asymmetrical horror-action vibe. While the crossovers aren't part of the core 'Alien' timeline, they’ve become a guilty pleasure for fans who love seeing these universes clash.

The 'Alien' series is a bit of a tangled web if you try to follow it purely by release order versus chronological in-universe events. The original 1979 'Alien' and its 1986 sequel 'Aliens' are straightforward, but then 'Alien 3' (1992) and 'Alien: Resurrection' (1997) complicate things with their divisive arcs. Things get wild with the prequels—'Prometheus' (2012) and 'Alien: Covenant' (2012)—which jump centuries earlier to explore the Engineers and David’s experiments. If you want pure timeline order, start with 'Prometheus,' then 'Covenant,' then the original quartet. But honestly, release order hits harder because the mystery of the Xenomorphs unravels more satisfyingly that way. I still argue 'Aliens' is the peak of the franchise—that maternal showdown between Ripley and the Queen? Iconic. And let’s not forget the crossovers like 'Alien vs. Predator' (2004), which fans debate as canon. The timeline gets messy if you include those, though they’re fun detours. For newcomers, I’d say stick to release order first, then dive into prequels for lore deep cuts. The series’ strength is its evolving tone—from haunted-house-in-space to military sci-fi to philosophical horror—and that’s best experienced as it was made.