How Does 'And Just Like That' Compare To 'Sex And The City'?

2026-06-24 18:02:48 242
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5 Answers

Quinn
Quinn
2026-06-27 18:55:23
The shift from 'Sex and the City' to 'And Just Like That' feels like catching up with old friends who’ve aged—some gracefully, others awkwardly. The original series was this glittery, aspirational fantasy of Manhattan life, all cosmos and couture, while the reboot tackles midlife crises, grief, and woke culture with a clunkier touch. Miranda’s radical personality overhaul, for instance, still baffles me—gone is the sharp-witted lawyer, replaced by someone who feels like a caricature of performative wokeness. Carrie’s podcast arc is painfully cringe at times, but her grief storyline? Raw and real. Charlotte’s evolution actually works; she’s still uptight but grows in relatable ways. The show’s attempts at diversity often stumble (hello, Che Diaz), but I’ll admit it’s trying to reflect a changed world. Nostalgia keeps me watching, even when the dialogue makes me wince.

That said, the fashion remains impeccable—Patricia Field’s absence is felt, but the new team delivers. The absence of Samantha (and Kim Cattrall’s legendary snark) leaves a void no cameo can fill. It’s messier, less fun, but oddly compelling in its messy honesty. Like a heel you love but can’t walk in anymore.
Heather
Heather
2026-06-28 22:09:36
Honestly, 'And Just Like That' feels like SATC got a LinkedIn makeover—stiff, trying too hard, but occasionally relatable. The original’s magic was in its balance of humor and heart; the reboot tilts into melodrama. Carrie’s grief is its strongest thread, but Miranda’s plotline? A disservice to her character. The new diverse cast members are welcome, but their integration feels forced (Lisa’s ‘perfect mom’ schtick is exhausting). The show’s saving grace is its willingness to explore aging—hot flashes, divorce, and all. Just wish it did so with more of the old spark.
Felix
Felix
2026-06-28 22:09:47
Comparing the two is like holding up a Polaroid next to an Instagram feed—same subjects, different vibes. 'SATC' was unapologetically frothy, while 'AJLT' grapples with mortality and identity. The reboot’s pacing is uneven (why did we spend episodes on Rock’s nonbinary journey but rush through Carrie’s widowhood?), but it nails the bittersweetness of aging. Miranda’s coffee cup scene with Nya? More chemistry than her entire marriage. The fashion’s still a character, though fewer tutus, more ‘rich lady athleisure.’ Samantha’s absence is a ghost at every party.
Parker
Parker
2026-06-29 04:58:17
If 'Sex and the City' was a champagne bubble, 'And Just Like That' is flat Prosecco—still recognizable, but lacking fizz. The original thrived on escapism and sexual liberation, while the sequel drowns in self-seriousness. Remember Carrie’s column? Now she’s awkwardly fumbling through podcast interviews about ‘queer experiences’ she knows nothing about. The new characters feel shoved in to check boxes, not organically woven in. Che Diaz’s comedy sets are as funny as a tax audit. But! Charlotte’s parenting struggles? Spot-on. Miranda’s storyline could’ve been profound if it didn’t feel like a midlife meltdown written by aliens. The show’s heart is there, buried under clunky scripts and bizarre choices (Big’s Peloton death? Really?). Yet, I can’t look away—it’s like watching a train wreck in slow motion, sprinkled with Manolos.
Jade
Jade
2026-06-30 19:08:24
'Sex and the City' was a love letter to reckless youth; 'And Just Like That' reads like a therapy journal. The reboot’s tone is jarring—one minute it’s funeral dirges, the next it’s cringe-comedy. Steve deserved better. Miranda’s sudden queer awakening needed more nuance. But Charlotte’s growth? Chef’s kiss. The show’s a mixed bag—sometimes poignant, often baffling. Still, I’ll keep watching for those rare moments that feel like the old gang.
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