Margaret Simon's journey in 'Are You There God? It's Me, Margaret' wraps up in such a heartfelt way that it feels like a warm hug. After months of grappling with puberty, friendship dynamics, and her complicated feelings about religion, Margaret finally finds a sense of peace. The book doesn’t tie everything up with a perfect bow—because life doesn’t work that way—but it leaves her in a place of growing confidence. She reconciles with her friend Laura after their big fight, realizing that friendships can withstand bumps in the road. And while her parents’ interfaith marriage still leaves her feeling caught between two worlds, she decides to keep exploring spirituality on her own terms, ending the book with another quiet conversation with God, this time feeling a little less alone.
What I love about the ending is how real it feels. Judy Blume doesn’t force Margaret into some grand epiphany; instead, she lets her protagonist embrace the messiness of growing up. Margaret doesn’t suddenly 'figure out' religion or puberty, but she learns to trust herself more—a lesson that resonates deeply, especially for readers navigating similar struggles. The final pages capture that bittersweet moment of being on the cusp of change, where things aren’t perfect, but they’re okay. It’s the kind of ending that makes you close the book with a sigh, feeling like you’ve grown right alongside Margaret.
2026-02-19 15:46:55
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Amelie is an Alpha wolf. She lost her parents as a pup. She was poisoned at a young age, and it is believed this poison had an impact on her wolf. Amelie is bullied, rejected, and decided going rogue is her only choice. Will she be able to trust a second chance at happiness? Will her second chance mate be her ultimate salvation?
Note: Can be read as a standalone. Is a continuation of the Alpha Kate series.
Lightning rips the sky open—then, darkness. The world shudders. On the edge. Endings taste like ash. Fate. Desire. Two strangers crash into each other as everything falls apart.
Autumn Winters: heartbroken, haunted, hungry for something more. A name that doesn't fit her anymore. She runs from the ruins of her past, colliding with him.
Bastion. A man with eyes like midnight storms. Dangerous. Beautiful. Not from here. His secrets coil around him, thick as the night.
Chaos explodes. The city burns. Time turns lethal. Bastion offers survival—but at what cost? Autumn's trust is shattered glass, and every word he speaks slices deeper.
Can she gamble her heart on a stranger when the world is ending? Or will she lose herself in the fire between them?
Love is the last risk left. And it's everything.
After five years of marrying into the Loween City in place of my sister, the Gambling King finally passed away.
My son and my ex-husband—at long last—gave me permission to fake my death and return to them.
But they laid down three conditions.
First: kneel before Vivian Gray, apologize for framing her all those years ago, and surrender my place as Mrs. Hartwell.
Second: work as a live-in maid for my own son for five years, and never show up at his school in my former identity as the reigning queen of the nightlife scene—lest I embarrass him.
Third: drink an abortifacient to destroy my fertility forever, as recompense for the infertility I once caused Vivian.
"My lady, you've endured five whole years just to earn your freedom—how dare they humiliate you like this?"
My maid's eyes were red, burning with indignation on my behalf.
But I just tipped my head back and swallowed the death-faking pill, letting the servants toss my "corpse" into the overgrown brambles beyond the city limits.
Then, from the mud and weeds, I crawled back to the Hartwell mansion—one knee at a time.
Day one, I knelt as ordered and signed over custody of my son without a fight.
Day three, I locked myself in the storage closet and stopped showing up at school to pick my son up like I used to.
I also stopped pestering him to call me "Mom."
Even when Vivian—knowing full well I'm terrified of the dark—deliberately trapped me in the basement, I bore it in silence.
By the time my ex-husband Nathan Hartwell saw me again, I was barely hanging on.
For the first time, a flicker of panic crossed his face as he carried me out of that basement.
But my son just sneered.
"It's just another stunt to win our sympathy."
When he caught the tears welling in Vivian's eyes, Nathan coldly dropped me to the ground.
"Always scheming against Vivian with your dirty tricks—aren't you tired of it?"
Right then, the system chimed in my ear: [Please proceed to the "disposable ex-wife death node" to complete the story line and return to your original world.]
I let out a quiet laugh.
"Not tired at all."
And with that, I turned and dove straight into the swimming pool beside me.
As the price of gold soars, my late mother, Eleanor Hutchinson, appears to me in my dream. She tells me she has left a gold bangle on my nightstand. If I wear them, they'll bring me wealth and bless the child I'm carrying.
But after I find the bangle, I give it to the rabid dog the neighbors keep locked up.
In my previous life, my younger sister, Irene Owens, and I marry two brothers and become pregnant at the same time. During a prenatal checkup, the doctor says Irene's baby appears to have severe birth defects and recommends terminating the pregnancy.
She doesn't take it seriously at all.
That very day, Mom comes to me in my dream, and I find the gold bangle on my bedside table.
After I tell Irene about it, she slips the bangle onto my wrists.
She says, "You always say Mom favors me. But after she dies, you're the first person she thinks of and approaches. Just wear them."
I do exactly as she says and never take the bangle off.
But on the day we give birth, Irene delivers a healthy baby boy with rosy cheeks and a loud, vigorous cry. My baby, however, is born with two sets of reproductive organs. The child isn't breathing the moment it's delivered.
Before this, every prenatal exam has shown that my baby is healthy. I realize Irene and the bangle must have something to do with it.
The sight of my horribly deformed baby drives me insane.
In a fit of rage, I dig up Mom's grave and confront Irene. "Why does Mom keep paving the way for you even after she's dead?"
She has me committed to a psychiatric hospital. I waste away in despair until I die.
When I open my eyes again, I'm back on the day Mom first appears in my dream.
On the day of our wedding, my fiance Thomas Warsh was killed in a car accident on the way there.
His adopted sister rushed toward me, clutching his ashes, accusing me of being a jinx who brought him misfortune.
I was drowning in grief when a line of floating comments suddenly appeared before my eyes.
[You must remain a widow for three years for your deceased husband. After three years, he will be reincarnated and return to love you again!]
[Don’t ever remarry. Otherwise, the male lead will never rest in peace, and you will suffer for the rest of your life!]
That was when I learned that my fiancé and I were the hero and heroine of a novel. Only by following the spoilers in the comments and completing the storyline could I reunite with him.
I did not remarry. Guided by the comments, I remained a widow for three years, and then another three.
However, it was not until I suddenly died from a severe illness that I discovered the truth–the comments had all been written by Thomas.
He had faked his death, changed his appearance, married his adopted sister, and fed me endless empty promises so I would continue to slave away for the Warsh family.
When I opened my eyes again, I had returned to the day before the wedding.
"Do you still have a boyfriend?" He asked with a mocking tone. "I thought that ship sailed already. I do not bite Sunflower. The last time we spoke, you said you like what you see." Simon said standing up.
He went over to her, shifted her food aside and sat on the same spot.
"The only excuse you gave for not wanting to feel what I have to offer, was your boyfriend. Is the excuse still valid?" He asked with a sensual smile touching her cheeks gently with the pad of his thumb while the other hand found his newly discovered spot, the crease of her ears.
"Imagine the level of pleasure I would give you. I am a very patient man when it comes to my desires and I am not greedy as well. Your pleasure, would be my pleasure." He reassured her with a smile.
He got down from the table and walked over to her, standing behind her. Slowly, he sucked on her neck.
"Mmm," came the suppressed moan from Paige with her eyes shut.
"Shhhh, you don't want to disturb the people behind those doors." He said.
Money was top of Paige Patterson's priority list while Love didn't even make it to the list.
There were too many bills to pay and a childhood memory to secure.
The Kentleys seemed to be her only hope to financial freedom but the price was way too much for her.
With Simon Kentley, she would be able to sort out all her needs but would she be able to sort any of his?
Other Books By The Author.
•You Are Mine For Keeps
•Loved By A Real Man
The first time I picked up 'Are You There God? It’s Me, Margaret,' I was around the same age as the protagonist, and it felt like Judy Blume had peeked into my diary. The story follows Margaret Simon, an 11-year-old navigating the messy, awkward transition into adolescence. She’s dealing with everything from religious identity (her parents come from different faiths) to the dreaded wait for her first period. The book doesn’t shy away from the cringe-worthy moments—like the infamous 'we must, we must, we must increase our bust' exercises—but that’s what makes it so real.
Margaret’s conversations with God are particularly touching; they’re these raw, unfiltered confessions that capture how isolating growing up can feel. The subplot about her grandparents’ disapproval of her parents’ interfaith marriage adds another layer of complexity. It’s a book that doesn’t offer neat solutions but instead validates the confusion of puberty. Even now, rereading it as an adult, I’m struck by how Blume managed to bottle that universal middle-school angst.
Margaret Simon is this incredibly relatable 11-year-old girl who’s navigating the messy, confusing, and sometimes hilarious journey of puberty in Judy Blume’s classic 'Are You There God? It’s Me, Margaret'. What I love about her is how raw and real she feels—like someone you could’ve been friends with in middle school. She’s got these private conversations with God, asking for things like bigger breasts or her first period, and it’s equal parts cringe and heartwarming because, well, who didn’t have those awkward thoughts growing up?
Her family’s mixed-religion background (Jewish dad, Christian mom) adds another layer to her story. Margaret’s trying to figure out where she fits spiritually, which is something a lot of kids grapple with but rarely see in books. The way Blume writes her—full of hope, insecurity, and curiosity—makes her feel like a time capsule of adolescence. Even now, rereading it as an adult, I find myself nodding along like, 'Yep, that’s exactly how it felt.'
The ending of 'Are You There God? It’s Me, Margaret' always hits me right in the heart. After all the turmoil Margaret goes through—questioning religion, dealing with puberty, and feeling caught between her parents’ differing beliefs—the resolution feels so genuine. She doesn’t get a neat, packaged answer about faith or growing up. Instead, she finds comfort in the idea that it’s okay to keep searching. The scene where she talks to God again, this time with a sense of peace, underscores her acceptance of uncertainty. It’s not about having all the answers; it’s about being open to the journey.
What I love most is how Judy Blume captures the messy, real process of adolescence. Margaret’s final conversation with God isn’t grandiose—it’s quiet and personal. She’s not suddenly 'grown up,' but she’s starting to trust herself. The book ends with her asking for a sign, any sign, and that openness feels like a victory. It’s a reminder that growing up isn’t about reaching a destination but learning to live with questions. That’s why this book has stayed with me for years—it’s honest in a way few stories are.