Which Artist Recorded Just One Kiss For A Soundtrack?

There is — and I still get a little thrill when I hear it hit the opening credits. The track 'One Last Kiss' is the official theme song performed by Hikaru Utada for the film 'Evangelion: 3.0+1.0 Thrice Upon a Time'. It was released as a single in 2021 and played a prominent role in the film's promotion and ending sequence, so yes, it’s an official piece tied to that soundtrack era. From my own silly habit of pausing credits and hunting down every name, I can tell you it’s normally found as a separate single release (and on streaming platforms) rather than being mixed into every composer-led OST package. If you’re checking physical or digital releases, look for the single under Hikaru Utada’s discography or for the film’s music releases that explicitly list the song. Official music stores, the artist’s site, or databases like Discogs/Oricon are great for confirming which edition it appears on. If you want a quick tip: search streaming services for 'One Last Kiss' by Hikaru Utada and cross-check the release date (2021) — that’ll lead you straight to the official track. I still love how the song wraps up the movie; it feels like a proper goodbye.

I get a little giddy when a vinyl detective case pops up—this one is a classic: the title 'Last Kiss' has been recorded by a few different artists, so the soundtrack vinyl that contains it depends on which version you mean. The most famous lineage is that 'Last Kiss' was originally written and recorded in the early 1960s (often associated with Wayne Cochran) and became a hit for J. Frank Wilson and the Cavaliers in 1964. Decades later, Pearl Jam’s cover (1999) is probably the most widely circulated version in modern times, and that Pearl Jam single definitely saw vinyl pressings. There’s also a track called 'Last Kiss' by Taylor Swift on 'Speak Now' (it’s a bonus track on later editions), and other artists have songs with the same title too. If you’re specifically asking about a soundtrack release on vinyl that includes 'Last Kiss', I’d start by narrowing down the performer or the movie/TV title. My go-to move is Discogs: search for 'Last Kiss' and filter by 'format: Vinyl' and 'type: Soundtrack' or 'Compilation'—that usually reveals vinyl soundtrack pressings that include that track. If you want, tell me which artist or which film/show you’re thinking of and I’ll dig through Discogs and label catalogs to find the exact soundtrack pressing.

That song 'just one kiss before you leave me' has such a nostalgic vibe, doesn't it? I first stumbled upon it while digging through old soul playlists, and it instantly stuck with me. After some research, I found out it's actually from the movie 'Coffee and Cigarettes' (2003), directed by Jim Jarmusch. The track plays during this beautifully awkward scene where Steve Buscemi and Iggy Pop share this tense, almost surreal conversation. The song's melancholic yet smooth melody perfectly complements the film's quirky, laid-back aesthetic. What’s funny is that I initially thought it was some obscure Motown gem—it has that timeless quality. The way it lingers in the background, almost like another character in the scene, makes it unforgettable. If you haven’t seen the movie, it’s a series of vignettes, and this particular segment is pure gold. The soundtrack is full of little surprises like this, blending jazz, blues, and rock in a way that feels effortlessly cool. I love how music can elevate a film’s mood so subtly.

I was digging through my old vinyl collection the other day when I stumbled upon a dusty 45 with that haunting title. 'Just One Kiss Before You Leave Me' instantly transported me back to smoky jazz clubs and late-night radio shows. From what I recall, this torch song gem dropped in 1965, recorded by the legendary Nancy Wilson. Her velvety voice made it an instant classic, though it never charted as high as some of her other hits. The song's melancholic vibe still gives me chills—it’s like bottled heartbreak. Funny thing is, I later discovered it was actually written by Benny Golson, the same genius behind 'Killer Joe.' The production has that quintessential mid-60s orchestral pop feel, all sweeping strings and muted trumpets. Makes me wonder why more artists haven’t covered it—the lyrics are timeless. Found an old 'Billboard' review praising Wilson’s 'cathartic delivery' from October '65, which sealed the date for me.