Okay, quick version from someone who loves digging through live clips: several pop-punk and emo-era bands have covered 'My Friends Over You' on tour, often as a tribute or a crowd-pleasing encore. I’ve personally seen live clips of All Time Low and State Champs doing it, and reliable fan footage exists of Yellowcard and Bayside throwing a few bars into medleys at festivals. Blink-182 has been known to tease other bands’ hits in snippets too, so don’t be surprised if you find a short live riff from them.
Best bet for a complete list is to search setlist.fm and YouTube — filter by year or tour name and you’ll uncover one-off moments that never made it to official releases. It’s part of the fun: every cover tells a tiny story about who was inspired by that track that night.
I once watched a grainy phone video of a band at a 2000s-themed show absolutely tearing through 'My Friends Over You' and the crowd went nuts — it’s one of those songs other bands love to borrow. From what I’ve seen and collected, All Time Low are the most frequent culprits of full live covers, especially in early-career club shows. Then you’ve got bands like Bayside and The Wonder Years who’ll sometimes weave it into an acoustic or full-band medley when they’re doing a nostalgia set.
If you want to track specific tours, look at Warped Tour archives and anniversary bills where pop-punk bands like State Champs, Yellowcard, or We Are The In Crowd shared stages with New Found Glory influences — those are prime spots for spontaneous covers. I also recommend searching Spotify or Apple for live sessions and YouTube for tag searches like "cover 'My Friends Over You' live"; fans upload rarities all the time. It’s fun to spot differences: some acts play it straight, others speed it up or hand vocals to a guest, which changes the whole vibe.
Man, that song is one of those pop-punk anthems people love to steal for a night — you’ll hear ‘My Friends Over You’ pop up in the most unexpected sets. I’ve collected a few live clips over the years and what I’ve noticed is that bands who toured with New Found Glory or lived in that scene often toss it into covers: All Time Low has a handful of crowd-shot videos doing a full-on cover at small club shows, and State Champs have been known to sneak it into medleys. On Warped Tour lineups you’ll also find snippets from bands like Yellowcard and Bayside, usually as a quick tribute during encore moments.
If you want a concrete place to check, start with setlist.fm to see documented instances (search for 'My Friends Over You' + the band name), then hunt YouTube for fan recordings — that’s where those one-off live covers live. Also keep an eye on co-headline nights: The Wonder Years and We Are The In Crowd have been seen doing pop-punk covers in festival or anniversary sets. It’s a bit of treasure hunting, honestly; I love how every clip gives the song a slightly different energy depending on the singer and the crowd.
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During the summer vacation, I go overseas with my boyfriend, Cornell Glover, to attend his favorite music festival that is called the Tuchella Music Festival.
When we are lining up to go into the venue under the sweltering heat of 86F, I go to the vendors nearby to buy him some iced bottled water.
But by the time I get back, Cornell is gone. To make things worse, my digital ticket shows that it has already been checked in.
Anxious, I call him and ask, "Have you gone in? Why does my ticket show that I've checked in?"
Cornell replies, "Oh. I ran into Ellie Valdez, the intern from our department, just now. She was crying at the entrance because she couldn't get a ticket, so I gave yours to her."
"Are you crazy? I was the one who got us those VIP front-row seats!" I exclaim.
"Come on. It's not like you're interested in rock music. You'd just be scrolling on your phone after you get in. Ellie is a diehard fan. Don't you think you should let someone who appreciates the music have this instead?" Cornell says nonchalantly.
I am so shocked that I don't know what to say.
After a few seconds, I say in disbelief, "So you left me out here, all alone, for an intern's sake?"
Cornell sounds dismissive as he says, "You can hear the music from outside anyway. Just find somewhere to sit and wait until the music festival ends. Don't be so selfish."
I listen to the long, monotonous beep after he hangs up on me for a moment before calling my lead singer brother right away.
She never intended to fall for anyone—let alone three of them.
Trying to make ends meet in Los Angeles, Alexis didn’t expect to be caught between her childhood crush, his irresistible brother, and a rising celebrity she was only supposed to fake date.
With family chaos, betrayal, and forbidden love threatening to tear everything apart, Alexis must figure out where her heart truly belongs… before it’s too late.
My wife is a pilot. We had our wedding three years ago, but she's stood me up 18 times since then when we agreed to register our marriage.
The first time she stood me up was when her apprentice took his first flight. I waited outside city hall the whole day for her.
The second time she stood me up was when she turned around after receiving a call from her apprentice. She left me by the roadside.
Later, whenever we set a date to register our marriage, her apprentice would run into all sorts of trouble.
Finally, I decided to leave her. But after I board a flight to Avalonia, she chases me all the way there like she's lost her mind.
My best friend said she was just protecting me from bad men.
So every time I started dating someone new, she would turn herself into his dream girl. She'd flirt, chase him, and seduce him until she ended up in his bed.
And every time, she'd send me the photos. Always with the same cheerful caption:
"Bestie! If I hadn't tested him, you'd be heartbroken again. Aren't I good to you?"
I was tortured, broken, humiliated.
Eventually, I cut her off completely and moved to another city.
Then I met the man I thought was my true love—Liam. He was kind, devoted, and loving. I thought I could finally be happy.
On my wedding day, I found Madison standing in my dressing room, disguised as my makeup artist. She smiled at me, just like she used to.
"Don't worry, bestie," she whispered. "Let me test this one for you. Then you can marry him."
She drugged me, then put on my wedding gown and got into bed with Liam.
But I woke up in time. I burst into the room with our families. I caught them together.
Later, I got pregnant. During labor, I hemorrhaged. Liam watched me bleed and refused to sign the emergency consent form.
"Madison just wanted to give herself to me before our wedding—to fulfill her wish," he said coldly. "You humiliated her. You drove her to suicide. She died carrying my child."
"You and the bastard in your belly deserve to die too."
That was when I realized—the man I loved had already fallen for my best friend.
I died in agony. My ashes were thrown into a ditch.
Then I opened my eyes.
I was back. On my wedding day. And Madison was standing right in front of me, pretending to be my makeup artist.
That opening riff of 'My Friends Over You' still makes me grin like an idiot—it's one of those songs that feels like a warm, sweaty summer show. If you dig into who actually wrote the lyrics, the short truth is that the voice behind most of the words is Jordan Pundik, New Found Glory's lead singer. He’s generally credited as the primary lyricist for a lot of the band’s material from that era, and you can hear his personality all over the lines about choosing friends over a messy romance. That cheeky, defiant tone fits his delivery so well that it’s become kind of inseparable from the song itself.
That said, songwriting in bands is rarely a solo factory-line process. Official credits for 'My Friends Over You' list the members of New Found Glory—Jordan Pundik, Chad Gilbert, Steve Klein, Ian Grushka, and Cyrus Bolooki—which makes sense because the track’s structure, riffs, and melodic hooks were built collaboratively. Chad Gilbert’s guitar work and melodic ideas, Steve Klein’s rhythmic input, and the rhythm section’s groove all shape how the lyrics land, so the finished product is a group effort even if Pundik put the majority of the words on paper. Producer Neal Avron’s touch on the 'Sticks and Stones' sessions also tightened up the arrangements and vocal phrasing, helping those lyrics punch harder.
If you want the most authoritative source, peek at the 'Sticks and Stones' liner notes or check performing rights databases (BMI/ASCAP) for the formal registration. I’ve flipped through old CD booklets at record stores just to see credits and it’s oddly satisfying—there’s a different thrill in reading who did what. For me, knowing Jordan’s voice in the words just makes the chorus hit that much sweeter whenever I blast it on a drives-and-bad-playlist kind of night.