Who Is The Author Of The African Child?

The Mother That Fed the Dark is a study of inherited guilt, ritual, and the long reach of a mother's choices. Amahle, a woman who practices the old rituals in secret, believes that her younger son , Sipho, was born as a spiritual "door" to be sacrificed for the sake of power and protection. During the ritual she performed , she got interrupted by the older son, Thando, who died instead. While the community believes Thando's death was accidental, Amahle knows better: it was the wrong son who died, and the ritual was left unfinished. Drenched in fear and resentment , Amahle raises Sipho as if he is the love of her life, while at the same time working to destroy him. Behind closed doors, she feeds the supernatural force from the failed ritual, which weakens Sipho, making him fearful and dependent. As Sipho grows, so do the misfortunes that follow him, and an unseen entity begins to present itself-first in dreams and whispers, then in the physical world . What we see is that the ritual did not bind to the house but to Sipho's bloodline. When Sipho leaves home, the haunting grows stronger. After Amahle's death, Sipho finds her secret notebooks , which reveal to him the shocking truth: that his brother's death was a mistake and, in fact, Sipho was never meant to die but to be the vehicle for the ritual, which he indeed is. Setting the family home on fire brings only temporary relief , but the curse does not break. In the final revelation, Sipho realizes that he is not the offering but the keeper, the living portal through which harmony, hardship, and magical power flow. Unlike his mother, he comes to the realization that he has a choice.

For nearly five centuries, no child has drawn a first breath. The Creator sealed the womb of the world, and humanity learned to live without its future. But in the depths of Triune, another kind of genesis rose. From the Middle comes a child with power and lineage to rival the Creator. Not born, but woven. Not raised, but awakened. Bodies shaped by design. Souls coaxed from silence. Each one a crafted echo of what humanity once was. Those who survive their emergence ascend to the Upper. Those who falter are reclaimed by the dark. On the night meant to mark their passage into adulthood, five friends stumble upon a truth older than scripture and sharper than prophecy: The first humans were not what they were told. The gods were not who they claimed to be. And the Children of Triune were never meant to ask why. Some truths don't set you free, they come for you.

This an autobiography of a man's childhood day, the horror and the dread that he went through, it also comprises of other happenings that made up his childhood day: both sad and happy moments.

Amara Nwosu believed graduation would mark the beginning of her freedom — a quiet transition from struggle into possibility. Instead, it became the night her life collapsed in front of Lagos’ most powerful elite. At an exclusive graduation gala in Ikoyi, a leaked video exposes a hidden network of betrayal involving the people she trusted most — her boyfriend, her best friend, and those she once believed were shaping her future. Within hours, Amara is not just humiliated… she is publicly dismantled. But humiliation is never random in Lagos. Behind the scandal lies a deeper system of power — one that connects university politics to corporate empires and political families who operate beyond consequences. And at the center of it all is Damian Afolayan — a billionaire who does not intervene, does not explain… but watches. Carefully. Quietly. As if her destruction was never accidental. Thrown into a world of wealth, silence, and dangerous secrets, Amara is forced to survive in spaces designed to erase her. But survival slowly turns into awareness… and awareness into something far more dangerous than revenge. Because in Lagos, power does not fear love. It fears exposure. And Amara is no longer willing to stay invisible.

After reuniting with my birth family, my wealthy biological father tossed me a black card and laid down one rule: I could spend as much as I wanted, but I was never to call him Dad—that title belonged only to his adoptive daughter. Clutching the black card, I cautiously bought myself a two-dollar-fifty ice cream cone. Just as I was happily licking the sweet ice cream, the adoptive daughter dropped to her knees before me. "Alice, are you mocking me because I can't even afford something that costs two-fifty in the future?" My brother immediately slapped me twice. "You have money now, but you can't split love. Natalie is my one and only sister!" Then my father splashed boiling water onto my face. "No disgraceful wretch deserves to be a Gervais." To punish me, they sent me off to Rimala, forced to work as a child laborer in the mines. Ten years later, I walked into a grand banquet hall with an ice cream in hand and came face-to-face with my brother, Ansel Gervais, dressed in a hand-tailored suit. "All these years and you're still a disgrace," he sneered, but I couldn't be bothered to argue. "Let go. My dad's waiting for me—and if I'm any later, the ice cream's going to melt." He looked down at me with contempt. "Dad? Who gave you permission to call him that? Natalie will forever be the only Gervais girl—no one can take that away from her!" I rolled my eyes. Who said I was talking about that cheap excuse for a father? I was talking about my adoptive father—the oil tycoon with an incurable sweet tooth. I was in a hurry to let him taste some ice cream.

My adopted daughter, Phoebe Marsh, possessed an evil ability. Whenever she got hurt, the pain would also be inflicted directly on my biological daughter, Maisie Shaw. She deliberately hurt herself, covering her body with wounds and bruises. Then, she would turn around with cold eyes, watching Maisie writhe on the floor in agony until she passed out from the pain. With no medical solution available, I broke down and held Maisie close, begging my husband, Brandon Shaw, to send Phoebe away. However, he would erupt in fury. "It's obviously Maisie who's been faking illness for attention, and you're making up this ridiculous story to get rid of Phoebe. She's just a fragile, helpless child. How can you be so vicious?" After that, Phoebe escalated her self-harm even more viciously. Meanwhile, Maisie spent every day curled up in the corner of her bed, refusing to let anyone touch her. On Maisie's birthday, Phoebe threw herself from the fifth floor. Just as Maisie was blowing out her candles and making a wish, she suddenly began bleeding from all her facial orifices, and she died instantly. Yet, Phoebe only suffered minor scrapes. I died from overwhelming grief shortly after. When I opened my eyes again, I had returned to Phoebe's first day in our home. Maisie was playing with her Legos when she suddenly clutched her ankle and started crying. This time, I grabbed the broom from behind the door and swung it toward Maisie, shouting, "I'll beat you up for faking illness and seeking attention!"