I stumbled upon 'Blatherskite' ages ago while digging through obscure indie comics, and the name stuck with me because of its sheer weirdness. The author is Nate Powell—yeah, the same guy who later won awards for 'March'! But 'Blatherskite' was this raw, early work of his, full of chaotic energy and punk aesthetics. It’s wild how his style evolved from those gritty, experimental pages to the polished historical narratives he’s known for now.
If you’re into underground comics, Powell’s early stuff is a goldmine. 'Blatherskite' feels like a time capsule of the 90s zine scene, all rough edges and unfiltered creativity. Makes me nostalgic for the days when comic shops smelled like ink and rebellion.
Oh, 'Blatherskite'! That’s Nate Powell’s baby—a comic that’s equal parts surreal and unsettling. I first heard about it from a friend who’s obsessed with indie presses, and after reading it, I totally get the cult following. Powell’s art in this one is like if someone scribbled their fever dreams into a notebook, but in a way that somehow makes perfect sense. It’s short, but packs a punch, with themes that linger long after you’ve closed the book.
What’s cool is seeing how Powell’s work shifted over time. 'Blatherskite' feels like the rebellious younger sibling to his later, more polished projects. If you’re into comics that push boundaries, this is a deep cut worth exploring.
Nate Powell wrote and drew 'Blatherskite,' and it’s a trip. His later stuff got way more recognition, but this early work is where you see his raw talent bubbling up. It’s got that underground vibe—like something you’d pass hand-to-hand at a punk show. I love how unapologetically strange it is; no compromises, just pure creative chaos. Makes me wish I’d been around for the 90s zine scene.
Nate Powell’s the brain behind 'Blatherskite,' and honestly, it’s one of those titles that hits different if you’ve followed his career. Before he teamed up with Congressman John Lewis for 'March,' he was cranking out these visceral, DIY comics that felt like a punch to the gut. 'Blatherskite' is messy in the best way—like someone poured their nightmares onto paper. It’s not for everyone, but if you dig abstract storytelling and bold visuals, it’s worth tracking down. I found my copy at a flea market, buried under a stack of old magazines, and it’s still one of my weirdest treasures.
2025-12-28 18:17:50
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"Forgive me, father. For I'm going to abduct this little sinner."
The holy father watched, stunned, as the tall guy yanked the girl out of the confession box and stomped out of there.
~~~
Innessa Laskin is a good girl by all means. She's kind, innocent, and goes to church. Love her parents and sister. She studies hard and aims to be a successful psychologist one day. She is a simple and ordinary girl from a small town who got a scholarship to the top Grand Elite academy.
Issac Knight is a mysterious man. The handsome man with cognac brown eyes would soon turn her life upside down. He's mean. Wicked. A deadly underground boxer.
What will happen when he accidentally helps her one night? The guy she thought was nice turned out to be far more dangerous. Issac never does anything for free. He'll exploit her, corrupt her in ways she could never imagine. He always does what he wants.
Issac isn't the knight she thought he was. He's the sinner her mom used to warn her about.
The naive Innessa would be shoved into the world of sinful pleasures.
TROPES
Forced proximity
Fake dating
Hates everyone but her
Opposites attract
Possessive ml
Semi-submissive Fl
V-card.
Twenty-six, brilliant, and achingly untouched, PhD student Cassie walks into the city’s most exclusive sex club because of a bet against her virginity. She chooses him blindly: a cruel Dom who drags her to the hidden chambers, spreads her trembling thighs, and takes her virginity with slow, savage thrusts while she screams. She never sees his face.
She buries the memory under ambition, until her mother’s death forces her back to her home.
Her brother offers her an internship with his best friend, Reginald Walker; an introverted, lethal and impossibly controlled CEO. The man whose mere presence makes her wet and reckless. Cassie pushes until Reggie snaps, chains her on the wooden crucifix, spreads her legs and fucks her till she's speaking in tongues.
Despite the fact that Reggie cannot do emotions, their secret affair turns raw and desperate: His hand is always fisted in her hair, his neck filled with hickeys that his shirt cannot hide. Their love and lust is so violent it terrifies them both.
Then the devil returns. Dominic is the one who broke Cassie's virginity and he recognises her one night at a party. He does everything to get a taste of her again, including blackmail.
When Reggie refuses to believe that the pictures he received are from the past, he walks out but they get back. Before they can fully reconcile, Reggie's ex comes with full force. Cassie runs to her brother with a broken heart. Reggie drowns in whiskey and self-loathing. On his knees in the rain,he begs for her forgiveness and love.
She gives it, but nothing is the same again. They start over slowly, trying to rebuild what Dominic nearly destroyed.
One careful kiss, one trembling “I love you,” one fragile heartbeat at a time.
Orennox is a wizard who has been around since the world was made. As technology progresses, magic tends to wane and Orennox adapts to the trends. Now called Oren Knox, he is mostly known as a gunfighter, a notoriously cheap gunfighter who will use magic to make one bullet do the work of many so he doesn't have to keep buying ammunition. His quest is to locate the last Earth Nodes, the last strongholds of magic, and harness their power with the goal of bringing back his trapped wife. In order to find these Earth Nodes, he must use the services of the female Diabolists (night witches) who can sense the magic from long distances. Only, Diabolists are extremely rare and there is a psychopathic killer out there who wants them all dead. After losing one Diabolist to fate, Oren must protect his new asset from those who would hunt her down and kill her so he can find enough magic to complete his quest. However, he is not the only wizard left looking for Diabolists, Diabolists have minds of their own, and, according to him, everyone Oren comes in contact with is a sidewinding, low down, scoundrel.
Her name was Cathedra. Leave her last name blank, if you will.
Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things.
Three words: Lies, lies, lies.
A picture that moves.
And a plea: Please tell them the truth.
All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know.
No one believed her. No one ever did.
She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless.
As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone.
Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind.
Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.
Since The Fires of Alira one thousand five hundred years ago, dragons have lived separate from the other races in Midgar. They rarely make contact with others, unless in terms of conflict.
Eleonora is the descendant of the dragon sovereign, and will one day assume the throne of the Perilous Horde herself. The horde, despite years of murky conflict, forges an alliance with the human kingdom of Samirya located in the northern region. It is no longer a matter of petty bickering. Now, with the eve of a Great War looming over them, both groups lives depend on a truce.
As conflict thickens and land disputes grow increasingly more bitter, the chieftain of the Perilous Horde makes a final desperate move to unite the two worlds: the dragons will send an ambassador to protect the humans capital city of Mimmgar from the oncoming invasion.
And who should be that ambassador be but Eleonora?
Eleonora just hopes to complete that task quickly so she can return home, but soon finds that the humans are nothing like she expected. Forming an unforeseen connection with the human king, and becoming captivated by a young blacksmith, she begins to question everything she's ever known and learns that her homeland may have some terrible secrets of its own.
Book one of A Dragon’s Legacy.
The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him.
The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar.
The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.