Who Is The Author Of The Confessions Of Robin Askwith?

The largest collection of first-person accounts sharing their steamy tales of seduction and temptation. From LA to Sydney, Paris to New York, Stockholm to Singapore, Manhattan to Malaysia, these hand-picked bestsellers will be your perfect bedside companion. The confessions might shock, amuse or excite but you'll find what you're looking for over here ;)

Blurb: Trigger Warnings: This novel has explicit gay sex, lesbian sex, BDSM using whips, chains, and domination, trans characters fucking, and fucking with paranormal creatures such as vampires blowing and werewolves knotting in asses. This is a collection of dirty sex tales. Cocks harden and pussies get wet. Tops pin bottoms and fuck them hard. Mistresses in leather whip bodies with whips until they beg to cum. Gay dudes lick asses in the locker room. Lesbians play with pussies against each other and use strap-ons until they come. Trans people use toys and tongues on all their holes. No limits—straight-up smut to make you hot. Author's Note: For those who can't jerk off to porno but need books to imagine the sex scenes in order properly—use these stories for your dirtiest thinking. Not for those under 18.

Three women. And maybe more... Three stories. And more... All soaked in desire that doesn't care about rules, vows, or shame. These aren't tales of love-they're confessions of raw, hungry need. Lust that makes your cünt throb, your cöck twitch, your breath catch. Pages moist with sweat, wet with cūm, dripping with sin. Fingers, lips, tongues, hands-everything presses, slides, and fūcks in ways that make your pulse race. You'll read about pūssies dripping, cöcks hard and throbbing, mouths gagging and sūcking, āss cheeks spread, tongues sliding inside folds, fingers plunging deep. Every page pulses with heat, with mōans you can feel, with bodies colliding and fücking without mercy. Inside, nothing is sacred. Nothing is safe. A married woman spreads wide for her forbidden lover. A professor trembles as her student takes her mouth. A stranger is bound and worshiped, every inch of her body devoured. And that's just the beginning. Every filthy craving, every desperate mōan, every secret you've never dared whisper-it's here. Women devour women. Men ravage men. Lovers cross every line they shouldn't. So go on. Pretend your fingers aren't twitching to turn the page. Pretend your thighs aren't already wet. Pretend your cöck isn't straining. But once you give in... once your eyes slide across the first word... you'll feel it- the slow, dirty pull between your thighs, the rush of want crawling through you, your body answering before your mind does. And from that moment- you don't just read it. You become it. Your püssy, your cöck, your jūices, your mōans, your filthy, trembling need-all mine to claim, to taste, to drive wild. So tell me-would you be mine? Would you dare turn these cūm-stained pages?

CONTENT WARNING ⚠️ These are not innocent stories. What's inside these pages is not for the faint hearted. You've been warned. Deliciously. **** Sins Worth Keeping is a collection of stories about men who want what they cannot have and reach for it anyway. In dark corners, empty locker rooms, late nights that last too long and hotel rooms that know too many secrets. These are not love stories that play it safe. These are the ones that burn. Find your quietest corner. Turn the pages and try to breathe normally. Fair warning — once you start, stopping will feel like the hardest thing you've ever done. Don't say you weren't warned. ⚠️🖤

Vivienne Kane has spent years forging her future in silence and shadow—her final thesis exhibition the only thing standing between her and the betrayal that once stole her voice, her art, and her trust. When a campus plumbing catastrophe forces her into a cramped off-campus apartment with Asher Donovan—the university's charismatic rugby captain whose life is all noise, team spirit, and golden-boy pressure—she braces for war. He's too loud, too present, too everything she avoids. Yet from the moment he catches her painting through a half-open door, Asher is hooked—not on her beauty, but on the storm she hides in every brushstroke. He starts small: quiet coffee deliveries, late-night silences in her studio, fierce defense against anyone who dares threaten her work. What begins as clashing egos and slammed doors spirals into something neither can ignore—raw vulnerability, protective fury, and a heat that scorches through every boundary she's built. In a world of late-night canvases and bruising practices, two guarded hearts collide: one learning to trust again, the other discovering what it means to fight for someone who finally sees you. Enemies at first sight. Roommates by disaster. Lovers by choice.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.