I was struck by how conversational the author was when describing the spirits. They rarely leaned on grand metaphors; instead, they used everyday language and short anecdotal moments. In one interview they compared a spirit to a neighbor who always leaves a light on — not threatening, just present. In another they described a more malignant presence with the simple image of ink spreading on paper: small at first, then slowly overtaking margins. Those casual images made the spirits feel believable rather than stylized. Beyond imagery, the author emphasized emotional complexity. They said some spirits were more like grief given shape — patient, repetitive, and quietly teaching — while others were trickier, mischief that poked at characters’ secrets. I liked that they didn’t insist on a single definition; they seemed to enjoy the ambiguity. Listening to those interviews, I started to notice how voices in the book shifted when a spirit was near: dialogue got clipped, descriptions grew tactile, and ordinary objects took on new resonance. It’s the kind of detail that makes re-reading rewarding because you start spotting the author’s fingerprints in how they set atmosphere and moral weight.
There was a quieter, almost scholarly tone in one set of interviews where the author described spirits as echoes of relationships and places. They talked less about dramatic manifestations and more about persistence — how memories, regrets, and small kindnesses can accumulate like layers in a house until they feel alive. They used phrases like ‘‘residual attention’’ and ‘‘habitual remembering,’’ which made me think of spirits as social phenomena rather than purely supernatural beings. That shift changed my perspective: instead of expecting jump scares, I began to look for interpersonal histories threaded through scenes. The author also admitted to being influenced by local folklore and small domestic rituals, which made the spirits feel rooted in culture and routine. It left me wanting to reread the book slowly, noting the ordinary details that seem to hum beneath the surface.
The way the author talked about the spirits in interviews felt like someone describing an old neighborhood — full of texture, quirks, and unexpected kindness. They didn’t treat the spirits as mere plot devices or creepy set dressing; instead, they gave them habits and preferences, as if each one had a small domestic life. One interview had the author laughing about a spirit that preferred to rearrange teacups rather than make noise, while another time they grew quiet and described a presence that lingered like a scent of rain: suggestive, familiar, and impossible to fully name. What really stuck with me was how the author mixed practical observation with humility. They talked about method — how they took notes, how they listened — but also admitted when something defied explanation. That made their descriptions honest and human. Sometimes the spirits were moral actors, testing characters; other times they were more atmospheric, shaping mood rather than agency. It reminded me of how 'Spirited Away' uses spirits to reflect inner states rather than just to frighten. Talking about those interviews later over coffee, I found myself replaying small phrases the author used: ‘‘soft-tempered,’’ ‘‘stubborn like ivy,’’ ‘‘the kind that remembers names.’’ Those little images changed how I read the scenes afterward — I started looking for domestic traces, like remnants of a life rather than theatrical scares. It felt like being let in on a secret about how imagination and memory collaborate to make the uncanny feel lived-in.
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He was shocked, he hadn't had one of those for many years and this one was strong attraction.
He became intrigued, when during his investigations into some underworld murders, he kept bumping into her. This 'feeling' should have worn off, it didn't. In fact it just got even stronger, as a deep desire to possess this creature crept up on him. When he saw that she was clearly being enslaved and controlled, he felt obliged to save her and free her from her bonds.
And able to be with him!
But what is she?
He thought she was perhaps Fae…boy, was he wrong and shocked to discover she was a Demon!
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Katarina is a soldier demon, owned by Demon Lord Basille. Lent out to the human Scott McGowen as part of a blood pact contract to make him more powerful and rich while at the same time collect the souls of two hundred mortals for her Master to bolster his ranks in the Demon Realm.
Until Ruben Luisetti steps into her life and shows her that what she thinks is her 'normal' in life, doesn't have to be…
Well used to being merely a tool Katarina finds herself strangely entranced by the delectably handsome and powerful Vampire Lord and finds herself enthralled by Ruben's dominant, possessive yet gentle and caring nature for her, showing her a new way of being treated by someone…being treated with respect, care and….
Love??
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Can Ruben free his beloved from the Demon Contract?
Can he free his beloved from Demon Lord Basille?
To become entwined by Fate?
I only realized I was the protagonist of a mafia novel after I met my husband, and the mafia boss, Lucien Vaughn, was a traveler from another world.
According to the rules of his world, he wasn't allowed to develop romantic feelings for anyone in the story. However, the moment he saw me, he fell in love. And every time his heart stirred for me, he suffered pain so intense it felt as if his soul were being torn apart. He endured it ninety-nine times.
Then, one day, I was kidnapped by a rival mafia family and taken to South Merica, where I suffered brutal torture. Yet somehow, I managed to escape and hide in a basement.
As I listened to my enemies raging outside and searching for me, I quickly used the secret method Lucien had taught me to contact the world beyond this one. The connection worked, and through it, I overheard a conversation between Lucien and one of his friends from the other world.
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Lucien's voice was calm and detached. “I didn't have a choice. If I hadn't done it, then Emily Carter would've suffered in this storyline instead. She’s only a supporting character. She would’ve died.
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Tears streamed down my face. My heart felt as if it had been ripped apart, leaving behind nothing but pain and despair.
So, when my enemies finally smashed open the basement door, I didn't struggle or run.
Skye Harris, a 24-year-old with nothing to her name except an old Subaru wagon and now a gothic style Victorian home that she bought at a Memphis house auction. She is determined to rebuild her life after wasting 6 years in an abusive relationship. While working on renovations of her new home, she begins to feel another presence.
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A creepy black cat with glowing eyes wouldn’t stop meowing and rubbing against my legs.
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