Who Is The Author Of NNNNN: A Novel?

I grew up abroad. My mother feared I might marry a foreign man, so she arranged an engagement for me with a talented and handsome man in Flodon. She insisted that I return home to get engaged. I came back and started shopping for an engagement dress at a luxury boutique. I selected an off-white strapless gown and decided to try it on. Suddenly, a woman nearby glanced at the dress in my hand and told the saleswoman, “That’s a unique design. Let me try it.” The saleswoman immediately yanked it out of my hands. I protested indignantly, “Excuse me, I was here first. Don’t you understand the principle of ‘first come, first served’? Or do you just not care about common decency?” The woman scoffed and retorted, “This dress costs $188,000. Do you really think a broke nobody like you can even afford it? “I’m Lucas Goodwin’s sister in all but blood. He’s the chairman of Goodwin’s Group. In Flodon, the Goodwin family sets the rules.” What a coincidence! Lucas Goodwin was my fiance! I immediately called him and said, “Hey, your ‘sister in all but blood’ just stole my engagement dress. Do something about it.”

A premeditated scheme of exploitation stripped me of everything I had. An unforeseen encounter plunged me headlong into a swirling vortex of chaos. Betrayal, contracts, endless entanglements… As the gears of fate clicked into motion, a single sheet of agreement threw me back into the orbit of that person—yet he seemed to have erased every trace of me from his memory… Meanwhile, my ex’s relentless, suffocating pestering and life’s unyielding, brutal trials kept closing in, one after another.

“We…shouldn’t be doing this,” Stacey moaned as she felt Noah’s lips kiss the side of her neck. “Tell me to stop, and I will,” he whispered. “I’m twelve years older than you; what would the world say?” “I don’t care what the damn world says. The only thing I care about is the woman in front of me.” He kissed her on that same sensitive spot on her neck. “So I say again, Professor, tell me to stop and I will.” ****** 32-year-old Stacey Smith's life comes crashing down when she discovers her husband's betrayal. Seeking comfort, her best friend drags her to a club where she ends up having a one-night stand with a stranger. Stacey is shocked to realize the guy she slept with is one of her students, the popular star basketball player of her school, 20-year-old Noah Baker. What happens when an unlikely romance blooms between the two? In an era of scrutiny and criticism, how would they handle the world's reaction to their unusual love? And with Noah’s future hanging on the line, her ex-husband and a new love interest her age after Stacey, would they be able to overcome all the challenges they face, or would they cave in and walk different paths?

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

We love reading novels, fall in love with the characters, sometimes envy the main girl for getting the perfect male lead... but what happens when you get inside your own novel and get to meet your perfect main lead and bonus...get treated like the female lead?! As the clock struck 12, Arielle Taylor is pulled inside her own novel. This cinderella is over the moon as her Prince Charming showers her with his attention but what would happen when she finds herself falling for her fairy godmother instead? Please read my interview with Goodnovel at: https://tinyurl.com/y5zb3tug Cover pic: pixabay

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.