Why Did The Author Write The Novel The Flower We Saw That Day?

Xena Xander returned to the past and found herself back in 1989. That year, she was thirty. Her husband, Julian Zane, was thirty-five. He had just become the youngest academician at the National Academy of Sciences. He was a national talent, and his future looked exceptionally promising. They had a pair of ten-year-old twins. Everyone said she was lucky. She was so lucky to have a good husband and sweet children. But the first thing she did after returning to the past was consult a lawyer and prepare two divorce agreements. She called Julian’s office. When the assistant realized it was her, the response was brief. “Xena, Professor Zane is busy. He doesn’t have time.” She went to the research institute to look for him, but the guard stopped her at the entrance. “Sorry, Professor Zane is unavailable right now.” After three days, she took the divorce agreement and went to see Julian’s first love. She placed the agreement in front of Moon Jensen and calmly said, “Please have Julian sign the divorce agreement. From now on, he and the two children belong to you.”

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

After eight years of marriage, I finally get pregnant with Claude Frey's child. It's my sixth round of IVF, and my last chance. The doctor says I can't put my body through it again. I'm overjoyed, ready to share the good news with him. But a week before our anniversary, I received an anonymous photo in the mail. In it, he was bending down to kiss another woman's pregnant belly. That woman is his childhood sweetheart, the one his family watched grow up. She's gentle and well-mannered, and the kind of daughter-in-law every parent dreams of. The funniest part is that his entire family knows about her pregnancy, except me. I'm just the punchline in their joke. It turns out that the marriage I've been holding together despite all my wounds is nothing but a carefully crafted lie. Fine. I don't want Claude anymore, and I'll never let my child be born into a world built on lies. I book my ticket to leave on our eighth anniversary. It's also the very day he's supposed to take me to see the sea of roses. Before we got married, he promised me a sea of flowers all my own. But instead, I find him in front of the rose garden, kissing his pregnant childhood sweetheart. After I leave, he starts searching for me everywhere. "Don't go, please?" he begs. "I was wrong. Don't leave." He finally remembers the promise he'd made to me and plants the most beautiful roses in the world in that garden. But I don't need it anymore.

Flora Amor thought she had found her fairytale in Dixal Amorillo, the man who made her heart race with every whispered breath of her name. But her dreams collapsed when she discovered that her marriage was built on a cruel bet. Her world crumbled further after a tragic family secret left her with no memories of the past. Seven years later, fate brings them together again through her mischievous, brilliant child, leading Flora Amor straight into Dixal's powerful construction empire. Now a changed man, Dixal is determined to fight for the wife he once lost. With the hidden enemies, family betrayals, and long-buried truths threatening to tear them apart, Flora Amor found the courage to hold on to the healing power of love

Post - Apocalyptic Horror | Action | Yuri Harem | 18+ | Rated R | Mature Content | Slow Pace It started with a kiss I don’t remember giving. A rooftop. A moan. Someone’s fingers buried in my hair like they belonged there. A mouth on my throat that said I tasted like something they lost in another life. I wasn’t dreaming. The city was already cracking beneath me. Power grids flickering like dying stars. Tech failing. Screens static. The sky bruising in strange new colors. Everyone said it was coincidence. Collapse. Noise. But I knew better. The moment I felt her breath on my skin — even if I couldn’t see her — I knew the end had already arrived. And I had something to do with it. Ten butterflies followed me after that. Not literal ones. Not always. They shimmered in my periphery. Each the wrong color. Each too vivid. Each drawn to me like heat to blood. They touched me in dreams. They watched me when I undressed. They whispered without words. I could taste their want. Some called me cursed. Broken. Unstable. But the truth is simpler. I’m blooming again — and they all feel it. They don’t love me. They remember me. They remember what I used to be — what I still am, underneath the silence. One of them burned me with just a kiss. One broke my spine with kindness. One slid her hand under my shirt like it was always hers. One cries when she touches me. One never speaks, but her eyes dig. One wants to keep me. One wants to ruin me. And one just wants to finish what we started. They think I’m choosing. I’m not. My body already did. And now the bloom inside me is turning darker.

My mother hated me, to the point that she wished I were dead. I knew I deserved to die. Sixteen years ago, if I hadn’t insisted on going out, my brother wouldn’t have died while trying to save me. Eventually, both of us got what we wished for. I got brain cancer. She had become a stranger to me as I forgot everything and went to die in blissful ignorance. Then, she went mad.