The 'Theology of Home' series is this beautiful blend of faith, beauty, and domestic life, and it’s co-authored by three incredible women: Carrie Gress, Noelle Mering, and Megan Schrieber. I first stumbled upon their work while browsing a local bookstore, and the covers alone drew me in—warm, inviting, and full of depth. Carrie Gress has a Ph.D. in philosophy and writes extensively about Catholic womanhood and culture. Noelle Mering, a fellow at the Ethics and Public Policy Center, brings a sharp yet graceful perspective on modern societal challenges. Megan Schrieber’s background in design and theology adds this tactile, artistic layer to their collaboration. Together, they create a tapestry of thought that’s both intellectual and deeply practical.
What I love about their dynamic is how their voices complement each other. Gress’s academic rigor, Mering’s cultural commentary, and Schrieber’s eye for beauty make the books feel like a conversation with wise friends. They don’t just theorize about home—they make it feel sacred, urgent, and alive. I’ve gifted their books to so many people because they’re the kind of reads that linger, like the scent of freshly baked bread in a kitchen.
Carrie Gress, Noelle Mering, and Megan Schrieber—these names popped up on my radar after a friend raved about 'Theology of Home.' Gress is a powerhouse with a doctorate and a knack for weaving faith into everyday life. Mering’s work often tackles the intersection of morality and culture, which gives their books this grounded, prophetic edge. Schrieber’s design sensibility? Chef’s kiss. It’s rare to find a team where each member’s strengths shine so distinctly yet harmoniously.
Their backgrounds aren’t just credentials; they’re lived experiences. Gress’s motherhood, Mering’s policy work, and Schrieber’s creative touch infuse the series with authenticity. I remember reading one passage about the sanctity of mundane chores, and it hit me like a revelation. They’re not just writing about home; they’re inviting you to rediscover it.
The trio behind 'Theology of Home'—Carrie Gress, Noelle Mering, and Megan Schrieber—are like the literary equivalent of a perfectly balanced recipe. Gress’s philosophical depth, Mering’s cultural insights, and Schrieber’s design flair create something greater than the sum of its parts. Gress’s earlier books, like 'The Anti-mary Exposed,' show her talent for dissecting cultural currents, while Mering’s articles often reflect her keen eye for societal shifts. Schrieber’s contribution? She turns abstract ideas into visual warmth. Their collaboration feels like a masterclass in how diverse talents can unite around a single vision: making home a place of encounter with the divine.
2025-11-16 02:49:55
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Christmas is the most magical time of the year, right? That may be true for most people but not Julia.
Julia has never had an easy life, she has been homeless for as long as she can remember and now she is raising a three-year-old the same way. She wants more for them both but she has no way of changing things, besides she's soon going to have to leave the only place that she's ever called home to keep them both safe. If anyone finds out her secret her world will be blown apart and that's something that she can't allow to happen.
Riley has had the best life imaginable. He has loving parents, grandparents and his best friend Joshua has been by his side since he was a young child. He also runs several successful businesses and has everything he wants in life except for one thing... love. He wants someone to love, to cherish but his past still has a tight grip on him and holds a secret that not even he knows about.
What will happen when both worlds collide? Can Julia get the Christmas that she has always dreamed of for her and her little girl? Can Riley learn to forget his past so that he can move forward and when Juila's secret is revealed and blows both of their worlds apart, will it bring them together or tear them even further apart and destroy Julia's world, just like she has always feared it would?
His hands were everywhere, and I let them be.
“You know this is wrong,” he murmured against my throat.
“I know.” I tilted my head back anyway.
He pulled back, eyes dark. “Tell me to stop, Zella.”
I looked at the silver in his hair, the jaw that could cut glass, my best friend’s father, twenty years too old and a thousand reasons too dangerous.
“Don’t stop,” I whispered.
Seven days before my Christmas wedding, I caught my fiancé with my cousin. By morning I had lost everything, my relationship, my job, my future. I walked into the London rain with nothing left.
A stranger stopped his car. Offered an umbrella. Gave me a drink instead of the mistake I begged for. Then disappeared before dawn.
I never expected to find him again in a darkened hotel room on New Year’s Eve… or to give him the one thing I’d never given anyone.
The next morning, when my best friend introduced me to her father, Evander Ashford looked me in the eye and said, “Nice to meet you,” as if he hadn’t already ruined me the night before.
He is forbidden.
He is twice my age.
He is the one man I was never supposed to want.
But he is the first person who ever made me feel worth keeping, and the only place this broken heart has ever felt safe.
Where Sin Feels Like Home — because sometimes the wrongest man is the only home you’ve ever known.
I was adopted.
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The day my brother was born, Mom took my hand and gently stroked my head. "Having an older sister," she said, "is why we have a younger brother."
Dad lifted me above his head and spun me around laughing. "Lily is our family's lucky star — our most beloved baby!"
I finally stopped dreading every single day. I thought I had truly become part of this family.
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"Fall in love with THE THORNTONS, a family filled with sexy alpha males, passionate women, and lots of heart, all set in a delightful small town in the Pacific Northwest.
It’s Christmas time, and the entire Thornton clan is spending the holidays in a cabin deep in the Washington woods.
What could go wrong with twelve adults, four kids, and a dog all staying together in one big cabin?
Only the most chaotic—and memorable—Christmas ever!
Expect kisses under the mistletoe, lots of (spiked) eggnog, and even a surprise wedding as the Thornton clan celebrates the most romantic holiday of all.
Author’s Note: I’ll Be Home for Christmas is set six months after the last book, Till There Was You, ends. It’s recommended that you read the other books first, as this book is an epilogue to the entire series. Merry Christmas and happy reading!
**
This book is a part of the LOVE EVERLASTING series, which is one large series following multiple families and friends. Each book can be read as a standalone (unless otherwise noted), or they can be read in order of publication as one long series. Each book is interconnected, with many of the same characters showing up in multiple books.
LOVE EVERLASTING
THE THORNTONS
The Nearness of You
The Very Thought of You
If I Can’t Have You
Dream a Little Dream of Me
Someone to Watch Over Me
Till There Was You
I’ll Be Home for Christmas (A Thorntons Christmas)
"Everyone wants to tear them apart. But he's not giving up without a fight.
The last thing Sara Flannigan needs is a man in her life. When she returns to her hometown, she vows to create a happy life for her son and to rebuild her life after a painful divorce. Yet when she meets her son’s new doctor, she can’t deny the spark of attraction that heats between them.
The problem?
He’s Harrison Thornton, the oldest son of the illustrious Thornton family. His family would never accept a woman like Sara, a woman who grew up on the wrong side of the tracks. She tries to ignore the whispers of her past, but she soon realizes secrets can never stay hidden for long.
Especially from the man claiming her wounded heart.
Growing up in the rich and powerful Thornton family, Harrison has lived a charmed life. A renowned physician, the last thing he expects is to desire the mother of one of his patients. Sara is beautiful and intelligent, and she’s completely devoted to her son, something that only deepens his attraction to her.
He doesn't want a single night of passion, though: he wants forever. Yet there are forces at work and people determined to tear them apart. Even Sara turns from him, certain she's unworthy. Harrison refuses to let Sara slip away, and soon, he’s fighting the greatest battle of all.
The battle to win the heart of the woman he loves."
One thing that struck me about 'Theology of Home' is how it weaves faith into the everyday moments that make up family life. It’s not about grand gestures or abstract ideas—it’s about finding holiness in the messiness of daily routines, like shared meals or bedtime stories. The book has this warm, almost tactile quality, like flipping through a photo album where every snapshot reveals something deeper. It made me rethink how even mundane tasks, like setting the table or planting a garden, can become acts of worship when done with love and intention.
What really resonated with me was the emphasis on 'home' as a place of encounter—not just with family, but with God. The authors draw from saints and traditions, but it never feels academic. Instead, it’s like having a conversation with a wise friend who points out the sacred hiding in plain sight. I found myself nodding along, especially when they talked about hospitality as a way to mirror divine love. After reading, I started noticing little rituals in my own home—like lighting a candle during prayers or making space for quiet—that suddenly felt like threads in a larger tapestry.
The 'Theology of Home' series is such a beautiful exploration of how our living spaces reflect deeper spiritual truths. One major theme is the idea of home as a sanctuary—not just a physical shelter, but a place where love, faith, and purpose intertwine. The books emphasize creating spaces that nurture the soul, whether through intentional design, hospitality, or daily rituals. It’s not about Pinterest-perfect aesthetics but about cultivating an environment where people feel seen and valued.
Another thread running through the series is the concept of 'domestic church,' where the family unit becomes a microcosm of divine love. The authors weave in stories of saints and historical figures who embodied this, like Zélie Martin’s humble kitchen or Dorothy Day’s radical hospitality. What sticks with me is how they frame ordinary acts—baking bread, arranging flowers—as sacred. It’s made me notice how my own cluttered apartment can still whisper echoes of eternity if I approach chores with reverence.