Honestly, sometimes I just skim until they get past the 'we can't do this' phase. The power dynamics can be so overplayed, with endless inner monologues about how wrong it is. I prefer when the attraction is mutual and acknowledged quickly, and the conflict comes from external factors (the friend, society) rather than a prolonged one-sided power struggle. The dynamics are more interesting when they're a team against the world, figuring out how their different life experiences complement each other, not fight each other.
A lot of it is in the dialogue. He'll use paternal phrases accidentally ('kiddo', 'sweetheart' in a condescending way), and she'll shut it down immediately, demanding to be seen as a woman. Those micro-confrontations are where the power gets negotiated on the page. Each time he slips and she corrects him, the old dynamic cracks a little. By the end, his pet names are infused with romantic meaning, not paternalistic feeling, marking the transition complete.
The 'avoiding each other but constantly thrown together' phase is where the power dynamics are most visible. Every accidental touch, every held glance is charged because of the hierarchy they're ignoring. The subtext screams. He might use his authority to try to create distance ('You shouldn't be here'), but it comes off as weak because they both know he doesn't mean it. It's a dance of advance and retreat where the unspoken attraction is the true leader, stripping both of their perceived power.
2026-07-19 09:10:49
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“Please…Mr Hayes!“
He didn’t wait.
Christian thrust in deep, almost hitting my womb.
“Shit…Yes Christian, harder.”
He slowed. “That’s not what you call me when you’re begging like this.”
My walls clenched around him, hating how much I loved the correction.
“What should I call you then?”
His next thrust was hard. I gasped.
“It’s Daddy to you, Liv.”
“Daddy?” I slurred. “But… that’s what Jenna calls you.”
His grip on my waist tightened.
“She isn't the only one allowed to, so whenever I'm f******* this p**** you call me Daddy. Understood?!”
“Fu...Yes daddyy”
Lord forgive me.
I wasn't drowning in sin anymore.
I was choosing it.
~~~
Olivia Bennett always dreamed of a Christmas wedding.
After seven years, her boyfriend finally proposes—and what could be a better wedding date than Christmas Day?
Everything perfect… until she catches him cheating with his secretary, just NINETY days before “I do.”
Heartbroken, Olivia accepts her best friend’s offer of an all-expenses-paid holiday getaway. But one vulnerable night, fueled by heartbreak and alcohol, pulls her into the arms of a man she should never have touched…
Christian Hayes.
Her best friend’s Billionaire father.
What should’ve been a single mistake becomes something she can’t forget, escalating to a forbidden affair.
But all that comes crashing down when Jenna, her bestfriend discovers their engagement and vows to destroy it, Olivia must decide if loving Christian is worth the cost. As Christmas approaches only Jenna can give them her blessing or destroy their chance at happiness.
Leah lives with her mother and younger sister, carefully balancing school, work, and responsibility. Her father drifts in and out of her life, bringing nothing but chaos, guilt, and financial strain. Every interaction with him reminds Leah why control matters, why stability must be protected at all costs.
Her secret begins with Damien Cross, her best friend’s father. Their connection forms quietly, deliberately, and with full awareness of the line they are crossing. Damien’s dominance awakens something in Leah; she has never allowed herself to explore a desire to surrender, to be guided, to belong. Their encounters are hidden and intense, leaving Leah shaken, fulfilled, and aching for more. Even as desire deepens, Leah understands the danger of discovery and the devastation it would bring.
But passion comes at a price. Extra money, watchful eyes, and her father’s greed threaten exposure. One wrong move could destroy everything Leah fights to protect.
Owned by My Best Friend’s Father is a dark, addictive romance about forbidden desire, alpha dominance, and the dangerous thrill of surrender. Some loves aren’t safe, but they’re impossible to resist.
What do you do when you have a secret forbidden crush on your best friend’s father? What do you do when you dream of him every night? What do you do when you think of him touching and kissing you in your most sensitive places? *****
I am Holly Winterbourne. I am a young girl with a secret forbidden crush on her best friend's father. He’s older, forbidden, off limits, but he’s irresistible. I shouldn't want him. I shouldn't even think of his touch on my body and most importantly, I shouldn't be intimate with him.
But fate brings us together during the holidays and I realize I can't resist my best friend's father, no matter how hard I try.
“Do you want to know how this works?” he whispered.“Yes!” I gasped in response to his tug on my hair. “I want to know.”“Yes, what?” he asked, causing my mind to swirl with the realization of what he was into.“Yes, sir. I can be a good girl.” ****For Becca, going to Miami brought up old childhood memories with her best friend, Tally. She needed the break after a rough year attending Yale and a break-up with her boyfriend, Chad. She didn’t expect for her summer of fun to include sleeping with James, the Italian Stallion–Tally’s father.Knowing it’s wrong, she allows James to pull her into a vortex of pleasure that has her breaching the surface of reality and grasping for survival. Can Becca endure this pleasure without Tally finding out?Or will her secrets cause her world to crash around her?Submitting to My Best Friend’s Dad is created by Scarlett Rossi, an eGlobal Creative Publishing signed author.
I never expected to fall for him, my best friend's father. From the moment I saw Marcus stride across the deck, water dripping from his shoulders, I knew this summer would change everything. I was eighteen now, no longer the little girl who used to play in his backyard. But to him, I was still just Lily's friend. Still off-limits. Still invisible.
One vacation. One chance. I'd make him see me differently, even if it meant playing a dangerous game. Because some desires are too strong to ignore, and some men are worth every risk.
“You cannot love me, Enora. I had told you that you couldn’t.” His brown eyes were almost popping out of their sockets, he yanked his hand away from mine and took a step backward, ruffling his brunette hair, he cursed. I love this man.
“You cannot love me, I am your best friend’s father.”
“But I can fuck my best friend’s father?” My voice cracked in disbelief, is this what my life is now? I had tears in my eyes, it’s always been like this since I met him, yet I love him.
~~
It was summer break and Enora had just gotten the job of filling in for the personal assistant of Mr Wright , her best friend's father.
It was a thirty-day business trip that started with a kiss, then sex, and then love.
Enora couldn’t help but fall head over heels for her best friend's father, he’s the first man to ever treat her like a princess, but Nathan has other intentions which didn’t include loving her.
It's a power fantasy for the younger female reader, let's be real. The fantasy isn't just 'older man.' It's 'unattainable, authoritative, experienced man who is utterly undone by me.' The age gap represents his unattainability. The fact that he's her friend's dad adds a layer of real-world proximity (he's not a movie star) mixed with forbiddenness. The dynamics are handled to serve that fantasy: he's powerful in the world but powerless against his feelings for her. He's a rock for everyone else but putty in her hands. The gap emphasizes his strength, which makes his vulnerability to her even more satisfying.
In a weird way, the books that gloss over the repercussions feel more unethical to me than the ones that lean into the pain. If you're going to tell a story about a socially transgressive relationship, you should have the guts to explore the real human cost. Otherwise, it's just using a serious dynamic as a cheap thrill. The ones that treat the best friend's pain as a minor inconvenience are doing a disservice to the emotional weight of the scenario they've chosen to write.
Cognitive reframing: 'He's not my dad, he's my father.' Sounds silly, but it works in text. 'Dad' is intimate, childhood, personal. 'Father' is formal, adult, biological. The heroine starts mentally and verbally referring to him as 'your father,' creating psychological distance from her own childhood image of him.
She relates to him as her friend's father, a separate adult man, not the guy who drove them to soccer. This semantic shift helps her, and eventually the friend, see him in a new light. The conflict eases as the language changes, allowing a new category for him in their minds.
A big one is the 'shared secret' burden. They can't talk to anyone else about their relationship, so they become each other's entire emotional support system. This creates an intense, almost claustrophobic bond that feels incredibly deep very quickly.
The trope often involves a 'last straw' moment for the heroine's previous life. Maybe her boyfriend cheats, or she fails at something important. This moment of vulnerability is when the dad is there, not as a parent, but as a compassionate adult, and the shift happens.
There's a common use of bad weather as a plot device. A storm traps them together, a power outage forces closeness, a snowy day means she's stranded at his house. It's a classic romance trope used to force proximity and lower inhibitions.
The dad's career is often something respectable but with a masculine edge—doctor, lawyer, contractor, firefighter. It adds to his aura of competence and stability.
A subtle trope is the change in how she sees his belongings. His favorite armchair goes from being just furniture to a place she associates with him. His coffee mug, his books—they all become charged with meaning as her feelings change.
The fear of being a 'phase' for him, or a 'midlife crisis,' is a real anxiety for the heroine. He has to prove, through actions not just words, that his feelings are sincere and lasting, not just a reaction to aging or loneliness.