Honestly, I felt a bit let down by the big names this year. A lot of the 'best of' lists felt safe, like they were picking the most literary books that happened to have a spooky element. The real gems for pure, psychological unease were in the mid-list. 'Black River Orchard' by Chuck Wendig did something brilliant with obsession, taking the simple act of growing apples and turning it into this pervasive, community-wide madness. It’s a thick book, but the dread builds in this insidious way because the horror feels so mundane at first.
I'd also throw in 'Looking Glass Sound' by Catriona Ward. It plays with meta-narrative and memory in a way that genuinely messed with my head. You're constantly questioning what's real, both for the characters and in the story itself. It's less about being scared in the moment and more about that lingering feeling of your own perception being untrustworthy. Not everyone's cup of tea—some folks in my book club hated the twists—but for a specific kind of mental spiraling, it was top-tier.
For a sharp, focused shot of psychological terror, 'Linghun' by Ai Jiang is unmatched. It’s a novella, so it’s this concentrated dose of grief, housing market satire, and ghostly longing. The fear isn't of the dead, but of the living clinging so desperately to memory that they become ghosts themselves. The prose is hauntingly spare, which makes the emotional weight hit even harder. It’s the kind of book you finish in one sitting and then just sit with for a while, feeling hollowed out.
Man, 2023 was a weird year for horror. The books that stuck with me weren't the ones with monsters in the dark, but the ones where the dark was already inside the house, you know? Megan Chance's 'A Light in the Forest' absolutely wrecked me for weeks. It's a slow, creeping dread about a family unraveling after a loss, and the psychological horror comes from the unreliable narration—you're never quite sure if the threat is supernatural or just profound, devastating grief. It's not a book you read so much as you survive, and the ending left me just staring at the wall.
I also kept thinking about 'Whalefall' by Daniel Kraus, though some argued it was more thriller. For me, the real terror was the claustrophobia, both physical and emotional, of being trapped with the memory of an impossible father. The monster is almost secondary to the psychological landscape it churns up. It’s a different kind of fear, less about jumps and more about a deep, existential pressure.
A real sleeper hit for me was 'The September House' by Carissa Orlando. The premise sounds almost funny—a woman decides to just live with her haunted house—but the execution is a masterful, heartbreaking study of enduring domestic horror and the coping mechanisms we build that become their own prisons. The fear is quiet, cumulative, and deeply unsettling.
2026-07-13 14:50:03
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