Oh, 'The Wonderful Wizard of Oz'—what a trip! The Witch of the East’s demise is one of those iconic literary moments you don’t forget. I first read Baum’s book after watching the 1939 movie, and the differences hooked me. Like, the silver shoes versus ruby slippers debate is just the tip of the iceberg. The book’s version of Oz feels grittier, more unpredictable. The Witch of the East’s death isn’t just a plot device; it’s this eerie symbol of upheaval. It made me wonder: Was she always wicked, or did power corrupt her?
I later got into Gregory Maguire’s 'Wicked,' which reimagines Oz from the witches’ perspectives. It’s wild how one throwaway character in Baum’s work inspired such a rich retelling. Makes you appreciate how even minor figures in classics can spark endless creativity.
Baum’s 'The Wonderful Wizard of Oz' introduced me to the Witch of the East, though she’s more of a plot catalyst than a full character. What’s cool is how her death ripples through the story—Dorothy’s suddenly a hero, the Munchkins are free, and the Wizard’s reputation gets shaky. I love how Baum doesn’t waste time overexplaining; the witch is just there, then gone, and the adventure rolls on. It’s a reminder that great stories don’t need to overstuff their worlds. Sometimes a flying house and a pair of magical shoes are enough.
The Witch of the East first appears in L. Frank Baum's classic 'The Wonderful Wizard of Oz.' I stumbled upon this book as a kid, and it completely blew my mind—I mean, a witch crushed by a house right at the start? That’s some wild storytelling. Baum’s world-building was so vivid that I could practically see the ruby slippers glittering (though in the original book, they were silver—fun fact!). The way Dorothy’s journey unfolds from there, with the Scarecrow, Tin Man, and Cowardly Lion, made me realize how timeless this tale is. It’s not just a kids' story; there’s a weird, almost surreal charm to it that sticks with you.
Revisiting it as an adult, I picked up on darker undertones, like the Witch’s tyranny over the Munchkins. It’s fascinating how Baum wove political allegory into what seems like a simple fantasy. The Witch of the East might be a minor character, but her death sets everything in motion. Honestly, I’d love to see more adaptations explore her backstory—imagine a prequel about her rise to power!
2026-04-26 13:24:48
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The Red Witch
M.S. Devera
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Thirty-year-old Alice died from an accident and reborn as the twenty-five-year-old illegitimate daughter of a count with the same name. Mistreated, betrayed and killed by her younger half-sister and fiancé; the crown prince. Now in a new and younger body, Alice will do anything for revenge especially with her new profound power and friends. She will destroy all those who wronged her and become The Red Witch.
Because I saved my husband during a car accident, I lost my eyesight.
He wept, promising to treat me well for the rest of our lives to repay my sacrifice.
I cooperated with the treatment wholeheartedly, hoping for a full recovery. But on the day I finally regained my sight, I stumbled upon something that shattered my world.
In our marital home, his first love lay beneath him, her flushed face betraying the passion of the moment. Their bodies intertwined, and the air around them thick with stifled moans—a vivid tableau of infidelity.
"She's just a blind woman. Why haven't you divorced her yet?" the woman murmured impatiently, her voice laced with disdain as she moved against him.
My husband, immersed in pleasure, still mumbled an excuse. "My love, just a little longer. Soon, we'll be together openly…"
I turned and left without a word, pretending I had seen nothing.
As I walked away, I remembered the witch's sacrificial ritual in the misty forest—only a few days away.
My husband's betrayal cut deep, carving wounds I couldn't ignore. I made up my mind to return to the forest, to embrace my identity as a witch once more, and to sever all ties with him.
Yet, after I disappeared, word reached me that he was searching for me everywhere like a madman. Rumor had it he had completely lost his mind.
Photo by Anastasiya Doborvolskaya via Pinterest
A hundred years had passed since the war against witches reached its conclusion, leading the Kingdom of Londeve to a century-long peace.
Everything's all well either for the young village baker boy, Tristan who lives a simple life with his two younger siblings not so far away from the country's capital. As ordinary as he might seem, it is not to be expected that he's actually acquainted with the only living royalty residing in his homeland, Crown Princess Anne of Londevè. Even so, their decade-long friendship never brought any significant change in each others' lives throughout the years, and for the humble young man, it is something to be relieved for. However, fate seem to have its own mischievous way of twisting the humble orphan's life.
It was a remarkable encounter that turned his seemingly normal life into a dangerous rollercoaster ride as he got involved with the epitome of misery herself — the manipulative and mysterious lady, Serina Lourdemayne, who has been ironically keeping the peace at the Kingdom as a substitute Queen despite being a witch herself. Will this accidental and unwanted engagement ever reward him? Will they be able to work progressively despite their obvious and huge differences with their loved ones, responsibilities and aspirations in line?
Dive into the world of magic and witness the journey of Tristan and Serina together with the noble Paladins as they protect the Kingdom from the coming calamities and from the new enemies that could possibly be more powerful and sinister than the wicked witches the human race had faced before.
William Kelly, a former Combat Marine, and a Corporal at the six-three precinct of the Heights Police has his world turned upside down when he answers a radio call of a multiple homicide at the East Coast Green Herbal Shop.
The "Heights," well known for its persecution and execution of witches for almost four centuries is the backdrop of the wickedness he is about to encounter.
A legacy in the Heights Police, his family has served in the precinct from its inception just after the Civil War. His bloodline's haunting history is soon revealed as he combats an evil that he doesn't believe in nor comprehend.
He finds that a witch's coven is secretly operating out of a storefront in town. This coven, lead by Casper Crowningshield, are perpetrating rival gangs to war so that they can take over the drug trade. Kelly's hard nose Marine Corps approach and a quest for justice, leads him into a world of death, retribution, vengeance, and great pain.
Warned by his fiancé and his best friend, Kelly ignores them and pushes on for the truth. Putting his job on the line, Kelly leaps in to solve a four-hundred-year-old mystery of a missing witch, a coven's witches bottle, and a story of wickedness that has plagued the town forever.
The Good Witch was born unlike her family. She wants to help people and she finds a few friends that help her along the way. Each adventure is a new challenge. She hopes to one day free her family from the curse they placed on themselves. For these are the stories of the Good Witch.
Princess Avalea, a Venusian Witch and the heir to the throne of the magical kingdom of Altair, finds herself on the run after witnessing the assassination of her father, the King. Helpless and hurt, she is forced to seek refuge with Aldrich, a Werewolf, a Cursed One. While Venusian Witches are the highest, the purest amongst all magical beings in Altair, the Werewolves, also known as the Cursed Ones are the lowliest, the crassest, the crudest. They're savages who have gained entry into Altair by deceitful means. Or at least, that's what Princess Avalea has been led to believe. With assassins after her own life and a traitor to weed out, the only person Princess Avalea can trust, ironically, is Aldrich the Werewolf. As he nurses her back to health, her prejudices begin to dissolve, and a bond develops between the savagely handsome werewolf and the pure, ethereally beautiful witch princess. But Aldrich has secrets. Deep, dark secrets that can shatter Avalea's heart and leave it broken beyond repair.
The Witch of the East from 'The Wonderful Wizard of Oz' always fascinated me because her powers are shrouded in mystery. Unlike the Wicked Witch of the West, who’s actively menacing, the East’s witch feels like a shadowy legend. Dorothy’s house squashing her is the only concrete thing we know, but the books hint at her influence—she ruled the Munchkins with a mix of fear and magic. The silver slippers (ruby in the movie) were hers, implying she had enchantments tied to objects. I love how L. Frank Baum leaves her abilities vague, letting imagination fill the gaps. Maybe she could manipulate the land or summon storms—after all, the Munchkins seemed terrified of crossing her.
What’s wild is how her death sparks the whole story. Her lingering power lingers in those slippers, which become pivotal later. It’s funny how a character who never speaks or acts on-page looms so large. Makes me wonder if Baum originally planned more for her but scrapped it to keep the focus on Dorothy’s journey.
The Witch of the East and the Wicked Witch from 'The Wizard of Oz' are two distinct characters, but their fates are hilariously intertwined. The Wicked Witch of the East gets crushed by Dorothy’s house right at the beginning—talk about a bad day! Meanwhile, the Wicked Witch of the West (often just called 'the Wicked Witch') is the one who spends the rest of the story menacing Dorothy and her friends. I love how L. Frank Baum’s world makes even minor characters memorable—like how the Witch of the East’s silver shoes (changed to ruby in the movie) become a key plot point. The two witches are sisters in the lore, but their roles couldn’t be more different. One’s a footnote, the other’s a full-blown nightmare with a flying monkey army.
What’s wild is how pop culture often conflates them because of the movie’s iconic imagery. The Wicked Witch of the West gets all the attention with her green skin and cackle, while her sister’s mostly remembered as a pair of legs sticking out from under a house. It’s funny how adaptations can reshape who we think of as 'the' villain. I’ve lost count of how many times I’ve had to explain this to friends who only know the film!