How Does 'Caliban And The Witch' Critique Capitalism?

Blurb Ever since the war, humans were no longer the world's dominator. Supernatural creatures broke the peace treaty and colluded together to overthrew humans’ rule. After we failed completely in the battlefield, they decided to ‘purge’ the world of evil humanity. I survived from death in that brutal slaughter but was captured and imprisoned in a dungeon where I had now lived for five years. Business was the only reason why they kept immatures and even spared us shelter and food. When we reached 18, we’d be sold as slaves. That night I was bought by a mysterious guest and taken to somewhere I had never been to or heard of. My work was to serve three noble masters residing there. They were all supernatural, but decent and reasonable. So it’s better for me to carry out the plan for escaping. It all went well until someone attacked me. And the secret behind us began to be revealed.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Thirty-year-old Alice died from an accident and reborn as the twenty-five-year-old illegitimate daughter of a count with the same name. Mistreated, betrayed and killed by her younger half-sister and fiancé; the crown prince. Now in a new and younger body, Alice will do anything for revenge especially with her new profound power and friends. She will destroy all those who wronged her and become The Red Witch.

For centuries, the bloodlines of witches and werewolves have been shackled by a curse born of jealousy and vengeance. Shiloh, a hybrid enchantress scorned by Prince Kane, condemned their descendants: no witch and wolf of their line could ever fulfill their love. Every attempt would bring death to themselves or to those they held most dear. Generation after generation, Amindas and Kians have loved in secret, longed in silence, and died without ever uniting. Now, the last of their line faces the same cruel fate. Kian, heir to the Alpha throne, is strong, noble, and bound by duty—but none of it can temper the fire he feels for Aminda, the Witch Supreme. Aminda, brave and resolute, carries the weight of centuries on her shoulders, knowing that every stolen moment with Kian risks bloodshed, heartbreak, and doom. Their love is undeniable, but it is also forbidden, haunted by the lives of every ancestor who perished longing for the same impossible union. And yet, enemies lurk, plotting to ensure the curse endures. Alister and Fiorella manipulate shadows and bloodlines, intent on driving the lovers apart, while the curse itself tightens like a noose around their hearts. Centuries of sorrow whisper in every glance, every touch. Will Aminda and Kian finally break the cycle—or will they, too, be condemned to a lifetime of longing, separated by the distance that has doomed their ancestors?

Hana I was never meant to be a free soul that could drift through the world with no responsibilities. I was born into the world as the heir to the Shadowlands, a witch and the granddaughter of the High Witch. One day, the High Witch sent me on a mission. It was only supposed to be a simple task, and I knew it was a test. But then he found me, or maybe I found him. Cael. A wolf shifter, eyes like ice, and my soul sang out to him. I know that being around him, and the way my magic hummed. I knew what he was; he was dangerous. Cael I came into this city with blood on my hands, revenge carved into my bones, as old as time. I swore I had only one goal, and that was it. Not power, not money, and most of all not love. But fate played a cruel game. The witches I loathe and see as a means to an end; the second most powerful witch to set foot on this planet is my mate. Hana is a temptation who has the mouth of a sailor and the body of a goddess. To claim her is a risk that I will have to take, while fighting this world for a deep-rooted revenge. Together Their bond is a curse yet fated by the Moon Goddess herself. Every stolen touch burns like coals deep and powerful. Every denial and space only pulls them together. As a rebellion simmers in the dark, and ancient enemies who longed to be awakened, stir in their slumber. Hana and Cael are brought together and have to decide: Will they seek revenge, love, or will they burn the world on fire, and make it crumble at their feet?

Growing up, Guinevere had no parents. She suffers from her aunt’s mistreatment. However, everything will change when she turns 18. A beautiful stranger appears in front of her door and says he is taking her. She knew she should run as far as she could but the man tells her that he owns her. Being sold to someone you don't know is one thing. Realizing that the one who bought her is not human is another. Because he is a devil. A beautiful temptation. Will she be able to run from this mad arrangement? Or will she be trapped in a dangerous game with him? In the underworld, watch how Guinevere discovers the truth about herself and succumbs to the slavery of a different kind.