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After Pierce Emery and I got back together, I started "renting him out." Every time his old flame, Daphne Roach, called him away, I stopped crying and causing scenes like before. I charged by the hour instead. Ten grand an hour during the day. Twenty at night. Triple on holidays. Three months later, my account was up almost two million dollars. Pierce had promised to help me pick a dress for a banquet, but Daphne called him crying, saying she'd sliced her hand while cooking. I didn't even look up. I just held out my phone with the payment screen open. One night, I came down with a brutal fever. While Pierce was driving me to the hospital, his phone rang again. Daphne. He stared at the screen for a long second before answering. Her voice came through shaky and tearful. "Pierce, the thunder's so loud. I can't sleep. Can you come stay with me?" I quietly pulled out an umbrella and told him to let me out at the next intersection. He looked at me like he wanted to explain something, but I just smiled. "Don't forget to transfer the money." The same thing happened again on the day our daughter went in for her routine checkup. Except this time, she was the one asking him for money.

Nubia has her life planned out. She is working on her master's degree in post colonial studies. She has a quiet apartment and a schedule she sticks to. Every Wednesday night she finishes class at nine thirty, walks to the bus stop, and waits. The bus is always late. There is always a stranger sitting on the bench. He wears headphones and draws in a sketchbook. He never speaks. She calls him Pencil Boy in her phone and does not think much about it. Then one October night the bus is delayed by forty three minutes. Eli studies architecture but he draws people instead of buildings. He has been sketching Nubia for six weeks without ever saying a word. He is quiet and pays close attention to things. He has learned to keep people at a distance because it feels safer that way. But when the cold night gets to Nubia and he gives her his hoodie, the silence between them finally breaks. What begins as pie at a late night diner turns into a Wednesday night tradition. Then a friendship. Then something much deeper. As Nubia and Eli grow closer, they must face the things that make them different. Race. Class. The dreams they are chasing. The families they come from. And the strong pull of a connection neither of them can ignore. Set over one school year, 43 Minutes is a warm and sensual love story about two people learning to truly see each other. It is about letting yourself be seen. And it is about the moments that change your life in less than an hour but stay with you forever.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Lena thought graduate school would be about focus, discipline, and finally proving to herself that she belonged in the world of academics. Books, research, and long nights in the library—that was the plan. Romance had no place in it. Especially not with the one man who should have been completely off-limits. Professor Jace Carrington is everything Lena was warned about. Brilliant. Confident. Dangerous in his quiet control. His lectures command attention, his presence silences a room, and when his eyes find hers across the crowded lecture hall, she feels both seen and undone. He is a man who draws lines with precision—and a man who knows exactly how to make someone want to cross them. What begins as a spark of curiosity turns into stolen glances, late-night office hours, and conversations that blur the line between mentorship and something far more intimate. Jace’s rules are simple: no one can know, and she always has a choice. But rules are easy to write and far harder to follow. The deeper Lena falls, the more she realizes this isn’t just attraction—it’s obsession, it’s surrender, and it’s freedom all at once. Secrets, however, have a way of surfacing, and on a campus where whispers spread like wildfire, forbidden love can burn everything in its path. Lessons After Dark is a steamy, character-driven romance filled with power, temptation, and the dangerous pull of a secret relationship. For readers who crave tension, intimacy, and the thrill of crossing every line you were told not to, this story will keep you turning pages long after the lights go out.

Eli lives by structure, routine, and emotional restraint. As a university student, he finds comfort in libraries, late-night study sessions, and the certainty of logic. Feelings, especially complicated ones, are easier to ignore. That is, until Noah quietly becomes part of his world. What begins as shared academic spaces and casual conversations slowly turns into something heavier. Lingering glances, accidental touches, and silences charged with meaning begin to unravel Eli’s sense of control. He doesn’t understand the pull toward Noah or why his body reacts before his mind can catch up. Confused and afraid, Eli retreats, creating distance through denial and miscommunication, even as his feelings deepen. Noah remains patient and steady, offering closeness without pressure. As the tension between them builds, Eli is forced to confront the truth he has spent so long avoiding. Set against the quiet intensity of academia, this slow-burn romance explores longing, identity, and the fear of wanting something that feels both forbidden and inevitable.

Silver Point University isn’t just the most elite supernatural college on the continent— It’s a pressure cooker of species dynamics, forbidden bonds, awakening magic, and the kind of heat no handbook could ever prepare a student for. Across ten interconnected shorts, Campus Wilds follows students from every corner of the supernatural world as they collide with fate, desire, and the explosive chaos of discovering their true mates amidst exams, dorm drama, and ancient rivalries. Every story adds heat, depth. The discovery that love and magic are the most dangerous subjects of all. In Campus Wilds, every species has a story. Every bond has a price. And no one leaves unchanged.