What Chords Do Kings And Queens Thirty Seconds To Mars Use?

2025-08-23 23:41:59 163
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4 Answers

Xavier
Xavier
2025-08-25 03:00:49
Quick and practical: the easiest way I play 'Kings and Queens' is Em - C - G - D, repeated. That loop covers most of the song and works well on both acoustic and electric. Beginners can use open chord shapes; if you want more rock tone, switch to power chords or barre shapes.

If you’re singing, try capoing up a fret or two to find a comfortable register. For texture, add sus2 or add9 on the C or G chords, and vary strumming between muted verses and open choruses. Tiny changes in dynamics give a big payoff, and those four chords will get you through the whole track.
Natalia
Natalia
2025-08-26 07:24:11
When I break down 'Kings and Queens' for practice I think about function first: the track centers on a minor tonic feel, and the simplest way to capture it on guitar is Em - C - G - D. In Roman numerals (if you want to nerd out) that's i - VI - III - VII in E minor — that loop gives the song its melancholic but anthemic drive.

Players often swap the order around depending on which section they're covering. The verse and chorus can be covered with the same four chords but different voicings: open chords for a fuller acoustic sound, or power chords for a more rock tone. Some arrangements introduce suspended or add9 voicings (like Csus2 or Gadd9) to mirror the recording’s lush textures. If you want a cleaner match to the studio key on guitar, try Em shapes; if you need to sing higher, put a capo on the 2nd or 4th fret and shift the fingering accordingly. Listening for vocal melody over the chord loop helps you place those variations tastefully.
Zachary
Zachary
2025-08-27 12:31:14
I love jamming this one on acoustic — the core guitar shapes that people use for 'Kings and Queens' are surprisingly simple and very loop-friendly. Most covers and play-throughs stick to a repeating four-chord progression: Em - C - G - D. That progression is the backbone for verses and choruses in a lot of arrangements, especially when you strip the studio production down to a guitar and voice.

If you want it to sound bigger like the record, play Em as an open minor (022000), then move to C (x32010), G (320003) and D (xx0232) and use a steady driving strum with accents on the 2 and 4. Another common variant I use live is Em - G - D - C; same chords, different order, gives a brighter chorus feel. For more punch try power chords (Em5, C5, G5, D5) or add a capo to fit your voice — capo 2 can lift everything if you want a higher key.

Beyond chords, the song relies on layered guitars, synth pads, and harmonized vocals to feel huge. So even with just those four shapes you can get a faithful-sounding version; experiment with dynamics and palm muting, and the song comes alive for me every time I play it.
Emily
Emily
2025-08-28 15:42:51
I learned 'Kings and Queens' by ear one rainy afternoon and kept getting the chorus wrong until I locked into the simple chord loop: Em - C - G - D. That became my go-to because it fits the riff and the vocal melody perfectly, and it’s forgiving if your timing is slightly off. Start slow: finger each chord change cleanly, then add the strum pattern — I like down, down-up, mute, up-down-up with a heavier hit on the second down.

If you want the record’s huge vibe, layer the progression. On electric, play the same Em-C-G-D as open or barre power chords and throw in some delay or reverb. For a stripped acoustic cover try rhythmic palm muting in the verses and then open up on the chorus. Also, some live versions of the band add a bridge with different harmonic movement (you might hear Am or Bm shades depending on arrangement), but for almost every cover you’ll be perfectly covered with those four chords. I recommend watching a couple of live vids to see how they space the parts — seeing the band shift dynamics helped me nail my favorite parts.
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