What Color Is Odette'S Dress In Barbie Swan Lake?

If you are going to be BAD, then you have to do it the BAD way... It's pretty simple: 1) Don't get caught 2) Always have a Plan B 3) If all else fails... Run...Run for your life! Everyone has a bad side. Some try to deny it's existence, some hide it and others well...they rule the world with it. In the book of being BAD, there are ninety-nine formulas for world domination... Number one: You aren't BAD until you can walk around the school dressed in all pink and have everyone afraid to approach you. Number two: You aren't BAD until you can break into a certain bad boys house and well... do the wrong kinds of stuff. Number three: You aren't bad until quite frankly, you have declared vengeance against the bad boy. ~*~ "I heard you like bad boys," Blade says with a vivid smirk on his face. I glared up at him, without responding clenching my fists fighting the urge to punch him in the face. "So...?" He says after a couple of seconds of silence. "So what?" "So what do you think...Tinker Bell?" He says emphasizing on the stupid name. His face moved closer to mine and I stared back into his green eyes, watching the fire inside ignite. I smirked, "Then find me one." Blade grins at my witty retort and shrugs it off. "I look at you and I see cotton candy, but then you open your mouth... and suddenly you turn into liquorice," he scoffs. "Welcome to the game bitch, your move, now let's play."

Svanna Rose is the black swan of their family. She's the main character that always play the role of antagonist to her own story. She is like Odile, the evil daughter of sorcerer who disguised as Odette. But who are we to judge her, if we are all pretending to be someone who aren't we? Who are we to judge her if she is also a victim of cruelty? Pursuing her dream to become the prima ballerina of the famous ballet 'The Swan Lake', she found herself stuck in a very dangerous situation. And all she can to do is to take a risk as she was claimed to be the black swan of Saint Vicenzo Santorini. Let's witness how she dance to the danger rhythm of uncertainty, as she slowly unveil the truth behind her cruel destiny. "My passion in dancing brought me to life, little did I know it also leads me to my own graveyard"

Abandoned in the middle of nowhere by someone she thought was her forever , her very own penguin, Odette realizes that for the first time in a long time, she is well and truly on her own. Anton is a 26 years old billionaire who grew up in questionable surroundings, when tragic news reaches him , he abandons the life he knows and disappears hurting the one person he cared about . When confronted with the possibility of righting the wrongs of his past, Anton hops on the idea and pursues Odette relentlessly after a ‘ chance ‘ run in at her place of work ten years later Will Odette let the past stay in the past, or will she give Anton another piece of her broken self once more, hoping to God he doesn’t shatter the pieces he broke before. Read on to enjoy the drama between these two, cause as they say the line between love and hate is very thin. ..

I was the fiancee of Lucian Veris, the celebrated Swan Prince, who had offered up the principal role in exchange for my hand. On stage, he was proud and untouchable, yet he surrendered completely to the choreography I created for "Eternal Crown." When I came back after three years in Valmont, I discovered that the understudy who mirrored me had already claimed our private rehearsal hall. At the company's welcome gala, Lucian abandoned a room full of sponsors just to chase after the crying understudy. From behind the velvet curtain, I overheard words he had never spoken to me. "Elara, I chose you only because you reminded me of her. I was looking for a replacement. But you were different. Your choreography captivated me—more than she ever could. Just make sure she never finds out until the closing night of 'Eternal Crown.'" Then came the muffled sounds of their entanglement, followed by his whispered vow. "I'll give you the principal's place." Right there, in that same room, he had once held my hand and sworn that I, Astraea Lynelle, would be his only soulmate in this lifetime. I turned and walked away, the sharp echo of my pointe shoes striking with finality. Back in the dressing room, I dialed his greatest rival, Caelan Thorne. "Mr. Thorne," I said evenly, "I accept your offer to join your company. And one more thing—prepare a gift for me. I intend to turn Lucian's grand finale into the most spectacular downfall the art world has ever seen."

In Kingdom where women and girls are thrust into a life of bondage to be used as pleasure dolls for men and rich folks who could afford to buy them, a young, innocent girl of fifteen, green in life finds herself looking toward this life, with horror stories of dolls echoing deep in her heart, leaving her green eyes wide with terror. Then fate strikes and she finds herself in the path of another, though in a different path, but shares the same fate. A life in bondage. She has been made one of the most powerful woman in the kingdom, not through her making, but by the greediness of a mother, and the ambition of a father. She is the twelfth wife of a cruel old King, who kills his wives without hesitancy at the failure to produce a male child. Their path intertwine at the wedding ceremony, indoctrinating the young black haired beauty into her new life. They were not looking for it, but love came knocking on their door. It is frowned upon, it is an abomination, if found out their lives is at stake, but these young women couldn’t resist the calling of their heart. Is love worth all the hell they would go through?

I fought my sister, Anna, for two lifetimes to become the Donna. In my first life, I got what I wanted. I became Lorenzo's woman. People said he loved me as if I were the air in his lungs. When he learned that I loved to dance, he bought an entire ballet company to keep me onstage. Then he broke my legs. He confined me to a wheelchair and displayed me like an ornament. One day, he brushed his fingers across my face and finally told me the truth. "I've seen enough dancing," he said. "And the one I truly love was never you." I died in that room, swallowed by despair. In my second life, I stepped aside and gave the Donna's seat to Anna. "You go," I told her. "The one Lorenzo really loves is you." I believed that choice would save us. I believed Anna would have the happy ending I never did. Five years later, they sent her back. Her legs were intact this time, but she couldn’t move them either. Lorenzo no longer treated her as a person. He had turned her into a ballerina statue, encased in plaster and posed at what he called her most beautiful moment, frozen in place. His men delivered the message without a trace of feeling. "He got tired of watching the younger sister dance," they said. "So he preserved her at her most beautiful." When I opened my eyes again, I found myself in my third life. Once more, the Don's men delivered a ballet invitation. Anna and I stared at it. The same question burned in both of us. If neither of us was the one he loved, then who was Lorenzo really watching?