Gail Carriger's 'Soulless' is a paranormal historical comedy of manners. A spinster without a soul accidentally kills a vampire and gets embroiled in a mystery involving disappearing drones. The humor is all in the rigid etiquette of Victorian society colliding with werewolves and vampires, narrated by a hilariously pragmatic and tea-obsessed heroine. The romance is witty, the mystery fun.
I keep thinking about 'To Say Nothing of the Dog' by Connie Willis. It's a time-travel comedy of manners mistaken for a mystery. The protagonist, suffering from time-lag, is sent to the Victorian era for a rest and gets entangled in a missing cat case, country house parties, and chaotic romantic entanglements. The humor is in the frantic, confused pacing and the literary references. It's a masterpiece of farce.
Gideon Defoe's 'The Pirates! in an Adventure with Scientists' is absurdist historical fiction. The pirates bumble through a mystery involving Charles Darwin and a dodo. The plot is nonsensical in the best way, driven by the Pirate Captain's utter incompetence and vanity. The humor is rapid-fire, silly, and smart, and the 'mystery' is just a framework for the jokes. It's a short, delightful romp.
The 'Rivers of London' series by Ben Aaronovitch. A London cop learns magic and solves supernatural crimes. The mystery elements are top-notch police procedurals, but the comedy comes from the protagonist's dry, modern voice reacting to the absurdity of talking rivers and vampire jazz enthusiasts. The juxtaposition of meticulous police work with sheer magical chaos is a constant source of humor.
'The Sweetness at the Bottom of the Pie' by Alan Bradley. An 11-year-old chemistry-obsessed girl in 1950s England solves a murder. The comedy is entirely in Flavia de Luce's brilliant, precocious, and ruthlessly curious narration. Her clinical observations about poisons and her dismissive attitude toward her silly sisters are laugh-out-loud funny. The mystery is just her latest fascinating experiment.
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Everette and Jack know next to nothing about romance novels.... or women. So when they accidentally join a book club full of both, they have no idea what to think. But, as the book and time goes on, the ladies in their book club become more interested in a different plot. The love lives of both men.
With her enemies in pre-civil war Virginia still seeking her death, Esmerelda is forced to return to the future only days after wedding Lance. Because it was necessary to fake her death in order to stop her enemies from following her to the future, her new husband, Lance, was forced to stay behind. He’d placed a magic box for them to communicate until he found a way to safely be with her beneath the floorboards of the house.
Now, she must find it.
A task that is easier said than done!
“The Magic Box” is book two of the exciting paranormal-romance-mystery-thriller Esmerelda Sleuth Series
Meet Esmerelda Sleuth. Sleuth is her name and investigating is her game. (Paranormal Investigating, that is.)
Esmerelda makes a good living as an investigator in a rather progressive firm. She lives a stable and sensible life until she meets Lance; an old money "hottie" who works for a real estate firm next to her building. After accepting an invitation for a weekend getaway party, she quickly discovers that Lance has a secret. He is wealthy. That part is true. And, yes, he's procured a job as a realtor in the building next door. His secret is that he belongs to an underground society of humans who didn't abandon their connection to magic centuries ago when religion declared it evil and he has traveled through time specifically to find her and bring her back to his time to marry him. If that isn't enough of a far fetched tale to absorb, he informs her that she was born in his time to a family belonging to that same secret society and was promised in marriage to him as an infant. When enemies who didn't want to see the union of families take place made attempts on her life, her parents sent her into the future and erased her memories of them as a precaution.
Possessing virtually no belief in magic, ghosts, psychics, time travel, etc., it takes some doing on Lance's part to convince her to believe his story and go back with him. When she does, the lies, deceit and attempts on her life start all over again. Will she escape emotionally and physically unscathed?
"The Other Side Of the Mirror" is a steamy-paranormal-romance- mystery-thriller and book one of the Esmerelda Sleuth series.
Principal Rockwell isn't the only unusual thing at HG Wells Junior High school. The prankster strikes again and again and the inhabitants of the school are powerless to stop them.Till one day, they make a surprising discovery...Bullying beefs, jerky jocks and feisty kids.Hilarious pranks are made by the Prankster. Until what is thought to be a prank results into the death of a student and the incapability of the other. Hunter Zoey, Chirag and Josh do not believe these are mere coincidences.And they're all set to prove it
Forced to return to the past and then venture back into the realms of the dark lord to save her friend, Esmerelda faces loss, love, and a new awakening in this final installment of the Esmerelda Sleuth Series.
Filled with excitement, love, loss, time travel, family dynamics, dimension hopping, and a few vampires, this is the completion of a story that you won't want to miss.
Sharon Bolton's 'The Craftsman' has a very dark premise, but the protagonist's dry, sarcastic internal monologue provides a lot of gallows humor. It's a serial killer mystery with occult elements set in a small English town.
The humor isn't constant, but it surfaces in her interactions and her bleak observations, which cuts through the tension beautifully. The puzzle is intricate and the clues are chilling. It's for people who like their mysteries intense but appreciate a sharp, witty narrative voice.
I love when the comedy subverts classic mystery tropes. The hard-boiled detective who's actually a sweet nerd, the femme fatale who's just a terribly awkward person trying her best, the murder weapon being something ludicrous like a frozen leg of lamb. It creates a sense of playful surprise; you're getting the suspenseful structure you crave but with constant, clever twists that make you smile. The suspense isn't undermined because the plot mechanics are still sound—the clues are there, the red herrings are planted—but the packaging is fresh and funny. It feels like the genre is winking at you while still telling a gripping story.