Bright colors, a little grit, and a whole lot of femme fatale energy — that's what pulls me into 'Gotham City Sirens' every time. If you're asking which comics inspired that particular trio vibe, think of three streams that merged: Harley Quinn's cartoon-to-comic origin and her early team-ups with Ivy, Selina Kyle's modern reinventions in the 2000s, and the long tradition of Gotham stories that treated these women not just as foils for Batman but as protagonists of their own messy lives.
The most direct source is the actual series 'Gotham City Sirens' (2009–2011) by Paul Dini with art chiefly by Guillem March — it's the centerpiece and intentionally draws on those earlier portrayals. For Harley's mindset and darker playfulness, read 'The Batman Adventures: Mad Love' (Paul Dini) and later Harley-centric runs that pushed her into antihero territory; those stories define her chemistry with Ivy and Selina. For Selina, Ed Brubaker's 'Catwoman' run is hugely influential in making her a sympathetic, morally ambiguous lead — pair that with her memorable turns in 'Hush' (Jeph Loeb/Jim Lee) for the seductive, cunning Selina we get in the Sirens team. Poison Ivy’s ecological obsessions and charisma show up across many Batman arcs, but 'No Man's Land' is a standout for putting her on a larger Gotham canvas and showing green-powered agency beyond being just a cameo villain.
Where to read? The quickest routes are digital services: 'Gotham City Sirens' is collected in trade paperbacks (the series' 26 issues were gathered across volumes) and is available on DC Universe Infinite and on Comixology/Kindle. Libraries can be gold — check Hoopla or Libby/OverDrive for digital loans if your library subscribes. Physical copies pop up at your local comic shop, major bookstores, or online retailers like Amazon and Bookshop; used shops often have the single issues if you're hunting. If you want to follow a nice, character-focused order: 'Mad Love' for Harley origin, Brubaker's 'Catwoman' for Selina depth, key 'No Man's Land' issues for Ivy context, then dive into the 'Gotham City Sirens' trades. It’s a sweet, sharp ride — I always end up rooting for them even when they’re up to no good, and that’s the fun of it.
Okay, quick fan-to-fan rundown: the team dynamic in 'Gotham City Sirens' really springs from a mix of Paul Dini's Harley/animation-era sensibilities, modern Catwoman reinventions, and Ivy's more nuanced modern portrayals. If you want the essentials, start with 'The Batman Adventures: Mad Love' to get Harley's origin and tone, pick up Ed Brubaker's 'Catwoman' run to see Selina as a complex lead, and skim 'No Man's Land' for Poison Ivy's big moments in Gotham.
For reading, I usually go digital first — 'Gotham City Sirens' trades and single issues are on DC Universe Infinite and Comixology, and many libraries offer the trades on Hoopla or Libby. Physical trade paperbacks are common at local comic shops and major online bookstores if you prefer a shelf-friendly collection. Personally, I like flipping between the solo runs and the Sirens series itself so I can appreciate how each character developed before they teamed up — it makes their bickering and solidarity hit so much harder.
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Totally into this topic — I’ve followed the rumors and the development mess for years, so here’s how I see it. Back when 'Gotham City Sirens' first popped up as a potential movie, it was being talked about as a Harley/Poison Ivy/Catwoman team-up tied to the films Margot Robbie had already been involved with. That early buzz definitely framed it as part of the older DCEU landscape: studios were building spin-offs from 'Suicide Squad' and the Harley character was a clear bridge. I was excited because the idea of a female-led Gotham heist flick felt like a fresh corner of the cinematic world I love.
But then the studio shakes happened. 'Birds of Prey' actually made it to theaters and felt loosely connected to the same continuity, while other projects never moved forward. Over time, the narrative shifted: plans that once looked connected to the DCEU never reached production or were shelved. The bigger turning point was when new leadership reshaped the film slate and started talking about a broader reboot — that effectively dissolved a lot of assumptions about which projects belonged to the DCEU canon. So while 'Gotham City Sirens' was conceived in the era of the DCEU and could have been part of it, it never established a canonical place because it never materialized in a finished film that tied into the existing releases.
From a fan perspective, that leaves us in limbo. If Warner Bros. ever greenlights a 'Gotham City Sirens' movie now, it could be made as a continuation, a soft reboot, or a whole new take inside the newer universe plans. Comics-wise, the title and characters exist independently and continue to inspire filmmakers, but the movie version has no definitive DCEU stamp on it in the final, on-screen sense. I still daydream about a gritty, stylish 'Sirens' film that leans into the comic roots and Harley’s chaotic energy — whether it arrives as a DCEU relic or a fresh reboot, I’ll be there with popcorn and an eager headcanon.