Practical checklist time: I usually try the author's website first, then the publisher's publicity contact, then their agent, and finally polite social-media outreach. When I get really stuck I look at event listings (conferences, library talks) where the author previously appeared—organizers often credit a contact person. Keep your outreach message tight: name, organization, date range, expected audience size, proposed fee or compensation, travel/tech arrangements, and a link to your event or venue page.
If the author is represented by an agent, the agent negotiates terms; if the author handles bookings directly, expect to discuss honorarium and logistics up front. I always recommend offering multiple date options and being flexible about a virtual appearance if in-person won't work. Contracts and clear AV specs protect both sides—ask for a rider or requirements list. A polite follow-up after about a week is normal; after two polite follow-ups, step back and consider alternative guests or recorded formats. Personally, I find being organized and transparent gets the best responses and keeps things friendly.
I love this kind of outreach—feels like organizing a meetup for people who get excited about stories. If you're trying to contact an author named Austin for an event, I'd try a few parallel routes. One quick path is to look at any author pages on bookstore sites or their profile on Goodreads; they often list public contact info or at least point to a publisher. The publisher's publicity or events team is my next stop: send them a concise email explaining the event, audience size, honorarium, and dates.
When I drafted invites for campus talks, I treated the first contact like a pitch email: two lines about who we are, one line about why their voice fits the event, and a clear ask. If there's no official email, social media can work to ask for the best contact—just keep it brief and polite. If an agent is listed, reach out to the agent instead; they handle fees and contracts. Don't forget to mention whether you can handle travel and lodging, what AV support you have, and how you'll promote the event—these practical details help decision-making. Follow up once after about a week if you don't hear back. If you want, I can draft a short template you could adapt for an email or DM.
I get excited anytime someone asks how to book an author—there's something a bit like detective work mixed with hospitality planning, and I love both. First, start by finding the most official line of contact: the author's website or a publisher's author page. Those usually have a 'contact' or 'booking' link. If that fails, check the publisher's publicity or events department; publicists handle scheduling for talks, panels, and signings and can either book the author or point you to their agent.
When I organize events, I also look for the author’s literary agent (often listed on the author's site or on industry sites like PublishersMarketplace), because agents negotiate fees, dates, and contracts. Social platforms are a secondary but sometimes useful route—Twitter/X or Instagram DMs can work for quick questions, but never rely on them as your formal booking channel. In your first message I always keep it short and professional: who I am, what the event is (date, audience, expected attendance), honorarium or stipend range, tech/setup details, and a couple of backup dates. Example subject lines I use are: 'Booking request: [Author Name] for [Venue/Event] on [Date]' or 'Invitation to speak at [Organization].'
Don’t forget logistics: be clear about travel reimbursement, AV needs, whether it's in-person or virtual, and any merchandising or book-sale plans. Offer to send a formal contract and provide media links for promotion. If the author can't make it, ask about a recorded message, a Q&A via Zoom, or a recommended speaker—sometimes that opens doors to other authors. I usually follow up once after a week and then let it rest until a month later; persistence is polite but relentless emailing isn't. Good luck—reaching the right person is half the fun, and seeing the author on stage is the payoff.
2025-09-06 22:53:51
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Juked: Volume 1 - When team captain Daniel Zavarro and new single mom Quincy Watson begin to cross paths often, an unlikely friendship evolves. Feelings change. Lines get crossed. Before they know it, they’ve been Juked.Groupie: Volume 2- My body is no one’s business. So why is Rowen Flanigan making me re-think how I live my life? He’s only a rookie.Goalie: Volume 3 - Letting the fame and notoriety go to his head, Santo DeGuajarado lost the things he loved the most- his family. Now he has one shot to make it right before losing at this relationship game and he’s determined not to miss this time.Deflected: Volume 4 - When a new and unexpected development suddenly arises, Tiffany and Rowen realize all their plans are about to become irrelevant. Things will never be the same when their lives are deflected.These books contain sexual explicit scenes and are recommended for ages 18+.Texas Mutiny is created by M.E. Carter, an eGlobal CreativePublishing Signed Author.
**Strong language and sexual and violent situations**
Lexi goes to Dallas to spend the weekend with her old high school friend, Brock Lockhart. However, the fun weekend turns into a death trap that Lexi might not walk away from. Will Lexi, Brock, and the other guests survive?
Fresh out of a shattering divorce, Sarah Nakitende has put her life together on her own terms and on her own conditions. However, her life takes a dramatic turn when a stranger literally runs into her and spills a cup of coffee all over her. The stranger, an artist named Amon Kato, sees beauty in the world that Sarah has learned to see only in terms of danger and risk. Theirs is an immediate, unsettling, and dangerous connection.
As Sarah starts to think of a future that does not define her in terms of survival, her past starts to catch up with her. Her ex-husband returns, seeking to reclaim the power that she has managed to take away from him. He wants to take back the power that she has managed to claim for herself. Sarah is forced to choose between healing and being on her own.
Some loves to ask you to feel.
This one demands you fight.
And not everyone walks away unscathed.
Eight months have passed since Sarah Kato’s nine-year-old daughter died from cancer, and she’s barely making it through each day. Her grief has destroyed her marriage, torn her son apart, and changed her once-warm family into a cold and empty space. Each day is a battle to survive, and each breathes makes a conscious decision to keep going.
When Sarah finds a way to channel her grief into a memorial fundraiser to celebrate her daughter’s life, hope begins to return for the first time since her death. However, this hope comes at a price: her teenage son’s grief turns violent, her marriage teeters on the brink of collapse, and just when her family seems to be coming together again, Sarah finds out she’s pregnant again.
This story is not a story at all ; it is rather a journal that documents events which shapes this author's life. Walk the journey with me ; is it what you going through to? If so , hopefully this journal will help you feel as if you are not alone in this world.
This book will contain good times , as well as bad times. The events that occurs are not made up in my imagination ; these events were lived out and documented as soon as possible.
Let us conquer these problems together!
My world is spiraling out of control over the horrifying reality that my marriage was a ticking time bomb, and I had no way of defusing it. I can't believe this is happening. I should have left when I realized my husband, Blake Crenshaw, wasn't going to change. I stayed for seven years as his devoted wife, taking care of his father and his twin brother, Jake. I really loved my husband, and I didn't realize he would only get worse. My name is Treasure Delgado; the night I found out my husband had cheated; I had put up with enough. I wasn't going to be his second best. I stood my ground, and I asked for a divorce. You would think that it should end it all between us. But I had no idea how the word 'divorce' would trigger Blake or what was going to happen to me next! Amid a scandalous secret love affair and a volatile breakup, my opportunity emerges to get my revenge and discover love. I wouldn't just play the victim; I was going to win and change the game. Come and witness how I plan to rise from the ashes after my divorce.
"Please teach me to become a better writer!"
"Oh?"
Joaquin got his glass sipped his whiskey as he looked at me in a condescending manner.
"I need something in return," he teased as he put his glass down on the table, making me nod excitingly.
"Yes, yes! I would do anything you ask for!"
Hearing her feedback, he stood up from his chair then walked towards me, chuckling.
"Erm..."
I stepped away from him, now bumping my back on the wall behind me. Surprised, I gasped as he did a breathtakingly hot "kabe-don". He then spoke near my ear, sending shivers down my spine.
"What if I ask... for a collaboration?"
---
Haven Thorne, a young woman who is eager to become a great writer, secretly attended a party that was hosted by a popular and rich top author, Joaquin Greyson. Wanting to learn from the great writer, Haven gathered her courage and visited his home for consecutive days even after the constant rejections.
Irritated, Joaquin entertained the persistent woman to stop her. Seeing her determination however, piqued his interest and had agreed to her request—even asking for a collaboration!
Will the top author really be willing to teach the newbie, or will he lose his patience? Will she able to meet the demands of her experienced mentor, or will she disappoint him?
With that in mind, what will their pen and passion teach them?
Love, hate… or something more?
If you're hunting for signed copies of 'Austin', there are more moving parts than you might expect, but it's definitely doable if you know where to look. I tend to start with the obvious: the publisher and the author's official site or newsletter. Many authors sell a limited run of signed copies at launch, or announce special runs on their mailing list first. If those sold out, check indie bookstores that hosted signings—sometimes they keep a handful or will put unsold signed copies online later.
Beyond that, I comb through secondhand marketplaces like eBay, AbeBooks, Biblio, and specialized seller sites. When I find listings, I ask for clear close-ups of the signature, any inscriptions, and whether there’s a certificate or photo from the signing. Signatures vary: a dedicated signed first edition will command a premium, while a signed bookplate or inscription is often more affordable. Watch for red flags—poor seller ratings, fuzzy photos, or stock images. If authenticity is crucial, compare known samples, ask the seller about provenance, and be ready to walk away. If all else fails, the author sometimes does virtual signings or offers signed bookplates via their store—those are honest, and I’ve bought a few that way. Happy hunting, and if you want, I can help vet a listing you find.
Oh man, if you’re hunting for a copy of 'Book Austin' (or any book about Austin), I get the thrill — I love wandering into stores and seeing what gems appear on the shelf. In my experience, start with BookPeople: it’s the big indie in town and they usually have both popular local titles and offbeat neighborhood histories. I’ll also check the University Co-op near the campus because they often carry local-interest titles and books by UT-affiliated authors. For used or collectible copies, South Congress Books and Half Price Books are solid bets — used shops sometimes surprise you with older prints or special editions.
If the title is out of print or rare, I’ll hunt online through Bookshop.org (supports local indies) and IndieBound to see which local stores list it for sale, and I always call ahead. I’ve phoned BookPeople and a couple of smaller shops before and had staff hold copies for me. Another small spot I like is BookWoman — they’re community-focused and often carry local-interest books, so it’s worth a quick call.
Practical tip I use: find the ISBN for the exact edition you want, then ask the store to check their system or place an inter-store or publisher order. If you’re okay with used copies, searching the shop floors and chatting with staff can turn up surprising finds. Happy hunting — nothing beats walking out with a book you weren’t expecting to find.