What Is The Correct Reading Order For JK Rowling’S Fantastic Beasts Related Books?

The 'Fantastic Beasts' series isn't actually a book trilogy—it's a film series written by J.K. Rowling as an expansion of the Wizarding World! The first film, 'Fantastic Beasts and Where to Find Them,' introduces Newt Scamander and his magical suitcase full of creatures. The sequel, 'Fantastic Beasts: The Crimes of Grindelwald,' dives deeper into the dark wizard's rise and Newt's complicated ties to Dumbledore. The third installment, 'Fantastic Beasts: The Secrets of Dumbledore,' explores Albus’s past and the battle against Grindelwald’s tyranny. I love how Rowling weaves new lore into familiar magic, though the films sometimes feel uneven compared to the 'Harry Potter' books. Still, the creatures and 1920s wizarding aesthetics are pure delight—Newt’s Niffler alone is worth the watch!

As someone who’s shelved far too many editions and argued with friends about which booklet counts as "canon," here’s a reading map that actually helped me enjoy the world more. If your main goal is to follow the storyline introduced in the films and their published scripts, read the screenplay books in release order: start with the screenplay published as 'Fantastic Beasts and Where to Find Them' (the film's screenplay edition released in 2016), then continue to 'Fantastic Beasts: The Crimes of Grindelwald' (2018), and then 'Fantastic Beasts: The Secrets of Dumbledore' (2022). Those three move the plot forward chronologically and reflect how the movies unveiled characters and revelations — reading them in the same order they came out keeps twists and character development intact, and you get the same pacing as the theatrical experience. If you’re more of a lore nerd who likes background detail, slot in the original 2001 companion, also titled 'Fantastic Beasts and Where to Find Them' (the Newt Scamander textbook), either before or after the screenplays. I personally read the screenplay trilogy first and then dug into the 2001 in-world textbook for flavor — it felt like stepping from the main plot into a bestiary, finding little entries that enriched creatures I’d already met on screen. Also consider pairing these with 'Harry Potter' if you haven’t already read it: the Potter books illuminate characters, institutions, and political threads that link back to the beasts material. Companion books like 'Quidditch Through the Ages' or 'The Tales of Beedle the Bard' are optional but nice if you want more of that wizarding-universe vibe. A few practical tips from my late-night reading sessions: watch out for small retcons between the screenplay texts and older lore — the screenplay novels are adaptations of film scripts and sometimes lean heavily on visual or actor-driven moments. Collector note: different printings and regions sometimes have variant covers and extra photos; if you like art, look for illustrated or special editions. If you prefer audio, check whether the screenplay editions have narration that preserves the filmic tone. Ultimately, for a satisfying, narrative-first experience: screenplay trilogy in release order, then the Newt Scamander textbook for deeper bestiary lore, and sprinkle in Potter canon whenever you want more context — it’s the combo that keeps me turning pages on long subway rides and rainy afternoons.

A friend asked me this last week, and I told them to just look at the shelf at the bookstore. They're arranged in order. This isn't the Marvel Cinematic Universe with a million entry points. It's a single, linear saga. Even the prequel information, like Voldemort's backstory in 'Half-Blood Prince' or the Marauders' history in 'Prisoner of Azkaban', is revealed to Harry (and the reader) at specific points for maximum impact. Reading those details earlier from a wiki would spoil the narrative punch. Trust the author's timeline.

I think the desire for a different 'order' comes from a place of love—fans want to engage with the world in every possible way. But for the initial experience, the path is singular and well-trodden for good reason. It's the path that made millions fall in love with the story. Why look for a different trail when this one leads directly to the castle?

Don't overlook 'The Casual Vacancy'. It's her first post-Potter novel, a stark, political satire set in a small English town. In publication order, it's a shocking pivot that showed her range. In any fictional timeline, it stands alone, completely disconnected. It's a reminder that authors aren't just their most famous worlds.

The 'Fantastic Beasts' series, originally penned by J.K. Rowling as a companion to the 'Harry Potter' universe, has a bit of a unique structure. There’s the core textbook, 'Fantastic Beasts and Where to Find Them,' which was first published in 2001 as a faux-reference book within the wizarding world. It’s a fun, encyclopedic read filled with creative creatures and witty annotations from Newt Scamander. Later, Rowling expanded the lore with the 'Fantastic Beasts' screenplay series, which follows Newt’s adventures in the 1920s. As of now, there are three screenplay books: 'Fantastic Beasts and Where to Find Them' (2016), 'The Crimes of Grindelwald' (2018), and 'The Secrets of Dumbledore' (2022). These aren’t traditional novels but rather script formats, so the tone feels more cinematic. It’s interesting how the franchise evolved—from a whimsical textbook to a full-blown prequel saga. While the screenplay books dive deeper into the wizarding world’s history, they’re quite different from the original 'Fantastic Beasts' book, which remains a standalone gem. I love flipping through the original for its quirky illustrations and lore, but the screenplays add layers to characters like Dumbledore and Grindelwald. If you’re counting, that’s technically four books, though only one is a 'traditional' book. The screenplays are a neat experiment, though I sometimes wish we’d gotten full novels instead!

The definitive order, including the screenplay books, is as follows. 1997: Harry Potter and the Philosopher's Stone. 1998: Harry Potter and the Chamber of Secrets. 1999: Harry Potter and the Prisoner of Azkaban. 2000: Harry Potter and the Goblet of Fire. 2003: Harry Potter and the Order of the Phoenix. 2005: Harry Potter and the Half-Blood Prince. 2007: Harry Potter and the Deathly Hallows. 2008: The Tales of Beedle the Bard. 2012: The Casual Vacancy. 2016: Fantastic Beasts and Where to Find Them AND Harry Potter and the Cursed Child. 2018: Fantastic Beasts: The Crimes of Grindelwald. Note that 'Cursed Child' is a script, not a novel, and the two 2016 releases came out within months of each other.

The London in the Strike books is a character itself—gritty, rainy, and vividly realized. It’s a different London from the hidden magical one. So, in her world-building, the Strike series fits as an exercise in hyper-realism. She’s mapping the city’s streets, classes, and subcultures with the same detail she mapped Hogwarts. It shows her enduring love for London as a setting, just through a different lens. For readers who love a strong sense of place, these books deliver just as powerfully as the Potter books did, but with a noirish, contemporary vibe.