Ever since I picked up 'Create This Book', my creative process has felt like opening a treasure chest of possibilities. The prompts and blank pages aren't just spaces to fill—they're invitations to play. I love how it nudges me to mix mediums, like doodling with watercolors one day and pasting magazine clippings the next. It's especially great for breaking out of perfectionism because the messy, experimental vibe encourages 'happy accidents.'
What surprised me most was how it rewired my brainstorming. Instead of staring at a blank notebook, I now flip through its half-finished pages for inspiration. The guided exercises (like 'turn this squiggle into a creature') feel like creative weightlifting—small reps that build big imaginative muscles. Last week, I used one of its collage prompts to spark ideas for a short story, proving it's more than just an art journal.
This book is like having a creativity coach who whispers 'what if?' in your ear. I used to think I wasn't 'the creative type,' but its bite-sized activities proved me wrong. The 'destroy this page' style challenges (think: scribble with your non-dominant hand) helped me embrace imperfection. Now I carry a mini version everywhere—when inspiration strikes, I add to it like a living idea scrapbook. Who knew tearing pages and gluing receipts could feel so revolutionary?
The magic of 'Create This Book' lies in how it turns creativity into a daily habit rather than a special occasion. My favorite section has these 'complete the pattern' grids that trained me to see possibilities everywhere—now I spot potential stories in coffee stains or sidewalk cracks. It also introduced me to techniques I'd never try otherwise, like blackout poetry or blind contour drawing. What started as casual doodling sessions actually improved my problem-solving at work, proving creativity isn't just for 'artistic' types.
this book became my creativity personal trainer. The structured-yet-open format is genius—it gives you guardrails but never fences. I've filled two volumes so far, and each page taught me something different. One day it's about observing textures around my apartment, another day it's writing a poem using only questions. It's not about making pretty art; it's about flexing that idea-generating part of your brain until it feels second nature.
2026-01-03 23:27:57
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Dripping Forbidden: 100 Ways to Make Yourself Wet
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If you’re a delicate little flower who clutches pearls and believes sex should only happen in the missionary position with the lights off and your spouse’s permission, close this book immediately. Seriously. Put it down before you ruin your boring little life with uncontrollable wetness and questionable morals.
Still here? Good girl.
Welcome to Dripping Forbidden: 100 Ways to Make Yourself Wet — a ruthless, dripping-wet collection of one hundred filthy, plot-driven taboo stories that don’t just flirt with the line… they bend you over it, fuck you senseless, and leave you leaking.😉 💦
18+ ONLY | EXTREMELY EXPLICIT | ENTER AT YOUR OWN RISK
Lust doesn’t care who’s watching—or what form it takes.
From growling beasts in the woods to possessive men in penthouses, from scandalous threesomes under silk sheets to Santa’s very naughty lap—Crave is a shameless collection of er*tic shorts where anything goes and no fantasy is too filthy.
Whether it’s a witch getting wrecked by her summoned demon, a sweet librarian bent over by her best friend’s dad, or two enemies going down instead of throwing punches—this book doesn’t slow down for breath.
Straight. Gay. Monsters. Mortals. Magic.
Each story is short, dirty, and unapologetically hot.
You’re not here for love. You’re here to get off. So get in, stay wet, and Crave harder.
This is a brochure containing a collection of PROMPT IDEAS from our one and only GOOD NOVEL WORKSHOP. Every PROMPT is a thrilling idea that might inspire you and can be the foundation of your next book! If interested, Please send your summary to: workshop@goodnovel.com, and note which prompt is based on. Our editors will get back to you as soon as possible.
We love reading novels, fall in love with the characters, sometimes envy the main girl for getting the perfect male lead... but what happens when you get inside your own novel and get to meet your perfect main lead and bonus...get treated like the female lead?! As the clock struck 12, Arielle Taylor is pulled inside her own novel. This cinderella is over the moon as her Prince Charming showers her with his attention but what would happen when she finds herself falling for her fairy godmother instead?
Please read my interview with Goodnovel at: https://tinyurl.com/y5zb3tug
Cover pic: pixabay
Her name was Cathedra. Leave her last name blank, if you will.
Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things.
Three words: Lies, lies, lies.
A picture that moves.
And a plea: Please tell them the truth.
All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know.
No one believed her. No one ever did.
She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless.
As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone.
Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind.
Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.
One of my favorite exercises in 'Create This Book' is the 'Doodle Transformation' page—where you start with a random scribble and turn it into something elaborate. It’s wild how a chaotic line can evolve into a dragon or a cityscape if you let your imagination run free. I’ve filled entire spreads just riffing off accidental marks, and it’s surprisingly therapeutic. The book really nails that balance between structure and creative anarchy.
Another gem is the 'Collage Chaos' prompt, where you glue down magazine cutouts and build a scene around them. I once turned a random ad for perfume into a sci-fi alien marketplace by adding tiny spaceships and neon doodles. The beauty of these exercises is how they force you to think laterally—no two outcomes are ever the same, and that’s the joy of it.