Who Created The Proxies Comic Series?

Bright, excited, and a little conspiratorial — that's how I sound when I talk about 'The Department of Truth'. It was created by writer James Tynion IV and artist Martin Simmonds, and it's published through Image Comics. The concept is deliciously creepy: a government bureau that hunts down dangerous conspiracies, where belief literally shapes reality. Tynion's scripts lean into paranoia and moral puzzlement, while Simmonds' art gives the book this shadowy, unsettling vibe that lingers after you flip a page. I first picked it up because I loved Tynion's other work like 'Something Is Killing the Children', but the pairing with Simmonds takes the idea somewhere stranger and more cinematic. People rave about how it blends horror, thriller, and metafiction — it's the sort of comic that makes you question what you trust in stories and in real life. Personally, it hooked me with its premise and kept me for the mood; I still find myself thinking about a panel or two days after reading an issue, which is exactly the kind of itch I want from a comic.

The 'Proxies' comic is this wild ride that blends cyberpunk aesthetics with deeply human struggles. It's set in a near-future world where people can rent out their bodies as 'proxies' to others—think of it like Uber, but for physical presence. The main storyline follows a down-and-out protagonist who signs up as a proxy to pay off debts, only to get entangled in a conspiracy involving corporate espionage and identity theft. The art style's gritty, all neon shadows and fractured panels that mirror the characters' disjointed lives. What really hooked me was how it explores consent and autonomy in a tech-dominated society. There's a chilling subplot about a proxy who starts losing memories of their own life after too many rentals. It doesn't spoon-feed moral lessons, though—just shows the messy consequences of commodifying humanity. I binged the whole series in one weekend and still think about that eerie scene where a client wears someone else's skin like it's last season's fashion.

I've been chewing on 'Crossed' in fits and starts for years, and what hooked me from the outset was the bluntness of the premise. The whole concept was dreamed up by Garth Ennis — he's the writer who launched the original miniseries — and the early visual identity was defined by Jacen Burrows' stark, brutal art. They teamed with Avatar Press to bring this nasty, nihilistic virus-of-a-story into comics form, and that partnership is what put 'Crossed' on the map. One important thing people sometimes miss is that there isn't a single, fixed cast of main characters the way you get in a long-running superhero title. Ennis’ original work follows a handful of survivors in his initial arc, but after that the series branched into an anthology-style run called 'Crossed: Badlands' and other miniseries where different writers and artists introduce their own protagonists (and villains). What ties everything together are the Crossed themselves — humans twisted by the infection into crazed, violent caricatures, marked by that horrific cross-shaped scar. So if you want a character list, you’re really looking at many small casts across many arcs rather than one canonical roster. I recommend approaching it like short horror films strung into a shared world: pick a few arcs by creators you like and see how each team treats survivors, morality, and the infected. Personally, I tend to revisit Ennis+Burdows work when I want the raw origin feel, then hop into later arcs for different takes and characters.

Ah, 'The Pretender'! What a gem of a show from the late '90s! It's both nostalgic and intriguing in its concept, isn't it? The original series was created by Steven Spielberg, but it was actually developed by a talented group of folks including Craig Borten and the noteworthy writer Jeffrey L. Harlan. It really combined elements of drama and mystery, pulling viewers into the life of Jarod, the main character who could imitate any profession perfectly. The concept alone hooked many of us, as we watched him escape his controlled environment and live out various lives while trying to uncover his past. It had that fantastic blend of serialized storytelling where each episode was like a mini-movie, which is probably why it still resonates with fans. Thinking back to when I first got into the series, I was totally captivated by the premise. Each episode was like a new adventure, and seeing Jarod take on all these different roles made me wonder about personal identity. It drew me in with that perfect mix of emotional depth and edge-of-your-seat drama. The show even inspired many discussions among my friends about the ethics of intelligence and freedom, and even now, I can still remember adrenaline-pumping episodes. The soundtrack and the cliffhangers left such a lasting impression! So, if you haven't checked it out yet or you're thinking of revisiting it, I'd definitely say dive back in. There's so much to unpack, especially considering how it reflects on the nature of self-discovery and manipulation in society. For any new viewers, just be prepared for an emotional rollercoaster. You'll definitely find yourself rooting for Jarod as he takes his journey to understand both himself and the world around him. There’s a richness in the storytelling that feels quite timeless, making it more than just another show from the past. It's a classic that sparks conversation and leaves you pondering long after the credits roll. On the flip side, if you prefer a different kind of storytelling, I recommend looking into shows that are more contemporary and maybe even a bit quirky. If you enjoy that slice-of-life vibe, series like 'The Good Place' or even 'Westworld' offer fascinating takes on identity and morality in their own unique ways. It’s fun how storytelling changes but also remains familiar, right? There's so much out there for us to enjoy and reflect upon!

To my delight, the artwork in qos comix issues comes from a small but energetic creative engine rather than a single, anonymous hand. What I usually see in the credits is a lead art director who sets the visual tone for the issue, then a rotating roster of illustrators and colorists who each tackle different strips or pages. Interiors often get split among pencillers and inkers, while colorists bring the mood and a separate letterer polishes the speech balloons. Covers are a whole different party — they frequently invite guest artists to do variant covers, which is why some issues look wildly different on the storefront versus inside. On top of that, there’s typically a coordinating editor who matches styles to stories, and sometimes the team will commission short backup pieces from up-and-coming creators or community contributors. For me, that mix of stable creative leads and rotating freelancers gives each issue a cohesive identity but still lets fresh voices pop, which I personally love.

The 'Proxies' comic has this gritty, cyberpunk vibe that really pulls you in, and the characters are no exception. The story revolves around two main figures: Dante and Reina. Dante's this hardened mercenary with a mysterious past—think a blend of classic noir antihero and futuristic badass. He's got cybernetic enhancements but struggles with the moral gray areas of his work. Reina, on the other hand, is a brilliant hacker with a rebellious streak. She's more idealistic, using her skills to expose corruption, but her alliance with Dante forces her to confront the messy reality of their world. Their dynamic is electric. Dante's jaded pragmatism clashes with Reina's fiery idealism, but they need each other to survive the dystopian chaos around them. There's also a supporting cast that adds depth, like Vasily, a former military officer with his own agenda, and Lucia, a corporate defector with secrets that could blow everything open. The way their stories intertwine makes 'Proxies' feel like a sprawling, lived-in universe.

The novel 'Protocols' was penned by the enigmatic Russian writer Viktor Pelevin, a master of satirical and philosophical fiction. Published in 2017, it dives deep into the absurdities of modern Russian society, wrapped in Pelevin’s signature surreal style. The book explores themes of technology, power, and identity through a labyrinthine plot that feels like a darkly comic fever dream. Pelevin’s work often blurs reality and fiction, and 'Protocols' is no exception—it’s a biting critique masked as a bizarre, addictive narrative. His timing was impeccable, releasing it during a period of global political upheaval, making its commentary even sharper. Pelevin’s earlier works like 'Generation P' set the stage for 'Protocols', but this novel stands out for its sheer audacity. It’s less about linear storytelling and more about throwing the reader into a whirlpool of ideas. The publication year, 2017, aligns with a wave of dystopian fiction, yet 'Protocols' carves its own niche with unsettling humor and razor-short observations. If you’re into books that challenge norms while making you laugh uncomfortably, this is your match.

Man, 'Proxies' is one of those comics that flew under the radar for a lot of people, but it’s got such a cool premise—blending cyberpunk vibes with corporate espionage. Last I checked, there were 12 issues in the main series, but I’m pretty sure they wrapped it up as a complete story. The art style is super gritty, which fits the tone perfectly. I binge-read it over a weekend and loved how it didn’t overstay its welcome. If you’re into stuff like 'Ghost in the Shell' or 'Transmetropolitan,' this’ll scratch that itch. There’s also a spin-off one-shot, but it’s more of a side story than essential reading. The writer, Brian Augustyn, really nailed the pacing—each issue felt like a mini-movie. I wish more indie comics had this kind of tight storytelling. Definitely worth hunting down if you like your sci-fi with a side of noir.