How Does Dear Life End In Alice Munro'S Collection?

After my mom, Margaret Hale, dies of a heart attack, she starts appearing in my sister Claire Dawson's dreams. In a dream, Mom tells Claire to climb Mount Mistwood before sunrise and burn the entrance ticket for her, or the other ghosts will bully her. Claire doesn't tell me anything. She packs a bag in the middle of the night and forces herself to the summit. While she's gasping her way up that mountain, I'm asleep at home when I suddenly go into cardiac arrest. I wake up in the emergency room with doctors shouting over me. I barely survive before Mom appears in Claire's dreams again. This time, she says skydiving is her last wish. If Claire doesn't do it for her, she won't rest in peace. Claire signs up right away, ignoring everything I say. But then, her parachute refuses to open, and she plummets toward the ground. Luckily, she gets snagged in a tree and walks away without a scratch. Meanwhile, I miss a step going downstairs, tumble to the bottom, end up covered in bruises, and break five ribs. While I'm recovering in the hospital, Mom shows up in Claire's dreams again. Now, she wants Claire to go to the South Pole for her, saying she can finally move on and be reincarnated once Claire completes the trip. Claire doesn't hesitate and books a tour on the spot. While she's taking pictures with penguins, I freeze to death back home during a 104-degree heatwave. Only after I die does it finally hit me that Mom's missions for Claire always end with me on death's doorstep. What I don't understand is how Mom keeps shifting the danger meant for Claire onto me instead. The next time I open my eyes, I'm back on the morning after Mom first appeared in Claire's dream.

Elijah Morris has been fooling around for four out of the five years we've been married. And from the very first month, he openly betrays me. Meanwhile, I spend my time warding people off with expensive contracts, one after another. Eventually, all that's left between us is constant fighting. One day, his younger stepsister, Abigail Wright, returns. And just like that, he finally settles down. That's when the system tells me that I can finally go home. For the next five days, I no longer ask about his schedule. I don't care if he is with Abigail, nor do I care if she is pregnant with his child. I even move out of the master bedroom myself, listening to them going at it all night. The fifth day after Abigail's return is our wedding anniversary. Elijah bursts into the room, tears up our marriage certificate in front of me, and smashes my most treasured vase into pieces. He grips my throat tightly and growls, "Why did you put mango in Abby's cake? She's allergic, and she almost died! How could you be so cruel?" For the first time, I don't argue with him. Instead, I go along with his accusations. "So what?" I then pick up a shard from the broken vase on the floor under his disbelieving gaze. Then, I draw it across my artery. Just like that, I end my life in this world.

On the fifth year of our hidden marriage, I died on the operating table of a hospital belonging to Allen Jones. Before I died, I called him ninety-nine times, begging for help. The last time, he finally answered. His voice was heavy with impatience. "Enough already. First, it's pregnancy, now it's liver cancer. Can you stop making a scene? I'm exhausted from work. "Mia, when did you learn to lie? Do you know how disgusting you are right now? "I'm warning you—if you keep this up, I'll divorce you. Don't even think about coming back home until you admit you're wrong." But this time, I could never go back. Just before the call ended, I heard him comforting Sadie with a gentleness he had never shown me. "Don't be afraid. The surgery will be over soon, and you'll be fine. Once you're out, I'll take you to see your favorite movie and eat at your favorite restaurant. I promised you, and I'll make it all come true." After he hung up, I called him for the hundredth time. He didn't answer. Later, when Allen saw my body on the operating table, he broke down completely.

Five years ago, my family died in a car crash. My parents. My adopted sister, Liz. Everyone but me. They left behind grief, an empty house, and a debt so large it swallowed my life. When the collectors came, I turned to the only person I had left—my husband, Adrian. He told me he had cut ties with his own family to marry me and had nothing left. I believed him. For five years, I worked every job I could find, paid every dollar I earned, and told myself love was worth the suffering. When the balance dropped to its final $18,000, I signed up for a paid drug trial at a private clinic. They handed me a waiver, warned me about possible delayed reactions, and promised fast money if I swallowed the experimental dose. I thought it would buy us a new beginning. Instead, I came home early and heard Adrian on the phone. “Let Liz use the card. Evelyn still doesn’t know. She took away Liz’s money five years ago, so she has to earn every dollar back herself.” Then he laughed softly. “One more year, and her punishment is over.” That was how I learned the dead were alive. The debt was fake. My husband had never been poor. And the life I had fought so hard to survive was only a sentence they had given me.

My sister, Laura Ward, died the year we were ten, the year we snuck out of school to play. From that day forward, my mother’s grief turned into a burning hatred for me, convinced that I was the reason my sister was gone. She treated me like a servant, like an unwanted burden, and filled the void by adopting a perfect, obedient daughter to replace my sister. She took everything from me without a second thought — my rights, my freedom, my very existence — and even demanded that I give up a kidney for her precious adopted girl. Alright, Mother, if you want a life, I’ll give you mine! But it was only when my body lay cold, my breath long gone, that she finally turned and looked at me.

For five years, I paved the way for my wife, Samantha Cole. After helping her resolve the company's troubles one last time, I called her and asked, "Darling, I'm so cold. Can you come home and hug me?" On the other end of the phone, Samantha had only just pulled herself away from a moment of intimacy with her young lover, Oliver White. When she finally answered, her voice was impatient. "Joshua Davidson, will it kill you to stop being so dramatic?" Indeed, it would. I slammed the phone down and then died on our bed. Later, Samantha—the woman who had kept me trapped in that lonely house for five years—held my portrait in her arms and finally learned what regret felt like.