Who Directed The Film 11 Minutes?

Natalie Hale spent five years loving a man who never learned to look at her. When Ethan Cole's first love returns and he asks for a divorce, Natalie doesn't beg. She doesn't break. She asks for one month, thirty days for him to fulfill every promise he made and never kept. A candlelit dinner, a drive-in movie, an amusement park in autumn, Small things. The things that were supposed to mean us. He agrees, then he cancels and then he lies. Then she waits alone, again and again, learning in real time what she already knew in her bones, she was never his priority. But something shifts during that month. He begins to see her: her beauty, her grace, the way a room moves when she enters it. Too late, too slow, and far too little. On the thirtieth day, Natalie signs the papers, leaves a cup of coffee on the counter made exactly to his taste, and walks out the door. Three years later, she walks back in not to him, but into the same room. Radiant, accomplished and accompanied by a man who has never once made her wait. And Ethan Cole finally understands the difference between losing someone and letting them go. He let her go. She lost nothing.

My fiancé, Luca, dragged me along to a party with his crew. We had barely walked through the door before his boys were hounding him to play "Seven Minutes in Heaven." "Angelina, babe, come join us!" Fiona, Luca’s "best friend" from back home, called out to me with a smirk. I shook my head and slipped onto a barstool, my fingers nervously tracing the rim of my glass. I watched them huddle in a circle, drawing cigar bands with names scribbled on them. Luca drew Fiona. They shared a laugh before disappearing into the storage room behind the bar. "Seven minutes! Starting... now!" someone hollered, followed by a chorus of whistles. But seven minutes came and went. The door stayed shut. Ten minutes. Fifteen. Twenty... I finally stood up, my heart hammering against my ribs, ready to see what was going on. Just then, I heard Luca’s friends whispering in a thick Sicilian dialect. "This American guy... her head is greener than a lemon tree in Palermo and she doesn’t even know it." "I bet Luca and Fiona are having the time of their lives in there right now." "Poor Boston girl. Look at her, sitting there like a loyal little dog. Hilarious." I froze. My blood turned to ice, and the air felt too thin to breathe. Suddenly, the storage room door creaked open. Luca walked out, wiping sweat from his brow, followed closely by Fiona, who was busy smoothing out her rumpled shirt. "Whoa, how was it? Seven minutes in heaven live up to the hype?" someone teased. Luca smirked, his eyes glazed with satisfaction. "Better. I didn't want to leave."

Nubia has her life planned out. She is working on her master's degree in post colonial studies. She has a quiet apartment and a schedule she sticks to. Every Wednesday night she finishes class at nine thirty, walks to the bus stop, and waits. The bus is always late. There is always a stranger sitting on the bench. He wears headphones and draws in a sketchbook. He never speaks. She calls him Pencil Boy in her phone and does not think much about it. Then one October night the bus is delayed by forty three minutes. Eli studies architecture but he draws people instead of buildings. He has been sketching Nubia for six weeks without ever saying a word. He is quiet and pays close attention to things. He has learned to keep people at a distance because it feels safer that way. But when the cold night gets to Nubia and he gives her his hoodie, the silence between them finally breaks. What begins as pie at a late night diner turns into a Wednesday night tradition. Then a friendship. Then something much deeper. As Nubia and Eli grow closer, they must face the things that make them different. Race. Class. The dreams they are chasing. The families they come from. And the strong pull of a connection neither of them can ignore. Set over one school year, 43 Minutes is a warm and sensual love story about two people learning to truly see each other. It is about letting yourself be seen. And it is about the moments that change your life in less than an hour but stay with you forever.

Millie is caught in between her old life and new. She stayed in an apartment to be nearby her drug addict father until he passed. Although she is devastated by her father’s passing, she has a new found freedom. She’s leaving her old life behind in San Diego and now getting a do over in L.A where she’ll have a fresh start, career and a new apartment. The only problem is there’s 37 days between her old lease and new. Millie’s best friend Steph offers a place to stay with her, all is good and fine until she finds out the truth about where she’s actually staying. The mansion, previously a hotel is owned by suspected drug traffickers that are not to be messed with. Millie finds herself falling for one of them, which stirs up a lot of trouble. Will she be strong enough to handle the challenges ahead that come with her new love interest?

A lonely man finally found love in an unexpected way but how does his heart takes it and how does he live up to the standard to receive reciprocation? Dimitri Jenkins the one and only man who hates love like he hates his enemy but what happens when his heart starts playing a different tune, will he succumb to it or finds a distraction? But how long can he run away from the truth?

“Tell me what you want from me.” * * * | Athena Hendrix | The Spades are the second highest ranking mafia. As daughter of the mafia's leader, Athena Hendrix is nothing less than the most skilled in the mafia. She is usually sent on solo or duo missions, her father knowing she doesn't need anyone else. | Callum H. Rivers | The youngest man to ever take over a mafia, let alone the highest ranking mafia. As leader of The Skulls, Callum H. Rivers is brutal and ruthless. With his nickname "Hades," this man kills anyone who gets in his way. | The Spades Vs. The Skulls | As two of the highest ranking mafias, these rivals reek of nothing but hatred for each other. They are enemies; nothing more, nothing less. What happens when these two meet? * * * TW: mentions of violence, self-harm, etc.