'Still Walking' is Hirokazu Kore-eda’s work, and it’s one of those films that sticks with you. It’s not flashy—just a simple story about a family reunion—but Kore-eda’s direction makes every glance and silence speak volumes. I love how he uses food as a metaphor for connection; the meals in the film feel like characters themselves. If you enjoy细腻的family dynamics, this is a must-watch. Kore-eda’s storytelling is like eavesdropping on life itself.
Hirokazu Kore-eda directed 'Still Walking,' and I’ve gotta say, his style is unmistakable. The film’s pacing is deliberate, almost like a slow exhale, but it’s packed with so much emotional weight. Kore-eda’s background in documentaries really shines through—he doesn’t force drama; he lets it unfold naturally, like you’re eavesdropping on a real family.
What’s wild is how he balances humor and melancholy. There’s this scene where the family gathers to make tempura, and it’s both hilarious and heartbreaking. If you’re into slice-of-life stories that don’t rush, Kore-eda’s your guy. His filmography is a treasure trove of these quiet, humanist tales.
Oh, 'Still Walking' is such a gem! The director is Hirokazu Kore-eda, and honestly, his films always hit me right in the feels. This one’s no exception—it’s this quiet, beautifully observed family drama that lingers long after the credits roll. Kore-eda has this knack for capturing everyday moments and making them feel profound, like he’s peeling back layers of ordinary life to reveal something deeply human.
If you haven’t explored his other works, 'Shoplifters' and 'Like Father, Like Son' are also fantastic. They share that same gentle, introspective vibe. 'Still Walking' feels like a warm, bittersweet hug—it’s nostalgic without being sappy, and the way he directs familial tension is just masterful.
2026-06-24 11:29:41
7
View All Answers
Scan code to download App
Related Books
The Silent Stalker
Christina Wolf
0
4.1K
Imagine being a victim of a twisted obsession. Ellie Cruz's normal life had spiraled into a never-ending nightmare as a stalker has found her as a tasty victim. Fearing for her safety she seeks help from her family and friends. However, as people began to disappear, Ellie takes matters to her own hands.
No matter what she does, the stalker is always a step of ahead. Tensions rise and the line between reality and paranoia blurs as Ellie races against the clock to uncover the truth of this murderous tormentor.
Book two. Please read "Not All That Glitters" before "Not All Who Wander Are Lost."Christmas 2019 in Auburn brought with it a chance for new beginnings. Complicated relationships started to mend and different recoveries were being made. As far as Whitney York and Hollis Bogard were concerned, they knew every hardship they'd face from that point on would be easier since they had each other for support.Fast forward to May, five months later. While making the last minute preparations for she and Whitney's Christmas gift to New York for a week, Hollis gets some disheartening news. If that weren't bad enough, patching things up with her parents was turning out to be a long, winding road. Dalton's prolonged, stressful testimonies to ensure he gets more than a cash settlement from the wealthy prick who put him in a wheelchair after driving drunk is the last straw. As Hollis starts wrestling with her inner demons again, slipping downward is inevitable. Will she confide in Whitney, or risk relapsing?Since disowning her, Whitney stopped hearing from her perfect family altogether. While the lovers are wrapping up in New York, she suddenly comes face to face with Hollywood's latest headliner;Theresa, her famous sister, has died. Urged to attend the funeral, Whitney makes it clear she won't go without Hollis, the very person her parents blame for staying in Maine.Buckle in! Disclaimer: Strong mature content, graphic scenes, drug usage. 18+, please. This novel won’t be for you if you’re not comfortable with any of the above topics.2020 All Rights Reserved (you know how it goes) Please don't attempt to steal any part of my work.
This story revolves around the lovestory of a couple who had an unfortunate fate, where the man dies, and the girl lost all their memories; with the man's unyielding passion his soul travels through time and space, reincarnated in the near future, but everything has been changed. The world turns into a nightmare, and chaos spread all over. Come and let's unravel the mysteries of the unknown world. Engage yourself with THE REMAINING.
Harmony is a teenage girl living in Taguig, her family is wealthy and she can get everything that she asks for. But also because of that, she didn't have anyone. Her parents are always away and no one tries to befriend her. She’s basically a loner. Not until she got dragged into a fight that rather changed her life. She got something that she never wanted to have. A disease. A fight between life and death. Hoping to survive, she met a few people that accompanied her through her journey. Violet Hayes, the girl who hated her during middle school. Page Crawford, the nerd transfer that everyone dislikes. Magnus Grey, a strange boy who always looks at her from afar.
But the question is, how can they help someone who’s losing hope as the day goes by? How will Harmony cope with her daily life trying to live normally?
Karma led them to each other, it is now up to them if they'll use it to their advantage. Anna Miller had been hurting for years, she didn't know how and why it happened, but it just did. Will destiny heal her or break her more?
Abhiman Malhotra,"I tried to keep myself away from her but she stepped in my bubble and ignited desire for her again. Her smell, her touch and her smile everything is disturbing me. When she praised me I thought there was a chance for our relationship but the next second she reminded me of her boyfriend breaking my hopes all over again."
Mihra Kapoor,"Anxiety, anger, sadness, fear, jealousy, happiness and love all these feelings relishing my heart which I never know they were existed inside me until I met him."
What will happen when a headstrong metropolitan girl meet a village soft guy.
She is a rude and practical girl.
He is a calm and sorted man.
She believes in money and status.
He believes in others happiness.
Both are completely opposite to eachother. Does Newtown's law of attraction work between them ?
The first time I watched 'Still Walking', it felt like peering into someone's family album—pages filled with quiet, aching moments that resonate long after the film ends. Director Hirokazu Kore-eda crafts a story that's deceptively simple: a family gathers for a memorial dinner, and over the course of a day, unspoken tensions, regrets, and love bubble to the surface. What struck me was how it captures the weight of time—how grief lingers in the way a mother meticulously prepares her son's favorite dish, or how a father's sternness masks his unvoiced pride. It's not about grand gestures but the tiny, accumulated gestures that define relationships.
What makes 'Still Walking' so profound is its honesty about familial bonds. The characters aren't idealized; they're flawed, sometimes petty, yet deeply human. The title itself hints at this—life moves forward, but we're still walking in circles around our unresolved emotions. Kore-eda's genius lies in showing how memory and tradition both connect and divide us. The film's quiet rhythm mirrors real life, where healing isn't dramatic but gradual, like the tide smoothing over footprints in sand. By the end, I felt like I'd lived through that day with them, carrying their stories with me.
Hirokazu Kore-eda's 'Still Walking' feels so achingly real that it's easy to assume it's autobiographical, but it's actually a beautifully crafted fictional story. Kore-eda has mentioned in interviews that the film was inspired by memories of his own family gatherings, particularly after his mother's passing. The way the characters bicker, reminisce, and dance around unspoken tensions mirrors the messy intimacy of real families—it's that emotional authenticity that makes people wonder if it's based on true events.
What I love about Kore-eda's approach is how he stitches together tiny, mundane moments—peeling radishes, arguing about parking, humming forgotten tunes—into something that feels like a documentary of the soul. The film doesn't need a 'based on a true story' label because it captures something truer: the way ordinary people carry grief, regret, and love in their daily lives. That kitchen table could be anyone's; those awkward silences are universal.