The way 'El túnel' digs into obsession is nothing short of haunting. Ernesto Sabato crafts this suffocating atmosphere where the protagonist, Juan Pablo Castel, isn’t just fixated on María—he’s consumed by her, to the point where his entire world narrows down to her existence. It’s not love; it’s possession. Sabato doesn’t romanticize it either. Castel’s obsession is ugly, relentless, and self-destructive. Every interaction with María is dissected, every glance overanalyzed. The tunnel itself becomes this perfect metaphor for his psyche: dark, claustrophobic, with no exit in sight. What chills me is how Sabato shows obsession as a one-way street. Castel projects his ideals onto María, but she’s never what he imagines. Her ambiguity fuels his paranoia, and instead of questioning himself, he spirals deeper. The murder isn’t a climax—it’s an inevitability. Sabato forces you to sit in Castel’s mind, and by the end, you’re just as trapped as he is. It’s brutal, but brilliant.
What makes 'El túnel' stand out is how it strips obsession of any glamour. Castel isn’t a tragic romantic; he’s a man who confuses fixation for connection. His art, his thoughts, even his memories—all revolve around María. Sabato’s genius lies in exposing how obsession isolates. Castel pushes everyone away, even the reader. You start to recoil from his narration because his voice grows more unhinged, more possessive. The novel doesn’t ask if obsession is justified; it asks what happens when someone refuses to see another person as human. María becomes a canvas for Castel’s madness, and Sabato never lets you forget the cost. The ending isn’t shocking—it’s the only possible outcome for a mind that’s sealed itself in a tunnel of its own making.
2025-06-22 22:26:37
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Bound by Obsession
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One contract. Two broken hearts. Zero chance of walking away.
My life shattered in a single night. Betrayed by my fiancé, drowning in my family's debt, with nowhere left to turn.
Then he appeared.
Damien Cross. Billionaire. Bastard. The most dangerous man I've ever met.
His offer was simple, marry me for one year. Save your family. Ask no questions.
I should have said no. Should have seen the trap. But desperation makes you reckless, and I signed my name next to his at 3am in a Vegas chapel, our hands shaking with rage and champagne.
The rules were clear: Separate bedrooms, No feelings, When the contract ends, we walk away
But...
We broke every single one.
Now I'm trapped in his world of glass towers and cruel games, where every touch is a weapon and every kiss is a war. He looks at me like I'm his to own, like he'd burn down the world to keep me.
I hate him. I crave him. I'm addicted to the chaos we create.
But contracts expire. Lies unravel. And when I discover the devastating truth about why he really married me, I'll have to choose, walk away with my heart intact—or stay and let his obsession consume us both.
He warned me not to fall in love with him.
So, he should have warned himself.
DARK ROMANCE "Sir, I am in a dire need of loan. Its very important, my friends life is at stake. I assure you I'll try my best to return the loan asap." She breathlessly said it all. Her eyes were filled with hope and expectations. He was her last hope.
"Miss Sheharzaad," Shehryaar said, while standing up from his chair causing her to instantly stand up.
"Yes sir" she replied, her voice troublesome yet confident.
He walked towards the other side of the table and sat on the chair parallel to her.
"Keep sitting, please." He said, like a gentleman and she sat down. She tightly held her hands together. A life could be saved by his single yes.
"Sir please," she pleaded.
"I agree. You can have the loan, but I have a condition."
"I agree to your every condition sir" she replied with a little smile of victory on her face.
"Think before you speak, Miss Sheharzaad."
"I trust you."
"I want a one night stand with you." He dropped the bomb.
............
"Every women is nothing but a , a and you're also one of them." He said making her wriggling double against the ropes, which tied her.
"You're wrong." She replied with a sheer determination in her eyes.
He harshly gripped held her chin and bobbed her head up towards him.
"Oh, I'll prove it to you then." He spoke with an immense intensity and a promise in his eyes.
"You'll now serve me as my personal escort, Sheharzaad." He declared and threaded his fingers into her silky locks, pasting his lips on hers, her brutally.
He didn't trust womankind and she was a strong woman.
He wanted shatter and break her into pieces so he could satisfy himself.
Content Advisory
This collection contains mature themes, forbidden attractions, intense relationships, power imbalances, obsession, emotional conflict, and morally complex situations. It is intended for adult readers who enjoy provocative fiction that explores temptation, secrecy, and complicated human connections.
*****
Tales Of His Obsession takes readers into a world of hidden temptations, forbidden connections, and irresistible attractions. Behind closed doors, boundaries fade, emotions intensify, and a single glance can change everything. Filled with powerful men, magnetic chemistry, concealed feelings, and unforgettable encounters, these stories explore the darker side of human longing, where consequences are often ignored and temptation proves difficult to resist.
Bold, scandalous, and addictive
Iris had always dreamed of a quiet life; a man who truly loved her, extending a saving hand from this suffocating fate, so they could grow old together in peace. But life had-other plans.
“Please… Gabriel… enough… let me go…” Her voice trembled inside the locked room, punctuated by sobs. No door-would open, and no window offered escape. Trapped inside a-luxurious space that felt like a golden cage. Alone, surrounded by luxury never part of her dreams. Nothing remained but to wait for his return.
When he entered, silence became suffocating. His eyes smiled, but seeing her tears, his expression darkened. He lifted her chin despite resistance, wiping her tears, whispering, “Iris… tell me what you want… and I will give it to you.” She stayed silent. Her-only desire was to vanish from this world.
Anger flickered in her-eyes. In desperation, she bit his hand and pushed him away. “Get away-from me…” Her defiance only fueled his delight. She retreated, tears falling. He smiled faintly, as if losing his mind. “A child… isn’t that what you used to dream of?” He drew closer, voice calm. Iris trembled, turning away. “Tell me again… and I will make it happen… just stay with me.” He silenced her.
She could not speak, trapped between fear and confusion. His presence filled every corner of the room, leaving no space for her thoughts. Iris lowered her gaze, struggling to breathe calmly, realizing that every refusal only tightened his hold. She understood that escape was impossible, no matter how much she resisted. The words she once wanted to shout faded into silence inside her mind. she recognized something far more unsettling.The truth finally became clear, though it was far too late.This was not love,It was something darker and far more dangerous.Obsession!!
Andy Alf, a twenty-six-year-old professional multimillionaire CEO of the largest export company in town, obsessed with order, organization, discipline, cleanliness, and much more, is recognized in high society for the way he manages his business and makes good decisions. Camille, a humble twenty-five-year-old girl, graduated from the psychology faculty of a small university, manages to get a job outside her hometown in Andy's company, to take a position in the human resources area, she accepts it far from home, since the pay is quite striking and her mother now requires treatment for cancer. A few days after working in the ALF company, she meets Andy, her immediate boss, who regardless of the fact that he is about to marry one of the most beautiful women in the world show business, becomes obsessed with that girl, taking him to the point of committing crazy things and persecutions, when he finally manages to establish a relationship with her, it becomes a toxic courtship and full of sentimental problems, reaching the point of questioning the sanity of the two of them, can Andy and Camille be together despite their problems? A thousand separations in the same relationship, only one ending.
WHO WILL BE THE PSYCHOPATHS OBSESSION?
MILDA ASUNCION IS JUST A MERE NERD AS OTHERS DESCRIBED HER. SHE'S KIND BUT ANTI-SOCIAL, SHE'S WEAK IN PHYSICAL BUT STRONG EMOTIONAL. SHE'S SIMPLE SO WHY SOMEONE IS OBSESS TO HER?
WHAT WILL YOU DO IF YOU FOUND OUT THAT SOMEONE IS OBSESS WITH YOU?
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Credit for the photo that I used for my book cover.
@Silence4Rose
In 'El túnel', the main conflict revolves around Juan Pablo Castel's obsessive and destructive love for María Iribarne. Castel, a painter, becomes fixated on María after she notices a small detail in one of his paintings. This obsession spirals into paranoia and jealousy, leading him to believe that María is unfaithful. His inability to understand or trust her drives him to commit a horrific act of violence.
The novel explores themes of isolation, existential despair, and the impossibility of true connection. Castel's tunnel is both a metaphor for his narrow, distorted worldview and his descent into madness. The conflict isn't just between Castel and María but within Castel himself, as he struggles with his own demons and the futility of his existence. Sábato masterfully portrays the darkness of the human psyche, making the reader question the boundaries between love and possession.
I've always been fascinated by how 'El túnel' digs into the human psyche with such raw intensity. It's not just a story about obsession; it's a masterclass in psychological dissection. The protagonist, Juan Pablo Castel, isn't your typical unreliable narrator—he's a walking paradox of logic and madness, which makes every confession feel like peeling back layers of a wound. The way he fixates on María Iribarne isn't romantic; it's pathological. His tunnel metaphor isn't just poetic; it's a prison of his own making, where every thought loops back to paranoia and isolation. What gets me is how Sábato doesn't spoon-feed the reader. Castel's jealousy isn't dramatic outbursts; it's in the way he describes a painting or the silence between dialogues. The novel forces you to live inside his head, where reality twists into something claustrophobic and suffocating. That's psychological genius—it doesn't tell you he's broken; it makes you feel the cracks spreading.
And let's talk about the structure. Most psychological novels rely on flashbacks or therapy sessions, but 'El túnel' is a straight dive into Castel's confession. No detours, no safety nets. His voice is so unnervingly precise that you start questioning your own sanity. When he dissects María's slightest gestures—like the way she touches her hair—it's not love; it's forensic analysis. The novel's power lies in what it doesn't say. The gaps in Castel's logic, the moments where his narrative contradicts itself, these are the places where psychology bleeds through. Sábato doesn't need monsters or ghosts; the horror here is entirely human. That's why it sticks with you—it's not about what happens, but why a mind would choose to happen it.