What Is The Ending Of 'Born In The Bronx: A Visual Record Of The Early Days Of Hip Hop' About?

After being released from my three-year sentence, Zoe Sanders finally found me in an underground fight club. The moment she saw me, she grabbed me by the collar and punched me across the face, her eyes burning red with fury. "Henry Goldman, who gave you the nerve to disappear like this? "And what the hell have you done to yourself?" I wiped the blood from the corner of my mouth and laughed carelessly. "One punch, one hundred thousand. "If you’re still angry, feel free to keep going. I could use the money for this year’s rent." Her fists trembled uncontrollably, but her voice softened. "Come home with me... apologize to Ronald Green. "He’s always been kind-hearted. He already forgave you for framing him." Her gaze swept over the scars covering my body, something unreadable flickering in her eyes. "Look at yourself. Covered in blood like this... what’s the difference between you and a stray dog digging through garbage?" My body stiffened. Then I turned and walked away. What she did not know was this: In prison, blood and violence were the only ways I learned to survive. "Don’t forget," she shouted after me, "I’m still your fiancée!" My footsteps stopped. How could I forget? Three years ago, on the night of our engagement, Ronald drugged me and sent me to a black-market auction. I was stripped of all dignity and sold like merchandise. That night, I became the laughingstock of the entire city. And the person who signed the papers that sold me… was my fiancée herself.

At nine months pregnant, I was in the final stretch of my term, and my body heavy with a baby due any day. But my husband, Vito Falcone, underboss of the family, had locked me away. He held me in a sterile underground medical room and injected me with a labor suppressant. As I screamed in agony, he coldly told me to endure it. Because his brother's widow, Scarlett, was expected to go into labor at the exact same time. A blood oath he'd made with his late brother declared that the firstborn son would inherit the family's lucrative West Coast territory. "That inheritance belongs to Scarlett's child," he said. "With Daemon gone, she is utterly alone and destitute. You have my love, Alessia. All of it. I just need her to deliver safely. Then it's your turn." The drug was a constant, agonizing torment. I begged him to take me to a hospital. He grabbed me by the throat, forcing me to meet his icy gaze. "Stop the act! I know you're fine. You’re just trying to steal the inheritance." "To get ahead of Scarlett, you'll stop at nothing." My face was ashen. My body convulsed as I managed a desperate whisper. "The baby's coming. I don't care about the inheritance. I just love you, and I want our child to be born safely!" He sneered. "If you were really that innocent, if you had an ounce of love for me, you wouldn't have forced Scarlett to sign that prenup, waiving her child's inheritance rights." "Don't worry, I'll be back for you after she's given birth. you're carrying my own flesh and blood, after all." He kept a vigil outside Scarlett's delivery room all night. It was only after seeing the newborn in her arms that he remembered me. He finally sent his second in command, Marco, to release me. But when Marco finally called, his voice was shaking. "Boss... the missus and the baby... they're gone." In that moment, Vito Falcone shattered.

Here come the final book in the tales of a gay man series as in the last 2 books some of these are true and some are fantasy

On the day my father died, his seven most trusted men all met violent deaths within the same twenty-four hours. Hugh Castillo sacrificed his legs to butcher the gang and put me in power. “Taz, don’t be scared. Those monsters are gone. You’re finally free.” In the years he lay paralyzed, I tried over a thousand experimental drugs and prayed at every church across the country. I hunted down every possible remedy, praying for just one that would bring him back to his feet. When Hugh learned of this, he swallowed a bottle of pills one night to end his life. After he was revived, he smiled and wiped the tears from my face. “Taz, I don’t want to be a dead weight. You deserve a better life than this.” That night, we held each other and wept. We swore that from then on, no matter what, we would never leave each other behind. But seven years later, a sweet-looking girl showed up at my door with a thousand photos I was never meant to see. “Every month, while you were praying to God in churches, Huey was busy trying out new positions with me. “Ms. Sheargold, don’t you know that used goods like you kill a man’s desire? It was no wonder he’d rather play the cripple than touch you.” I looked through every single photo, then put them up for auction underground.

Isabella was born in the mafia, but she wasn’t born of royalty. All she knew was pain and ran away from a life of chaos and destruction before it could kill her. Now, she’s older and a defense attorney living in New York City. All was going well until she received a letter from the one person who has always looked out for her. She was getting married and wanted Isabella to come home and witness her union. Isabella wanted to refuse, but she knew she had to do it. Now that she’s back home, she’s thrusted back into the flames of Mafia life. A certain man has his eyes on her and won’t let her leave. What will happen when Isabella learns that the very man who sets her body ablaze, is a man who runs the same Mafia she’s running from? This is a story about finding love in all the wrong places, and how forgiving the past can open you up to a beautiful future.

In an East London lock up, two film makers, Jimmy and Sam, are duct taped to chairs and forced to watch a snuff film by Ashkan, a loan shark to whom they owe a lot of money. If they don’t pay up, they’ll be starring in the next one. Before the film reaches its end, Ashkan and all his men are slaughtered by unknown assailants. Only Jimmy and Sam survive the massacre, leaving them with the sole copy of the snuff film. The film makers decide to build their next movie around the brutal film. While auditioning actors, they stumble upon Melissa, an enigmatic actress who seems perfect for the leading role, not least because she’s the spitting image of the snuff film’s main victim. Neither the film, nor Melissa, are entirely what they seem however. Jimmy and Sam find themselves pulled into a paranormal mystery that leads them through the shadowy streets of the city beneath the city and sees them re-enacting an ancient Mesopotamian myth cycle. As they play out the roles of long forgotten gods and goddesses, they’re drawn into the subtle web of a deadly heresy that stretches from the beginnings of civilization to the end of the world as we know it. ©️ Crystal Lake Publishing