I’ve chased down references to grimoires for years, and the 'Key of Solomon' (Clavicula Salomonis) pops up more often than you’d expect — but usually as a cultural touchstone rather than a neat citation. In classic weird fiction, names like Arthur Machen and M.R. James dance around Solomonic material: they rarely quote the text verbatim, but their atmosphere and plot devices come straight from that tradition of ritual manuals and sealed circles. If you read their stories you’ll feel the same dusty-magic vibe that the 'Key' embodies.
On the modern side, Arturo Pérez-Reverte’s 'The Club Dumas' (which inspired the film 'The Ninth Gate') explicitly traffics in rare occult books and Solomonic lore; while the protagonist chases different manuscripts, the novel’s world is saturated with the same kind of Solomonic manuscripts. Comics and graphic novels lean on the 'Key' a lot too — Mike Mignola’s 'Hellboy' mythology borrows names, seals, and rituals straight from Solomonic and Goetic traditions (the 'Lesser Key'/'Goetia' cousins of the 'Key of Solomon').
Then there are the occultists-turned-writers whose editions and fictionalized accounts bleed into fiction: S.L. MacGregor Mathers’ and Aleister Crowley’s translations and editions of Solomonic texts didn’t just feed occult practice, they fed the imaginations of later writers. So when you’re trying to pin down a single famous novelist who “cited” the 'Key of Solomon', it’s more accurate to look for a web of references: weird fiction authors, modern thriller writers like Pérez-Reverte, comic creators like Mignola, and occult translators who made the material widely readable. If you want, I can dig up exact passages and page references next — I’ve got a messy stack of annotated editions at home that make this hunt fun.
Short and honest: the 'Key of Solomon' shows up in fiction more as inspiration than as neat citations. You’ll see its fingerprints in the weird fiction of M.R. James and Arthur Machen (atmosphere and ritual), in Arturo Pérez-Reverte’s 'The Club Dumas'/'The Ninth Gate' (rare-book obsession and occult manuscripts), and in comic-book worlds like Mike Mignola’s 'Hellboy' (actual sigils and Goetic names). Beyond those, urban fantasy authors and modern thrillers often borrow Solomonic motifs, and the translations/editions by S.L. MacGregor Mathers and Aleister Crowley helped seed the idea into popular imagination. If you need exact page-by-page citations, I can pull quotes from specific editions — I’ve got notes from hunting these references between coffee breaks.
If you want a quick map of who uses the 'Key of Solomon' in storytelling, think in three buckets: old weird fiction, modern literary thrillers, and visual pop culture. The older weird writers — people like M.R. James and Arthur Machen — don’t always name the text outright, but their old-man-in-an-archive vibes and ritual descriptions are basically Solomonic in spirit. Those authors were writing before the mass-market translations, so they echo the manual’s motifs rather than quoting it.
Fast-forward and the 'Key' shows up more directly. Arturo Pérez-Reverte’s 'The Club Dumas' and the movie it inspired, 'The Ninth Gate', are probably the most famous contemporary examples where rare-book hunting and Solomonic imagery collide. Comic books and graphic novels lean heavily on actual seals and demon lists; Mike Mignola’s 'Hellboy' universe routinely lifts from Solomonic and Goetic material. Also, urban fantasy writers — Jim Butcher’s 'The Dresden Files' and others working in that style — will name-drop or use Solomonic-style sigils, even if they call things by different names. Finally, don’t forget the translators/occultists: S.L. MacGregor Mathers and Aleister Crowley aren’t novelists but their editions and commentaries made the 'Key' accessible and aesthetically available to later fiction writers. If you’re compiling a reading list, mix primary translations (Mathers/Crowley) with Pérez-Reverte and Mignola for a nice cross-section of how the 'Key' influences modern storytelling.
Picking up where Dark Escape leaves off, Tara travels back in time to find she has a doppelganger lying in a magical coma in a cave and a very confused lover.
Going back in time exposes Tara to a world that no longer exists in her future life. It's a world where wizards and enchantresses do battle for supremacy and witch doctors lay in wait for a delicious taste of human while shape shifters abound. Danger, heart ache, discovery and love await as they continue to search for the Crystal Key to Shadow Land.
If you enjoy fantasy stories with peril, magic, time travel, and love, you won't want to put down book two of the Dark Escape Duo, "The Search for the Crystal Key".
From New York to Rome, Istanbul, Cairo, Iceland, and beyond, Adrian races against an invisible enemy that has protected the truth for over five hundred years. But as the final cipher draws closer, he realizes the greatest danger isn't unlocking the secret... it's surviving it.
When heartbreak drives Luna into the wilderness, she doesn’t expect to cross into another world.
A place where the seasons have kings, where beauty hides cruelty, and where a single human woman can tip the balance between peace and ruin.
Drawn into the glittering court of the King of Summer, Luna learns that love and power are never what they seem—and survival demands more than hope.
From betrayal and forbidden desire to war among the kingdoms, The Kingdom of Light follows one woman’s rise from broken heart to legend.
Magic. Love. Revenge. Rebirth.
The turning of the seasons will never be the same again.
I found an old quill in an antique shop and decided to buy it since I have always wanted to write with quills. However, as soon as I touched the quill to the paper, I was transported into the book. I wasn't the only one there, though three males who always hide their identities behind masks were in the book with me. They claim the quill belongs to them, and I must return it. Since I refuse, they follow me into every book I go into. One day, I was debating which of my mature books to write when I accidentally spilled the ink onto my book, 1001 Dark Tales. The only way they'll help me out of the book is if I give the quill back, and there is now a fourth. As I go through more of the book with them, I start noticing things. Things I had never planned for in my book, and it concerned me because even though I hadn't written those parts yet, none of the other stories I had used the quill on had ever gone that off track. However, when we tried to leave the book, it wouldn't let us back out. It seems we're stuck in the book until we finish all 1001 Dark Tales.
Samantha Hale thought she had it all — a perfect marriage, a thriving career as a software engineer, and the kind of life that looked flawless from the outside.
Until she discovers her husband is cheating on her… with her sister.
And that her sister is pregnant.
Betrayed. Homeless. Broke.
One night, Samantha enters a radio contest on a whim — and wins an old Victorian mansion in a forgotten countryside town called Willow Creek.
It’s supposed to be her new beginning.
But the house has a secret buried deep beneath its foundations.
When she unlocks the door to the basement, Samantha finds two stone coffins — and accidentally awakens Lucien Varyn, the long-lost King of Vampires, and his enigmatic right hand, Sebastian.
Lucien is dark, magnetic, and far too dangerous.
Sebastian is cold, calculating, and hiding something behind his icy loyalty.
Both are bound to her by an ancient prophecy neither of them expected to come true.
As strange events unfold and old powers stir, Samantha must decide who to trust — and who to love — before the house claims her soul…
Because in Willow Creek, under the glow of the Blood Moon,
the past isn’t dead. It’s just waiting to be awakened.
I've always loved digging into weird old books, and 'Key of Solomon' is the sort of grimoire that hooks you fast. Broadly speaking, it's a pseudepigraphal magical manual — that is, it claims the authority of King Solomon but was almost certainly compiled much later. Scholars place its formation in the medieval-to-Renaissance period, roughly between the 14th and 17th centuries, with earliest manuscripts in Italian and Latin. Those copies contain ritual instructions, lists of tools and pentacles, and conjurations that reflect a mix of Jewish, Hellenistic, and Arabic magical traditions.
What fascinates me is how the text feels like a patchwork: echoes of earlier Solomonic lore such as the 'Testament of Solomon' (a much older, Greek work) mingle with medieval ceremonial practices and Renaissance Christian mystical ideas. There are also traces of Arabic occult science and Jewish practical kabbalah woven in — not direct borrowings so much as a centuries-long dialogue across cultures. Later occultists like S. L. MacGregor Mathers and the Golden Dawn popularized translations in the 19th century, which is why modern readers often know it through Victorian-era editions rather than the original manuscripts. Reading a facsimile beside a hot cup of tea, I can almost feel the hands that recopied and reworked it over generations, each adding local flavor and new magical paraphernalia. It's less a single authored book and more a living tradition captured on parchment.
I get a kick out of how many writers riff on the idea of a forbidden book — it's almost a literary superstition at this point. H.P. Lovecraft famously invented the 'Necronomicon', and that single fictional grimoire spread like wildfire: August Derleth, Clark Ashton Smith, Ramsey Campbell and a parade of later weird fiction writers all dropped it into their tales. Robert Bloch created 'De Vermis Mysteriis', another cursed manual that other authors borrowed, and Robert W. Chambers wrote 'The King in Yellow', a play/book that ruins minds and crops up later in other people's nightmares.
Beyond those early 20th-century touchstones, modern novelists snack on the same menu. Umberto Eco built a whole mystery around a forbidden text in 'The Name of the Rose' (Aristotle's lost second book of Poetics plays the role), and Jorge Luis Borges made fictional books like 'The Book of Sand' and the imaginary encyclopedias of 'Tlön, Uqbar, Orbis Tertius' central to his work. More contemporary names — Neil Gaiman, Stephen King, Alan Moore in his prose-adjacent projects, China Miéville and Jeff VanderMeer — all nod to or repurpose forbidden-book motifs. If you like tracing literary cross-pollination, following which writers cite or adapt which fictional tome is a fun scavenger hunt that lines up influences and outright homages.
If you're drawn to the arcane mysteries and ceremonial magic of 'The Key of Solomon the King,' you might find 'The Lesser Key of Solomon' equally fascinating. It delves deeper into demonology and the Ars Goetia, listing 72 demons with detailed sigils and invocations.
Another gem is 'The Book of Abramelin,' which focuses on divine magic and the sacred system of contacting one's Holy Guardian Angel. Both texts share that dense, ritual-heavy vibe that makes 'The Key of Solomon' so compelling. For a more modern take, 'The Black Arts' by Richard Cavendish offers a readable overview of historical occult practices, though it lacks the same medieval flavor.