Where Can I Find A Free PDF Of 'An Autobiography'?

Three years after I died, my mother sent me twenty dollars for living expenses. Three years before that—the first time I ever asked my family for money—she said to me, offhand, "Sometimes I think you're just putting on an act. What's so unsanitary about a thirty-cent boxed meal? And why can't you wear a five-dollar down jacket? Face it, you're just more high-maintenance than your little brother." Later, when I needed twenty dollars to buy some cheap medicine for my stomachache, she blocked me immediately and cut off all contact—along with every relative we had. "Don't contact me anymore. I'm clearly not a good mother. I can't afford to give my son a life of luxury." But for my younger brother, who had just started high school, she spared no expense—renting him a three-bedroom apartment. Even the family dog got its own room. In the end, on the day my brother became the top scorer in the state, she finally remembered me. She took me off her block list and transferred twenty dollars. "It's only twenty dollars. Was it really worth giving your family the silent treatment for three whole years?" What she never knew was this— On the night my stomach ruptured, three years ago, I had already died. I couldn't afford to go to the hospital. I froze to death in the snow.

I gave Julian Marchetti thirty years of my life after the war ended. I built his empire, raised his children, and held the family together behind the scenes. But when he died, his will didn’t even mention my name. Half his fortune went to our children. The other half went to Lydia Carter, the daughter of the man who’d saved his life in Normandy. The same Lydia who’d stolen my identity.The same Lydia who’d built her entire life on the ruins of mine. All he left me was a single note, scrawled in his familiar handwriting. I loved you. We had thirty good years. But I owe Lydia. This is the least I can do. I dropped dead of a heart attack right there in his study, clutching that pathetic piece of paper. When I opened my eyes again, I was reborn in 1945, when the war had just ended This time I will not swallow my anger and suffer in silence; I will fight back. And I will take back every single thing that is rightfully mine.

This an autobiography of a man's childhood day, the horror and the dread that he went through, it also comprises of other happenings that made up his childhood day: both sad and happy moments.

A love affair between two unlikely fellows because of the huge differences in their religion, culture and tribe. The two strange fellows met in a national youth service scheme after graduating from the university. It was love at first sight. But from a distance the love brewed till their paths crossed. Everything nearly fall apart if not that they were meant be. Destiny has a way of orchestrating events. They had no option than to tell themselves the truth which is that happiness lies with both of them coming together as one. But to make this happen the two had to wrestle down the tribal hatred, the religious acrimony, the cultural bias that nearly shattered their love. It's romantic, it's intriguing, it's fascinating, it's titillating and captivating.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Everyone in my family knew I was a Bond-Seeker with ninety-nine lives. And still, not one of them loved me. During the holiday, I woke up early making breakfast for my family. My mother threw it all angrily. “You filthy little curse. Don’t dirty my kitchen.” When my father was hospitalized after a car accident, I stayed by his bed for three days and three nights. The moment he woke up, he grabbed the IV bottle beside him and smashed it against my head. “Was killing your twin sister not enough for you? Now you want me dead too?” I used my scholarship money to buy my elder brother a brand-new laptop. He threw it straight off the balcony and watched it shatter on the ground below. “I’m not using anything bought with a cursed girl’s money. I don’t want it shortening my life.” On my eighteenth birthday, I handed a love letter to Ethan Whitmore, the boy next door I had secretly loved for years. He tore it to pieces right in front of me. “What, were you hoping to trade my feelings for points? Get lost, Natalie. I don’t want you getting me killed.” In the end, the System ruled that my bond had failed. Then it took my life back. I thought no one would grieve for me. But before it disappeared, the System spent the last of its energy broadcasting every memory I had across every major platform.