When Was 'Flowers From 1970' First Published?

In my third year of running a flower shop to support my boyfriend, he went bankrupt again. The first time he went bankrupt, I sold the house my grandmother left me and paid off $700,000 for him. The second time, I dug out the savings account my mother had left me as my wedding fund and paid off another $1.6 million. The third time, I looked at the lost, empty look in his eyes and held the number of my billionaire father, the man I had long since considered dead to me, wondering whether I should call him. But that night, I accidentally saw the messages in a small group chat on his tablet. "Mr. Hart, how much should we put on the repayment contract for this bankruptcy?" "Make it $10 million. Otherwise that flower-shop girl will pay it all off in one go again, and where's the fun in that?" "Mr. Hart really knows how to play. I heard that flower-shop girl tends flowers by day and tends to you by night. No wonder you never get tired of her." I put down his tablet and called my billionaire father. "Isn't this what you wanted? To force me to inherit the family business and marry your protege? Fine. I'll marry him. "Have somebody come pick me up in three days."

Xena Xander returned to the past and found herself back in 1989. That year, she was thirty. Her husband, Julian Zane, was thirty-five. He had just become the youngest academician at the National Academy of Sciences. He was a national talent, and his future looked exceptionally promising. They had a pair of ten-year-old twins. Everyone said she was lucky. She was so lucky to have a good husband and sweet children. But the first thing she did after returning to the past was consult a lawyer and prepare two divorce agreements. She called Julian’s office. When the assistant realized it was her, the response was brief. “Xena, Professor Zane is busy. He doesn’t have time.” She went to the research institute to look for him, but the guard stopped her at the entrance. “Sorry, Professor Zane is unavailable right now.” After three days, she took the divorce agreement and went to see Julian’s first love. She placed the agreement in front of Moon Jensen and calmly said, “Please have Julian sign the divorce agreement. From now on, he and the two children belong to you.”

BLOOD AND PETALS PROLOGUE She sells flowers. He spills blood. And he will stop at nothing to make her his. Elena Rossi has always lived quietly among roses and lilies, dreaming of love as gentle as the petals she arranges. She thought she found it in Daniel, the man she planned to marry. Until her wedding day when a dangerous stranger walked into the church and shattered everything. Adrian Volkov is a king in the underworld, a man feared for his ruthlessness and power. But to him, Elena is not just a prize. She is an obsession. A storm he cannot live without. And he will burn the world and anyone in it, to claim her. Torn from the life she knew, Elena resists him, manipulates him, and even runs from him. But Adrian is relentless. His love is dark, his touch both punishing and tender, and his obsession inescapable. When betrayal and bloodshed close in, Elena must face the truth: She doesn’t just fear him. She doesn’t just hate him. She loves him. Petals and Blood is a haunting, passionate tale of obsession, betrayal, and the dangerous kind of love that blooms in shadows.

After eight years of marriage, I finally get pregnant with Claude Frey's child. It's my sixth round of IVF, and my last chance. The doctor says I can't put my body through it again. I'm overjoyed, ready to share the good news with him. But a week before our anniversary, I received an anonymous photo in the mail. In it, he was bending down to kiss another woman's pregnant belly. That woman is his childhood sweetheart, the one his family watched grow up. She's gentle and well-mannered, and the kind of daughter-in-law every parent dreams of. The funniest part is that his entire family knows about her pregnancy, except me. I'm just the punchline in their joke. It turns out that the marriage I've been holding together despite all my wounds is nothing but a carefully crafted lie. Fine. I don't want Claude anymore, and I'll never let my child be born into a world built on lies. I book my ticket to leave on our eighth anniversary. It's also the very day he's supposed to take me to see the sea of roses. Before we got married, he promised me a sea of flowers all my own. But instead, I find him in front of the rose garden, kissing his pregnant childhood sweetheart. After I leave, he starts searching for me everywhere. "Don't go, please?" he begs. "I was wrong. Don't leave." He finally remembers the promise he'd made to me and plants the most beautiful roses in the world in that garden. But I don't need it anymore.

Flora Amor thought she had found her fairytale in Dixal Amorillo, the man who made her heart race with every whispered breath of her name. But her dreams collapsed when she discovered that her marriage was built on a cruel bet. Her world crumbled further after a tragic family secret left her with no memories of the past. Seven years later, fate brings them together again through her mischievous, brilliant child, leading Flora Amor straight into Dixal's powerful construction empire. Now a changed man, Dixal is determined to fight for the wife he once lost. With the hidden enemies, family betrayals, and long-buried truths threatening to tear them apart, Flora Amor found the courage to hold on to the healing power of love

In the chaos and quiet of her 30s, a woman reflects on the loves that shaped her, the heartbreaks that undid her, and the tender spaces in between. Through fleeting romances, almost-loves, and the weight of expectations—family’s, society’s, and her own—she navigates a world where connection is currency, vulnerability is rebellion, and self-discovery never comes easy. Told with wit, warmth, and raw honesty, this novel is a journey through modern love: messy, magical, and sometimes maddening. It's about the people who entered her life, the ones who left, and the version of herself she’s still becoming.