Why Does Fourth Person Singular Use A Unique Narrative Style?

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

This is the story of a girl who’s fantasies and traumas begin to blend with her reality till the lines become so blurred she’s not sure which one is actually the reality

The novel is set in the modern time, its the year 2024 and Callie the protagonist is trying to get into a prestigious art school, she spends a whole day working on her canvas without food, sleep or even water and passes out on the floor, when she wakes up she’s in a familiar but not so familiar attic, same design and outline but the things in it weren’t hers, just as she’s about to completely lose it a boy seemingly two or three years older than her walks in and straight through her. She wakes up on her attic floor covered in paint with a splitting headache, she’s back to normal. She brushes the experience off as a lucid dream but more strange things start happening and Callie realizes that the world she knows is weirder than it seems

Aurora is the only daughter in a wealthy family, she has a hot temper, is arrogant, and likes to show off. She dyed her hair blue, pierced her earrings, and got tattoos. She was a spoiled child who was over-indulgent. Suddenly, in one class like any other day. Aurora becomes invisible. She had no reflection in the mirror, could not touch anything, She could only touch what she was carrying with her. The classmates around were still laughing and chatting as usual. Even if she screams, no one will hear. Aurora is extremely scared, she tries to go home to seek help, but after returning home she finds her family has been changed. The family that was once warm and happy suddenly had nothing left because the past had changed. Now, her mother, Breana Clayden, had been in prison thirteen years ago, and her father, William Dylson, had married another woman twenty years earlier. And now, he has another family, another wife, and another child. And Aurora - is a person who was never born. A strange person in the form of an old clock appears - Luan, Luan tells her that the past has changed, and she has become an outcast of time. At the same time, that person gives her the opportunity to reclaim everything, and reclaim her happy family, her identity, and her future. Did this strange man named Luan have any plots? If Aurora fails to prevent the time paradox from happening, what punishment will she be subject to? How will Aurora choose? The dark and confused truth lurks behind the film of time, deep in the past, will she find it?

Suzy was the only normal person in our family. While our father drank himself into oblivion, our mother gambled away everything, and I descended into mental illness, she sacrificed everything to pay our debts and keep us alive. She even found the best doctors to treat me. We all carried a lifetime of guilt for dragging her down. Then she became engaged to the heir of the most powerful family in the country. Only after I died in a psychiatric hospital did I uncover the horrifying truth. Suzy had been chosen by a system. My father's alcoholism, my mother's gambling addiction, and even my mental illness were never accidents. They had been carefully engineered to create the perfect tragic backstory for her, shaping her into the resilient, selfless heroine. We were nothing more than disposable tools in her mission, used until we had served our purpose and then discarded.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.