I caught 'A Funny Thing Happened on the Way to the Forum' on a whim during a local theater revival, and it left me with such a weirdly divided impression. On one hand, the slapstick humor and Stephen Sondheim’s music are absolute gold—songs like 'Comedy Tonight' are timeless. But the pacing feels uneven, like it’s torn between being a farce and a musical, and some jokes haven’t aged gracefully. The script’s reliance on mistaken identities and door-slamming antics works for some but might exhaust others. Plus, the original 1966 film adaptation got criticized for flattening the stage energy. It’s one of those shows where your enjoyment hinges on whether you vibe with its chaotic, old-school charm.
That said, the cast often makes or breaks it. Zero Mostel’s legendary performance as Pseudolus set a high bar, but later productions without that level of manic energy can fall flat. I’ve talked to folks who adore its Roman comedy roots, while others find it too repetitive. Honestly, it’s a polarizing gem—you either click with its frenetic silliness or you don’t.
What fascinates me about 'Forum' is how it straddles eras. It’s a 1962 musical borrowing from ancient Roman farces (Plautus, anyone?), yet it landed in a time when Broadway was shifting toward darker, more psychological stories. Critics at the time praised its energy but some called it shallow—especially compared to Sondheim’s later masterpieces. The humor’s a big factor; puns and innuendo dominate, and not everyone finds that style timeless. I saw a college production last year where the young cast nailed the physical comedy, but my friend—who’s more into 'Hamilton'—was baffled by the whole thing. It’s a relic in the best and worst ways: uproarious if you surrender to its madness, grating if you resist.
As a theatre kid who grew up obsessing over Sondheim, I’ve always had a soft spot for 'Forum,' but I get why it’s divisive. Its humor is broad—think horny old men and saucy courtesans—which feels either delightfully retro or painfully outdated depending on your taste. The plot’s sheer ridiculousness is part of the charm, but if you prefer subtlety, it’s like being hit with a clown mallet for two hours. The songs are catchy but not as emotionally complex as Sondheim’s later work, which might disappoint fans expecting another 'Sweeney Todd.' And let’s be real: the female characters are mostly props, which hasn’t aged well. Still, when a production leans into the chaos—like the 2010 UK revival with Miles Jupp—it’s a riot.
Mixed reviews? Easy. 'Forum' is pure farce, and farce is polarizing. Some audiences adore the over-the-top scheming and bawdy jokes (Pseudolus plotting his freedom is comedy gold), while others roll their eyes at the same tropes. The original Broadway run was a hit, but revivals live or die by their casts. The 1996 revival with Nathan Lane? Brilliant. A high school production with shaky timing? Painful. Plus, modern sensibilities clash with some jokes—like the 'virgin' subplot. It’s a show that demands you leave your cynicism at the door.
2026-03-03 08:47:54
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Fated but Hated
Beth Jackson
9.7
16.1K
Growing up side by side, as children of the pack Beta and Gamma, Lachlan and Seren should be the perfect pairing made by fate. But, after Lachlan’s father, the Beta of Black Crescent Pack died to save Seren’s life his son, Lachlan now holds nothing but resentment and hate for the beautiful young she-wolf.
Coming of age is a date Lachlan has been waiting for. The date he will begin preparing to inherit his father’s title should be a special day for him, but instead is ruined by meeting his fated…
The one person in the world he would not want to be fated to. The one person he hates most in the world. Seren. Surely fate would not be so cruel to fate him to the one he hates?
But in a pack where tradition means rejection is frowned upon, Lachlan finds himself in a difficult situation. But, he has no intention of being with the person who causes him to live without his father.
Can the two live in peace together with the matebond simmering?
She smirks, before asking "do you like that, my little mate?”. I’m too far gone to even care about the “little” part. “Yes..” I manage to breathe out, before she licks me again. “Say please, my little mate” she taunts, her eyes still glued to mine and her hand still pleasuring me. “Please Lola” I breathe out. And just like that, she wraps her mouth around the tip, before taking in my c*ck until it hits the back of her throat. “I… I’m cumming” I croak out, when I feel I’m about to topple over. She pulls her mouth off, and immediately places my c*ck between her perfect . I move up and down slowly, as my starts to cover her . ****** Lola is an omega within the Red Dagger pack. She was found as a baby in the woods. With her curvy body, blonde hair and green eyes she is the total opposite of all the other wolves. And as a result, is treated like an outcast. Lola long awaits the day she turns 18, gets her wolf and is able to leave Red Dagger. All she has to do is withstand one more schoolyear, despite the constant struggles to reign in her anger. But what happens when the bucket runs over and her restraint finally snaps? As the story unfolds, she will come across those who desire her and her fated mates, the Lycan princes. Lola has never wanted a mate and after all betrayals is reluctant to trust anyone anymore, but will she let any of them in eventually? And what happens when her wolf is revealed to have special powers? Will she find her happy ever after with a mate, her fated mates, or will the darkness swallow her whole?
My girlfriend's so-called guy best friend found out I had epilepsy. He deliberately spiked my drink with stimulants.
The moment I drank it, my nervous system was overstimulated. My heart rate surged. My chest tightened. Then the familiar warning signs hit–blurred vision, fragmented awareness, the onset of a seizure.
The next second, I lost control of my body and collapsed onto the floor. My muscles convulsed violently. My jaw locked tight. My breathing turned uneven.
I struggled to pull out the emergency medication I always carried with me, trying to stop the seizure from worsening.
However, just as I was about to take it, I realized the hot water in my bottle had been replaced with highly concentrated coffee.
The extra caffeine intensified the neurological stimulation. My convulsions worsened. My thoughts became more chaotic. My fingers stiffened to the point where I could barely move.
Aaron Stone looked down at me on the floor and laughed.
"Not bad. You're pretty convincing.
"I've seen plenty of seizure patients before. Never seen anyone act this well."
Gasping for air, I forced myself onto my knees in front of Mia, my jaw tightening from the spasms.
"Mia... call an ambulance... I'm having a seizure..."
Mia frowned at my obvious condition, but there was only impatience on her face.
"Enough already.
"If you keep acting like this, it's honestly too much. Since when can people having seizures still talk?
"Aaron's a doctor. With him here, what could possibly happen to you?"
I stopped trying to explain.
Because I was already entering the next stage of neurological collapse. Even speaking had become difficult.
Using the last of my strength, I pulled out my phone and sent an emergency distress message.
I was Apollo’s most devoted follower, the lover he handpicked from a sea of worshippers.
With me, he’d always shed his divine arrogance. He was so tender, so attentive. I actually thought he loved me to the bone.
Until seven days before our Consort Ceremony, when I used my gift of prophecy to peek into our future together.
I expected to see a lifetime of blinding love. Instead, I saw him violently tangled in the sheets with my adopted sister, Cassandra.
Wrapped around him, Cassandra giggled. "You're so good to me, my Lord. Thanks to you, I'll finally get my sister's Sight and take her place as High Priestess."
And Apollo—my god, my lover—smiled down at her with pure adoration. "Whatever makes you happy, little bird. If it weren't for you, I wouldn't have played pretend for this long, let alone allow her to become a god's consort."
In that split second, my heart turned to ash. My faith shattered into a million pieces.
With seven days left until the ceremony, I didn't confront them. Instead, I fell to my knees before the altar of Hades, Lord of the Underworld.
"I offer you my gift of prophecy. I will be your most loyal follower in exchange for your sanctuary."
"Please. Take me away from here. Take me somewhere Apollo can never find me."
Adrian Moretti’s adopted sister—She knew perfectly well that I suffered from severe asthma and could not be exposed to smoke or strong scents.
Yet during the yacht reception, she deliberately dragged me onto the open deck, where cigars burned nonstop and the wind howled.
Within seconds, my chest tightened.
When I reached for my inhaler, my blood ran cold.
It was empty.
I collapsed against the railing, gasping violently, my lungs burning as if they were collapsing in on themselves.
She crouched beside me and smiled.
“You’re always so dramatic. It’s just a little smoke. You don’t need to act like you’re dying,” she said softly.
“You’re too weak. You need to build some tolerance.”
I looked toward Adrian, my vision already blurring.
“Adrian,” I choked. “Give me my inhaler. If I don’t use it right now, I’m going to suffocate.”
He frowned slightly.
“Don’t you think you’re overreacting?” he said coldly.
“I’ve never heard of anyone dying from a bit of smoke. She’s right—you’re always seeking attention. We finally gathered tonight, and you’re ruining it.”
My heart dropped.
I fumbled for my phone and called my mother.
“Mom,” I sobbed, barely able to breathe.
“I’m being bullied… and I can’t breathe.”
My voice shook violently.
I adore historical mysteries, and 'A Fatal Thing Happened on the Way to the Forum' caught my eye immediately. The premise—ancient Rome meets true crime—is downright brilliant, and the author’s deep dive into how Romans viewed violence and justice is fascinating. But I get why reviews are mixed. Some readers expected a straightforward true crime narrative, but the book leans heavily into cultural analysis, which can feel academic at times. Personally, I loved that blend—it made me see gladiatorial games and political murders in a whole new light. But if you’re craving a fast-paced whodunit, the tangents about Stoic philosophy might slow you down.
That said, the book’s strength is also its weakness. The anecdotes are gripping (like the murder of Clodius and the ensuing chaos), but the pacing isn’t consistent. Some chapters fly by; others feel like a lecture. I think the mixed reviews come down to mismatched expectations. It’s not a 'Dateline: Ancient Rome'—it’s a thoughtful, sometimes darkly funny exploration of how crime shaped Roman society. If that’s your jam, you’ll adore it. If not, well, maybe stick to 'I, Claudius' for your Roman fix.
Oh, 'A Fatal Thing Happened on the Way to the Forum' is such a wild ride! If you're into dark humor mixed with historical intrigue, this one's a gem. The way Emma Southon blends true crime from ancient Rome with a modern, almost sarcastic tone is downright refreshing. It’s not your typical dry history book—instead, it feels like chatting with a friend who’s equally horrified and amused by the absurd brutality of the past. I couldn’t put it down because it made me laugh while also gaping at how bonkers Roman justice was.
That said, if you prefer serious, academic takes on history, this might not be your cup of tea. The casual language and snarky asides might feel irreverent to some. But for me, it was a perfect balance of education and entertainment. Plus, it’s packed with bizarre anecdotes—like Emperor Claudius judging a trial about a murdered parrot—that stick with you long after reading. Definitely worth it if you enjoy history with personality.
I picked up 'A Funny Thing Happened on the Way to the Forum' on a whim after hearing it mentioned in a theater podcast, and wow, what a delight! The play’s roots in ancient Roman comedies by Plautus give it this timeless, chaotic energy—like a farce that never loses its steam. The humor is sharp but accessible, blending slapstick with clever wordplay. Stephen Sondheim’s lyrics add this extra layer of wit, especially in songs like 'Comedy Tonight.' It’s one of those rare works where the pacing feels almost cinematic, even though it’s pure stage magic.
What really stuck with me was how it balances absurdity with heart. The characters are broad but weirdly relatable—Pseudolus scheming his way to freedom, Hysterium’s panic spirals, even Senex’s grumpy charm. It’s a masterclass in comedic structure, and if you enjoy anything from Monty Python to classic sitcoms, you’ll find something to love. I’d say it’s absolutely worth reading, especially if you can pair it with a recording of the original cast performance for the full experience.