What Gear Did Pink Floyd'S Guitariste Use Live?

2026-07-03 02:22:54 193
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3 Answers

Ivy
Ivy
2026-07-06 19:16:09
Pink Floyd's guitarists, especially David Gilmour, are legendary for their tone, and their live gear is a rabbit hole of fascination. Gilmour's setup evolved over decades, but some iconic pieces stand out. In the '70s, his black Stratocaster with the maple neck became his signature—modded with EMG pickups later for that creamy sustain. He paired it with Hiwatt DR103 amps and WEM cabinets, creating that colossal yet clear sound heard on 'Comfortably Numb'. His pedalboard was minimalist but surgical: a Big Muff for fuzz, Electric Mistress flanger, and Dynacomp compressor. The Echorec tape delay was crucial for those haunting echoes in 'Time'.

By the '80s and '90s, Gilmour incorporated more tech, like the Yamaha SPX90 for reverb and the Lexicon PCM70. His later tours featured custom-built Pete Cornish pedalboards, combining overdrives, delays, and filters into one streamlined rig. The man treated gear like a painter’s palette—each piece chosen to sculpt emotion. Even his guitar picks (heavy 1.5mm) were part of the equation. If you listen to 'Pulse' live, that’s the sound of a gear obsessive refining every detail without losing the soul.
Quinn
Quinn
2026-07-07 15:31:40
Gilmour’s live gear is a masterclass in 'less is more' done right. Early on, he relied on that battered '69 Strat—bought for cheap because it was 'used'—and cranked Hiwatts, which he preferred for their clean headroom. Unlike many rock guitarists, he avoided Marshalls; his tone was about clarity, not distortion. The Big Muff Pi (Russian version) was his secret sauce for solos, thickening the sound without muddiness. For modulation, he adored the Electric Mistress, giving 'Shine On You Crazy Diamond' that watery swirl.

Later, his rig got more complex but never bloated. The Cornish boards replaced individual pedals, and he added a talkbox for 'Keep Talking'. His lap steel work on 'High Hopes' used a Schecter custom, proving he wasn’t married to just one guitar. Even his acoustic sets—like on 'Wish You Were Here'—were meticulous, blending Martins with electric elements. What’s wild is how consistent his sound remained despite evolving tech. That’s the mark of someone who knows exactly what they want.
Valeria
Valeria
2026-07-09 05:02:51
Fun tidbit: Gilmour’s gear choices were often pragmatic. His famous black Strat had its pickups swapped so often it became a franken-guitar. Live, he’d use a rotating cast of Strats, each set up for specific songs. The Hiwatt amps were chosen partly because they could handle the volume of stadiums without breaking up too early. His pedalboard, though minimal, was all about precision—like using a Dynacomp to level his signal before hitting delays.

Even small details mattered. He’d adjust pickup heights mid-show to tweak tone, and his tech kept a notebook of every setting. Later tours saw him embrace digital delays (like the TC Electronic 2290) for reliability, but he always kept the Echorec’s vibe. The lesson? Great tone isn’t about having the most gear; it’s about knowing how to make each piece sing.
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