2017 was a year where genres clashed and complemented each other in fascinating ways. Thrillers and psychological suspense reigned supreme, with 'The Girl Before' by JP Delaney and 'The Silent Corner' by Dean Koontz keeping readers on the edge of their seats. These books tapped into our collective fascination with dark, twisty narratives that challenge perceptions.
On the flip side, contemporary fiction like 'Little Fires Everywhere' by Celeste Ng explored family dynamics and societal issues with such nuance that it became a cultural talking point. Fantasy lovers were treated to 'The Stone Sky' by N.K. Jemisin, the final installment in her Broken Earth trilogy, which swept major awards and solidified its place in literary history.
Non-fiction also had a stellar year, with 'Astrophysics for People in a Hurry' by Neil deGrasse Tyson making complex science accessible and entertaining. Meanwhile, 'The Radium Girls' by Kate Moore brought forgotten history to light, proving that true stories can be as gripping as fiction. The diversity in genres showed that readers were hungry for both escapism and enlightenment.
Looking back at 2017, it’s clear that readers were drawn to a mix of high-stakes drama and heartwarming stories. Thrillers like 'The Roanoke Girls' by Lisa Jewell and 'Don’t Let Go' by Harlan Coben were impossible to put down, blending suspense with emotional depth.
Romance and contemporary fiction also thrived, with 'The Hate U Give' by Angie Thomas becoming a phenomenon for its powerful storytelling and social relevance. Fantasy fans had 'The Bear and the Nightingale' by Katherine Arden, a lush, atmospheric tale that stood out for its folklore-inspired narrative.
Non-fiction highlights included 'Born a Crime' by Trevor Noah, which combined humor and heartbreak in a way that resonated globally. Cookbooks like 'Salt, Fat, Acid, Heat' by Samin Nosrat even broke into bestseller lists, showing that practical guides could be as engaging as novels. It was a year where every genre had something unforgettable to offer.
I remember 2017 being a wild year for book sales, especially in the thriller and mystery genres. Books like 'The Woman in Cabin 10' by Ruth Ware and 'Into the Water' by Paula Hawkins were everywhere, dominating bestseller lists with their gripping plots and unexpected twists.
Romance also had a strong showing, with titles like 'It Ends with Us' by Colleen Hoover resonating deeply with readers. Meanwhile, fantasy fans couldn’t get enough of 'Oathbringer' by Brandon Sanderson, proving that epic world-building and intricate magic systems still captivate audiences.
Non-fiction wasn’t left behind either, with memoirs like 'The Last Black Unicorn' by Tiffany Haddish and self-help books like 'The Subtle Art of Not Giving a F*ck' by Mark Manson making waves. It was a year where escapism met raw, real-life stories, and readers couldn’t get enough.
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Welcome to the filthy heart of sin, baby.
All the Ways We Sin is a raw and unapologetic erotica collection where passion doesn’t just burn : It fucks you senseless
From the thrill of your dangerous stepbrother pinning you against the wall while your parents sleep down the hall… to the shame of sneaking into your mother’s fiancé’s bed.
These stories don’t play nice. They’re supernatural, sci-fi, taboo, LGBTQ+, romantic, dark, obsessive, and so dangerously addictive you’ll be touching yourself before you finish the first page.
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If nobody was watching…
how fucking dirty would you sin
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it's clear that thrillers are absolutely dominating the charts. Psychological thrillers like 'The Silent Patient' and 'Gone Girl' continue to sell like crazy, but there's a new wave of domestic thrillers that are even hotter. Books like 'The Wife Between Us' and 'The Last Thing He Told Me' are flying off the shelves with their twisty plots and unreliable narrators.
Fantasy isn't far behind though - with authors like Sarah J. Maas and Rebecca Yarros bringing romantic fantasy to the forefront. 'Fourth Wing' and the 'A Court of Thorns and Roses' series are perfect examples of how fantasy romance is blending genres and creating something fresh. Historical fiction remains strong too, especially WWII-era stories with emotional depth like 'The Nightingale'.
I remember 2017 vividly because it was a year packed with thrilling reads across genres. The best sellers list was dominated by psychological thrillers, with 'The Woman in the Window' by A.J. Finn leading the charge. This book, along with others like 'Gone Girl' and 'The Girl on the Train', showcased the public's obsession with unreliable narrators and twisty plots. Romance also had a strong presence, with 'It Ends with Us' by Colleen Hoover touching hearts everywhere. Fantasy wasn't left behind, thanks to 'Oathbringer' by Brandon Sanderson, which kept fans hooked with its epic world-building. It was a year where readers craved both emotional depth and mind-bending suspense.
I remember diving deep into the bestseller lists of 2017, and fantasy novels had a pretty strong showing that year. From what I recall, at least 8-10 fantasy books made it to major bestseller lists like The New York Times and USA Today. Some standout titles include 'Oathbringer' by Brandon Sanderson, which was a massive hit among epic fantasy fans, and 'The Stone Sky' by N.K. Jemisin, the final book in her Broken Earth trilogy that won a Hugo Award. There was also 'Artemis' by Andy Weir, though it leans more toward sci-fi, it had enough fantastical elements to blur the lines. Fantasy was definitely a dominant genre that year, with a mix of high fantasy, urban fantasy, and even some magical realism making the cut.
it's fascinating to see how certain genres dominate. Thrillers and mysteries are absolutely killing it, with authors like James Patterson and Lisa Jewell consistently topping the charts. Their books have that perfect mix of suspense and twisty plots that keep readers hooked.
Romance isn't far behind, especially the sub-genre of rom-coms and contemporary romance. Books like 'The Love Hypothesis' by Ali Hazelwood and 'Book Lovers' by Emily Henry are flying off the shelves. These stories offer that comforting escape with just the right amount of emotional depth.
Fantasy and sci-fi are also holding strong, thanks to series like 'The Atlas Six' by Olivie Blake and 'Project Hail Mary' by Andy Weir. These books transport readers to other worlds, which seems to be exactly what people need right now.
I remember diving into the top books of 2016 and noticing a strong trend towards psychological thrillers and contemporary fiction. 'The Girl on the Train' by Paula Hawkins was everywhere, with its gripping narrative and unreliable narrator. Another standout was 'All the Light We Cannot See' by Anthony Doerr, which blended historical fiction with lyrical prose. Fantasy also had a big year with 'The Fifth Season' by N.K. Jemisin, a groundbreaking work that redefined the genre.
Romance wasn't left behind either, with 'Me Before You' by Jojo Moyes capturing hearts worldwide. The diversity in genres showed how readers were craving both escapism and deep, emotional connections through stories.