Is George Orwell: A Life Novel Based On True Events?

I gave Julian Marchetti thirty years of my life after the war ended. I built his empire, raised his children, and held the family together behind the scenes. But when he died, his will didn’t even mention my name. Half his fortune went to our children. The other half went to Lydia Carter, the daughter of the man who’d saved his life in Normandy. The same Lydia who’d stolen my identity.The same Lydia who’d built her entire life on the ruins of mine. All he left me was a single note, scrawled in his familiar handwriting. I loved you. We had thirty good years. But I owe Lydia. This is the least I can do. I dropped dead of a heart attack right there in his study, clutching that pathetic piece of paper. When I opened my eyes again, I was reborn in 1945, when the war had just ended This time I will not swallow my anger and suffer in silence; I will fight back. And I will take back every single thing that is rightfully mine.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

On the day of our wedding, my fiance Thomas Warsh was killed in a car accident on the way there. His adopted sister rushed toward me, clutching his ashes, accusing me of being a jinx who brought him misfortune. I was drowning in grief when a line of floating comments suddenly appeared before my eyes. [You must remain a widow for three years for your deceased husband. After three years, he will be reincarnated and return to love you again!] [Don’t ever remarry. Otherwise, the male lead will never rest in peace, and you will suffer for the rest of your life!] That was when I learned that my fiancé and I were the hero and heroine of a novel. Only by following the spoilers in the comments and completing the storyline could I reunite with him. I did not remarry. Guided by the comments, I remained a widow for three years, and then another three. However, it was not until I suddenly died from a severe illness that I discovered the truth–the comments had all been written by Thomas. He had faked his death, changed his appearance, married his adopted sister, and fed me endless empty promises so I would continue to slave away for the Warsh family. When I opened my eyes again, I had returned to the day before the wedding.

Yvette Warren, personal secretary to billionaire Orson Cox, announced that the heiress who was accidentally switched at birth 20 years ago was living in this orphanage. Whoever could prove their identity would inherit a billion-dollar fortune. In my first life, the two-faced Laurel Marsh tricked me into giving her my keepsake to claim the family. The Coxes tore her mouth apart. "Fraud!" In my second life, my frenemy, Rebecca Vargas, tattooed a fake birthmark on herself to claim the family. The Coxes had her skin slashed to shreds. "Still a fraud!" In my third life, my sworn enemy, Vita Davidson, took out online loans to get plastic surgery, reshaping her face to resemble Orson's wife. She tried to claim the family and was thrown straight into a mastiff cage by the Coxes. By my fourth life, no one dared steal my identity anymore. They packed me up overnight and delivered me straight to the Cox residence. When the DNA test confirmed I really was the heiress, everyone thought the nightmare was finally over. But on my very first night back, the Coxes shoved me off a high-rise building. "Anyone who dares steal our real daughter's identity deserves to die!" When I opened my eyes again, Yvette was smiling as she asked who the heiress was. Everyone backed away in terror, insisting they weren't the heiress. Yvette's voice turned low and eerie. "But our investigation shows that the heiress is definitely in this orphanage."

Zoya is a girl who comes from a high class home, but is more interested in writing and reading rather than her world that involves attending various business meetings or planned hangouts with Sami, who has been obsessed with her for years and would rather die than not have her. Then she meets Ivandor and she started to feel all she has never felt before. But there is a societal problem here, Ivandor is from the poorest of families and Sami would kill anyone who tries to come in between he and Zoya. And he succeeded, he got her, against her will, one that was disguised as betrayal from her part to Ivandor who didn't know her predicament. And when Ivandor is back, bigger and better, he's not just back for fun, he's back for revenge, to make all the people who spat and looked down on him bite their tongues. But when Sami finds out about all of these, war breaks out, as he would rather die than let any other man have Zoya whether she likes it or not. So sleeves gets rolled up and guns get cocked. Clashes, tears and deaths ensues, secret affairs arises, the eternal love rekindles and it starts to cause chaos and war that seems to never end.