Oh, this is one of those fun little detective-type questions. If the 'givanni' storyline was written into the original published volumes, then it's simple: it's part of the books' canon. But a lot of times people conflate what they saw in an adaptation, a comic tie-in, or a game with what was in the novels. I tend to split things into layers: baseline canon (the novels), endorsed expansions (author-approved guides or later editions), and adaptation-only or fanon elements. If 'givanni' came from a TV series or a licensed comic and the author hasn’t said it’s official, I treat it as adaptation-level — entertaining and possibly influential, but not sacred book-canon.
A practical method I use when I'm arguing about this in forums: cite direct quotes or chapter references from the books, look for the author’s comments on social media or in interviews, and check whether the publisher released an official companion. For example, authors sometimes clarify continuity in Q&A panels or annotated editions. If you want, tell me which series you're talking about and I’ll dig up the exact sources; otherwise, the safest stance is curiosity with skepticism — enjoy the storyline, but don’t rewrite the timeline of the novels without a primary-source citation.
If I had to give a short, cautious verdict: I can’t decisively say if the 'givanni' storyline is canon without knowing which exact original book series you mean and where 'givanni' first appeared. My go-to rule is this — only things that are present in the primary texts or explicitly adopted by the author/estate/publisher count as book-canon. Anything introduced in adaptations, tie-in media, or fanworks is usually non-canonical unless later incorporated into official editions or confirmed by the rights holders. Authors sometimes retcon or expand their universes, so what’s non-canonical today could be embraced tomorrow. If you want, point me to the series or a quote, and I’ll compare the sources and tell you how the community and the creators treat it — I love tracing this kind of continuity puzzle.
Alright, let me walk you through how I think about this, because 'canon' can be slipperier than it looks. If 'givanni' appears verbatim in the original book text, with events or dialogue clearly laid out by the author, then yeah — it’s canon to that book series. But in a lot of fandoms I hang around in, there are three useful checks I always do: (1) Is the scene or character in the published novels themselves? (2) Has the author or estate explicitly endorsed it in interviews, forewords, or companion materials? (3) Does any official supplemental material (authorized guides, annotated editions, or publisher statements) include it? If the answer to those is yes, sign it in ink: canonical.
Now, if 'givanni' first showed up in an adaptation, a spinoff, or a fan-made story, it gets trickier. Adaptations sometimes add original scenes or characters that are "adaptation-canon" but not book-canon — think how 'Game of Thrones' the show diverged from the books. Authors can also retroactively adopt adaptations or tie-in ideas, so something non-canonical today might be made canonical tomorrow. My practical tip: hunt down the primary text and the author’s public notes, then treat any ambiguous material as “interesting but unofficial” until you see publisher or author confirmation. Personally, I keep a tidy bookmark folder of interviews and official FAQs — it saves so many debates in comment threads.
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GIOVANNI: A FORBIDDEN MAFIA ROMANCE
Naomi Oh
10
6.1K
She was the daughter of a monster.
He was the man who put a bullet in her father’s skull.
Now, they're both trapped in a game of obsession, betrayal, and blood.
When Mirabella Belluci escapes her brutal Mafia past in Chicago, she doesn't expect to be hunted by the man who freed her. Giovanni Moretti. He is cold, calculating, and a sworn enemy of her family and is meant to watch her from the shadows. Instead, he watches too closely... and wants too much.
But in a world where love is weakness and loyalty is lethal, desire comes at a cost. And the closer they draw to each other, the deeper they sink into a war that could destroy them both.
"Obsession is just another kind of loyalty.”
When Tawny, a were-cat hybrid is called back to the Kingdom of Cambiador, by her estranged grandfather. Tawny can't help but be curious as to why he would want to meet her after all these years of disowning her late mother.
*****
Tawny:
I finally found a place where I felt like I belonged. Only I have never felt so unwanted in my life. The mysterious and sexy Kolby Crimson is my fated mate, yet he has been promised to another. Bound by a contract he has no intention of breaking.
A team-building exercise turns into a nightmare trip.
Secrets of Cambiador come to light and a night with a pride pack tilts my world even further from its axis. Only one person can get me out of the mess I find myself in. The question is, will he step up to the challenge and save me? His mate, or will he submit to the kingdom's laws and leave me in the den of Lions?
His fate was decided by a lottery. It was already not easy for him to eat delicious food, what more if someone told him that he was destined to save a lot of people?"Me? A hero? Nah, no way. Thank you very much. I don't want to clean up anyone's mess and save lives like a chore." For him, heros sacrifice a lot of things and die for the greater good. It is a waste, so it would be better for him to be a bandit. Sadly, that was easier said than done...
For the eighteenth time, Samson brought home his new lover and enjoyed their intimacy right in front of me.
Knowing he was doing this to get back at me, I just quietly picked up their scattered clothes.
Five years ago, Samson was nearly killed in a kidnapping. Ignoring all his desperate pleas, I broke up with him and left the country.
Five years later, he became the CEO of a major corporation and used his wealth to keep me at his side as his personal assistant. Every so often, he would bring home a different woman and flaunt their affection in front of me just to humiliate me.
Samson never knew that I had saved him from those kidnappers five years ago—and that I was the one who couldn't let go of him.
Things went on this way until he brought Judy back.
My cousin, someone I had financially supported for years.
When Judy proudly stroked her belly and told me she was pregnant with Samson’s baby, I just congratulated her calmly.
Then, I turned and made a phone call.
“Hello, about that Medical Support Project we discussed? I’ve decided—I’m ready to join.”
Get Ready to journey into both books of the Accalia Series as you follow the journey of Jasmine White from Book one, and her younger sister, Ava, from book two of the Accalia Series. Dive into the realms of werewolves, angels, demons, dragons, and other species. Follow the paths each sister has had to take as it is full of heartbreak, love, strife, and sacrifices.
The Accalia Series will take you on a wild ride of emotions and self-discovery within your own self, so be prepared for the journey that awaits you!
Between Destiny's Chains and Moonlight (Book series)
Florence Su
1
987
The Moon Goddess may have written the rules, but these she-wolves are tearing them apart.
In this sweeping five-book saga, the Lycanthrope species—creatures of power beyond mortal imagination—dare to defy destiny itself. Mate bonds ignite passion and peril, but every she-wolf knows love can be a weapon as much as a gift. Tradition demands obedience. They choose rebellion.
It begins with Ana, a Hybrid caught between worlds, whose collision with Romani, the ruthless Lycan Crown Prince, sparks a bond that could either save her—or destroy her. His dominance threatens to consume her, yet Ana refuses to bow. Every choice she makes twists the Goddess’s plan tighter, until fate itself trembles.
From Ana’s defiance to the cunning of wolves who wield mate bonds like blades, each book unveils a battle where freedom clashes with love, rebellion with tradition, and power with vulnerability. The Goddess watches. The wolves fight back. And destiny will bleed before it breaks.
This is not a tale of wolves who obey.
This is the saga of wolves who refuse to surrender…
I got pulled into 'Givanni' the way you fall into a conversation at a café and don’t notice the time — slow, warm, and layered. Reading the novel’s ending felt intimate: lots of interior monologue, those tiny details about the character’s hands, the weather, the small objects they keep that mean everything. The book rides on ambiguity in a way the series finale didn’t; where the novel leaves choices half-closed and lets your imagination finish the scene, the show tied off several threads visually. That makes the novel feel like a conversation I had to keep having afterward, while the show felt like someone politely turning off the lights and inviting me to leave.
Watching the finale, I noticed how the adaptation rebalanced emphasis. Scenes that were internal in the book became externalized — a line on a face, a discarded photograph, a location shot that says more than a page of exposition could. Some relationships that simmered quietly in the novel got a single, dramatic moment on screen, which is satisfying in a cathartic, shout-it-out kind of way. But I also missed certain interior beats; the TV’s economy sometimes flattened a moral ambivalence that the book luxuriated in. Ultimately, I loved both versions for different reasons: the novel for its lingering questions and texture, the series for its emotional punctuation and the visual poetry it added to the story.