What Happens At The End Of Gravebooks?

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. It won't be long before that snow-speckled ground will be salted by blood. ©️ Crystal Lake Publishing

After my wife tortured me for the 98th time for Hudson Langdon, I gave up all hope and accepted her bestie, Mona Sachman, as my girlfriend. After a night of passion with Mona, she promised to help fake my death and we would get married overseas using a new identity. However, I woke up earlier than expected inside the coffin after taking the suspended animation drug Mona gave me. I was unable to move, but I could hear Mona talking to someone outside the coffin. "Miss Sachman, you've gained Sean Langdon's trust by instigating Sheila Edwards to torture him and pretending to save him after that. Why do you need to arrange for him to fake his death and bury him?" "That's the only way for the Langdons to believe that he had truly died, and for Hudson to secure his position as their heir. No one would ever mention that he is an illegitimate son after that." The other person asked after some slight hesitation, "Isn't it a little too long to wait seven days to dig him out of the coffin after you and Hudson Langdon get married?" "The drug is effective for five days. I've already gotten someone to put food, water, and an oxygen canister into the coffin for him. He won't die so easily."

On Mom's death anniversary, drug dealers break into the cemetery and take me away. To get revenge on my brother, Zack Smith—a forensic pathologist—they torture me until there isn't even a single uninjured spot left on my body. I hold on for almost three days, barely surviving, until I finally get a chance to call him for help. However, Zack replied, "Why didn't they kill you for good? A jinx like you who killed your own mother shouldn't be allowed to live!" When the drug dealers notice my action, they shatter all of my bones. The next day, a janitor discovers several large bags of human remains in the trash can. Zack painstakingly reassembles my body back together with his own hands—yet he fails to recognize that it's me, his younger sister he always claims to hate. When the drug dealers are finally arrested, he descends into madness.

On the day I receive my Distinguished Service Medal, I also receive word that my grandma has passed away. My superior grants me special leave to return to my hometown to mourn her death, so I rush to my ancestral home at once. But when I reach the ancestral graveyard behind the hill, I witness something that makes my blood boil. The graves of my deceased family members have been razed to the ground. Even my parents' graves have been brutally dug up. Their urns are now placed under flower pots filled with blooming red roses. Grandma's coffin has been pried open as well.Her body now lies strewn on the ground and has started to rot. I also see Lucy Stewart, my autistic younger sister. Melissa Abbott, my wife's assistant, orders Lucy around like a maid, forcing her to move heavy construction materials around. Enraged, I grab Melissa by the throat and throw her to the ground. "How dare you destroy my family's ancestral cemetery and make my sister do hard labor! Do you want to end up buried here too?" Melissa coughs up blood before crawling back onto her feet, her expression vicious and scornful. "I'm simply carrying out Ms. Fuller's instructions. She says that your ancestral cemetery is located in a good spot. It's also the perfect size to be turned into a private horse ranch and a garden for her future husband. "Ms. Fuller calls the shots here in Joverton City. Who the hell do you think you are, huh?" Resisting the urge to put an end to her life, I call up Eva Fuller, my wife. "I heard you call the shots here in Joverton City. Well, I shall put that to the test today!"

The day I was awarded the highest service medal, I got a call that my grandfather had died. My superiors approved emergency leave, and I rushed straight back to the family estate without stopping. The moment I reached the hillside cemetery behind the house, what I saw snapped something inside me. Our family burial ground had been completely leveled. My parents' graves had been dug open. Their urns had been turned into flower pot bases, with dark-red roses planted right on top of them. My grandfather's coffin had been split apart. His body was left exposed in the dirt, already starting to rot. And my younger brother, Jerry Horton, who was on the autism spectrum, was being ordered around like a laborer by my husband's assistant, Digby Wolfe, hauling construction materials back and forth. I lost it. I grabbed Digby and slammed him into the ground with a hard shoulder throw. "You touched my family's graves and made my brother do manual labor. Are you trying to get buried here with them?" Digby coughed up blood as he struggled to his feet, sneering at me. "This was Mr. Gray's decision. He said your family plot is in a good location, with plenty of space. It's perfect for building a golf course for the future Mrs. Gray. In Joule, Mr. Gray is the law." His tone was icy. "And who do you think you are?" I swallowed my rage and called Marshall Gray. "I hear you run Joule," I said. "Well, I'm about to change that."

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.