What Happens At The End Of The Left Handed Booksellers Of London?

Lisa Saunders are responsible for her little sister after the death of their parents. She takes her sister to Rome Italy to forget about everything that reminds her of their parents... But her sister needs a operation and her life depends on it... She then meet the Mancini's... Alessandro's grandma offer her a way out.... She meets the blind arrogant man that she have to marry in order to safe her sister.. Will she fall in love with him? Will He change the way he sees women? Then his ex fiance unexpectedly returns, she wants him back and will do anything even murder to be the rightful Mrs Mancini... Will she succeed in winning Alessandro back? Join Lisa and Alessandro on their journey. Will Alessandro love Lisa or leave her heartbroken?

I was slowly dying from Silverthorn Wolfsbane, and there was only one cure—the Miracle Elixir. But my mate, Leo Ashford, bought it and gave it to my adoptive sister, Jane Smith. He did it because he thought I was faking my illness. I gave up on the treatment and swallowed a potent painkiller instead. It would kill me in three days by shutting down my organs. In those three days, I gave up everything. I handed over the fur manufacturing business I built from the ground up to Jane, and my parents praised me for caring about my sister. I offered to sever our mate bond, and Leo praised me for finally being sensible. When I told my son he could call Jane "mommy", he happily said that his new mommy was the best! I transferred all my savings to Jane, and no one seemed to notice anything out of the ordinary. They were just pleased with my "better behavior". "Viola is finally not so bad." I wondered—would they regret it after I was gone?

I was a brilliant artist. But I crushed my right hand saving my mafia husband, Vincent, and my ability to create died with it for three years. Vincent promised he'd make me whole again. Our private doctor swore he was doing everything he could. But my hand remained numb, useless. Then, one day, I overheard a conversation that shattered my world. "Make sure she can never create again," Vincent told the doctor. "I can't have Isabella threatening Sophia's place in the art world!" "But, Mr. Torrino, another procedure might... she could lose the hand for good." "I don't care what happens to her! Sophia saved my life. I will not let her down!" It turned out my husband was the one who had destroyed me. And the assassin, Sophia, was the woman he truly loved. He let her claim my designs, turning her into the art world’s new darling while I was trapped in a broken body. When I confronted him, pregnant with our child, he slapped me in public and told the world I was losing my mind. That night, I burned everything that bound me to him. Then I dialed an encrypted number I hadn't used in what felt like a lifetime. "Grandpa. In three days, I need to disappear."

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

Manhattan was doing that thing again twinkling like it had all the answers, when really it just had expensive lighting. Alexander Knight leaned against the glass wall of his penthouse, seventy-five floors up, watching the city hum below him. Bourbon in one hand (mostly untouched), phone in the other. The merger docs stared back at him from the screen, but the part that actually kept him up at night wasn’t the billions on the line. It was the fine print from the Japanese investors: “Family stability preferred.” Translation: get a wife, look settled, or watch the whole deal slip away. He exhaled, fogging the window for a second before it cleared. His assistant had already sent over a neat little list of “suitable” women—discreet, polished, zero drama. Women who understood arrangements. He hadn’t even opened the attachments. Because something about the whole thing felt… hollow. His gaze drifted down, past the grid of lights, to the tiny café on the corner. Golden glow spilling onto the sidewalk, handwritten sign in the window: Local Artist Pop-Up – One Night Only. A woman stood in front of a canvas, head tilted, paint-smudged shirt slipping off one shoulder. She was talking to someone out of view, laughing softly, then stepped back to study her work like it had personally offended her. She glanced up—straight toward his building, straight at him somehow, even though there was no way she could see him up here. But for a split second, their eyes locked across the impossible distance. But right then, with the whole damn city glittering between them, he had this ridiculous, unshakable thought: She’s the one I’m going to ask. And hell help them both when she says yes.

I've been in a secret relationship with Declan Gibson for five years, and I've tried to seduce him more times than I can count. Yet, when I stand in front of him in my birthday suit and a pair of bunny ears, all he does is worry that I'll catch a cold and wrap me in a blanket. I used to think his restraint came from being the mafia don, that he was saving our first time for our wedding night. However, one month before the ceremony, he secretly plans the city's grandest fireworks show to celebrate his childhood sweetheart's birthday. They hug and share a slice of cake in public. That night, they check into a hotel. … The next morning, I watch them leave together. That's when I realize Declan is not restrained. He just doesn't love me, so I walk out of the hotel. I call my parents. "Dad, I've broken up with Declan. I'll marry into the Sullivan family as planned." My father is stunned. "I thought you were madly in love with Declan. Why did you break up? I heard Bryson can't have children. You've always loved kids. What will you do once you marry him?" "It's fine," I reply, disheartened. "We can always adopt."