What Happens At The End Of The Old Fashioned Storybook?

Here come the final book in the tales of a gay man series as in the last 2 books some of these are true and some are fantasy

"Now that's done let me explain the rules of the new game. You are going to tell me a story. All you have to do is survive the story. Simple right?” In order to save the person he loves, Anderson decided to use whatever means necessary. That resolve took him towards a path he never thought was possible. The story is a little slow but it is quite the fun read. Hope you will join us on our journey with Anderson and his road to survival and power.

The wheat has yet to ripen when my Grandma, Julia Simmon, appears to me in a dream. "There will be a plague of locusts in the autumn. Sell off the produce and raise fish to ensure the family has income." I, Vanessa West, convince my parents to harvest the wheat for grain and feed before irrigating the fields to raise fish. Then, a severe drought strikes and the fish die, leaving my family drowning in debt. We're at a loss to know what to do. Then, Grandma appears in my dreams again. "There are gold bars buried under the oak tree on the hill at our old home. Selling them will sort out our debts and leave you with money to spare." After telling my father, Alan West, this, he digs up a whole crate of white powder. The police happen to be staking out the area. They have him arrested, thinking that he means to buy the drugs. For the amount he gets caught with, he faces life imprisonment. My mother, Hannah Smith, is unable to bear the sight of this and faints on the spot. Again, Grandma appears to me in a dream and offers guidance. "Dr. Hank Vance at Central Hospital can cure her. If you don't hurry, she'll be in danger!" Desperate to save my mother, I threaten Dr. Vance with my life, and he agrees to operate on her. Then, my boyfriend gets into a car accident and urgently needs treatment. However, he succumbs to his injuries due to my asking for Dr. Vance. In the meantime, Mom doesn't receive treatment in time. As she is dying, Mom weeps, asking me why I ruined the entire family. Then, she passes away on the operating table. My boyfriend's parents think I am responsible for their son's death, and they stab me 18 times. While being rushed to the emergency room, I see Grandma again. However, she is grinning maliciously as she plunges a knife into my heart, mimicking the stabs I got from real life and giving me a ruptured heart. I died without understanding why Grandma's appearances led to my family's end. I open my eyes and find out that I've returned to the day Grandma told me to sell our crops.

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

After five years of marrying into the Loween City in place of my sister, the Gambling King finally passed away. My son and my ex-husband—at long last—gave me permission to fake my death and return to them. But they laid down three conditions. First: kneel before Vivian Gray, apologize for framing her all those years ago, and surrender my place as Mrs. Hartwell. Second: work as a live-in maid for my own son for five years, and never show up at his school in my former identity as the reigning queen of the nightlife scene—lest I embarrass him. Third: drink an abortifacient to destroy my fertility forever, as recompense for the infertility I once caused Vivian. "My lady, you've endured five whole years just to earn your freedom—how dare they humiliate you like this?" My maid's eyes were red, burning with indignation on my behalf. But I just tipped my head back and swallowed the death-faking pill, letting the servants toss my "corpse" into the overgrown brambles beyond the city limits. Then, from the mud and weeds, I crawled back to the Hartwell mansion—one knee at a time. Day one, I knelt as ordered and signed over custody of my son without a fight. Day three, I locked myself in the storage closet and stopped showing up at school to pick my son up like I used to. I also stopped pestering him to call me "Mom." Even when Vivian—knowing full well I'm terrified of the dark—deliberately trapped me in the basement, I bore it in silence. By the time my ex-husband Nathan Hartwell saw me again, I was barely hanging on. For the first time, a flicker of panic crossed his face as he carried me out of that basement. But my son just sneered. "It's just another stunt to win our sympathy." When he caught the tears welling in Vivian's eyes, Nathan coldly dropped me to the ground. "Always scheming against Vivian with your dirty tricks—aren't you tired of it?" Right then, the system chimed in my ear: [Please proceed to the "disposable ex-wife death node" to complete the story line and return to your original world.] I let out a quiet laugh. "Not tired at all." And with that, I turned and dove straight into the swimming pool beside me.

Why does Cinderella have to marry a prince? May Holden, an independent, expressive young woman, finds herself thrown into the deep end of Hollywood. Just two months after graduating high school, she has become a household name. However starring as the lead role of the biggest book-turned-movie of the century is harder than it looks. Will May hold onto the little bit of independence she has left or will the hypnotic allure of fame brainwash her into thinking that she needs a man to be successful? Will her title as "The Wrong Cinderella" remain or will she lose sight of her true self when two dashing princes come her way?